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Where the Roads All End tells the remarkable story of an American family’s expeditions to the Kalahari Desert in the 1950s. Raytheon founder Laurence Marshall and his family recorded the lives of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important anthropology ventures in Africa.
The second book in the new series from Hater author David Moody. Set in the world of David Moody's Hater trilogy, All Roads End Here is the sequel to the "top drawer horror" (Booklist, starred review) One of Us Will Be Dead by Morning. It’s taken Matthew Dunne almost three months to get home. Never more than a few meters from the Haters at any time, every single step has been fraught with danger. But he’s made it. In his absence, his home city has become a sprawling, walled-off refugee camp. But the camp–and the entire world beyond its borders–is balanced on a knife-edge. During his time in the wilderness, Matt developed a skill which is in high demand: the ability to anticipate and predict Hater behavior. It’s these skills that will thrust him into a web of subterfuge and danger. As the pressure mounts inside the camp, he finds himself under scrutiny from all sides. He’s always done his best to avoid trouble, but sometimes it can’t be helped. The shit’s about to hit the fan, and this time Matt’s right at the epicenter. All Roads End Here is a fast-paced, and wonderfully dark story about humanity’s fight for survival in the face of the impending apocalypse.
The colorful story of one couple's journey across the world to build their dream home in the heart of the Amazon In 1989, as their mid-life crises approached, concert pianist Binka Le Breton and her husband Robin, an agricultural economist, decided to uproot themselves from their home in Washington, D.C. and start a new life in Brazil. Where the Road Ends is their story of building a house, a rainforest research center, and a new dream. Since then, they've learned how to work with the trees, the animals, the weather, the local community, and each other. Their technology now ranges from the oxcart to the Internet, and in 2000 they opened a rainforest conservation and research center that is visited by foreign researchers and Brazilian school children. From meeting their resident cowboy, Albertinho, to beheading snakes, to chauffeuring a local wedding—the adventures described here are unparalleled. This delightful memoir takes the armchair traveler deep into another world where matters of providing food and shelter can never be taken for granted. Binka and Robin have embarked on an adventure that many readers only dream about—transplanting themselves in a different country and learning (often the hard way) what it takes to survive and flourish. "A good read for armchair travelers." - Kirkus Reviews
This story is written as it happens, on the road. Digital technology and dot-com know-how are in harmony with minimalist living. The result is salt-of-the-earth drama related on the fly through an internet journal, culminating in a series of captivating true stories. A winning combination of integrity and know-how, with a relaxing informal prose, become informative nonfiction that reads like a novel. This first book progresses from the shedding of a traditional lifestyle to discoveries made on their bicycle journey from Arizona, USA to Panama City, Panama. On bicycle, the Travises are exposed to the ground level of society, an experience few outsiders will ever know. Along the way, the Travises witness a religious pilgrimage in Chalma, Mexico, visited ancient Aztec and Mayan ruins, were attacked by an airplane spraying pesticides in Guatemala and saw alligators, scarlet Macaws and three-toed sloths in the jungles and cloud forests of Costa Rica. You can check on their location, catch up on the latest news, and view stunning photographs from their global bicycle tour at their extensive web site: http://www.downtheroad.org.
A noted teller of the traditional tales of the Adirondacks and of Native peoples everywhere, Joseph Bruchac has performed throughout the world. That gift for narrative informs this revealing autobiography.
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
William Woodruff had the sort of childhood satirised in the famous Monty Python Yorkshireman sketch. The son of a weaver, he was born on a pallet of straw at the back of the mill and two days later his mother was back at work. Life was extrememly tough for the family in 1920's Blackburn -- a treat was sheep's head or cow heel soup -- and got worse when his father lost his job when the cotton industry started its terminal decline. Woodruff had to find his childhood fun in the little free time he had available between his delivery job and school, but he never writes self-pityingly, leaving the reader to shed the tears on his behalf. At ten his mother takes him on his one and only holiday -- to Blackpool. He never wonders where they get the money to do so, only where she disappears to with strange men in the afternoons, before taking him to the funfair, pockets jingling an hour or two later. NAB END is certainly not all grime and gloom however, there's a cast of great minor characters from an unfrocked vicar to William's indomitable grandmother Bridget who lend some colour and humour -- and all against the strongly rendered social backdrop of the 1920s and 1930s.
In 1970, John M. Allegro published The Sacred Mushroom and the Cross, arguing that the early Christians belonged to a drug cult, their sacrament consisting of hallucinogenic mushrooms. The book contained a large amount of linguistic data to support Allegro's speculations. In his follow-up book, The End of a Road, Allegro considered the philosophical ramifications of having undermined Christianity and hence, for many people, religion altogether. He argued that abandoning religion is not tantamount to abandoning morality; rather, it should enable a more honest and straightforward approach to morality. This new edition includes a new foreword by Judith Anne Brown, author of John Marco Allegro: The Maverick of the Dead Sea Scrolls, as well as two new essays. These are an essay by Franco Fabbro discussing a mushroom mosaic in an early Christian church in Aquileia; and an essay by John Bolender discussing the vagueness of the concept of religion, which raises questions about the precise target of Allegro's polemic and challenges attempts to defend religion as a biological adaptation.