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Best-Selling, Award-winning Author Blue Saffire Where the Piece Fall: Book 1 in the Lost Hearts Series Where the Pieces Fall Lost Hearts Book 1 My world is falling apart. I don't know how to stop my breath from leaving me. She's my everything, my woman, my life, my love, my glue. She saw me, even as I tried to hide, but I wanted her to, because I wanted her. Now, I have to find my way back, my way back to my Nicole. At six foot seven, there was no way for me to miss him. I love him with everything I am. That will never be the problem. I need Caleb to remember we are a team and then I need him to fight for that team, because this time, my love alone is not enough. **This book has strong language and sexual content. This Book is for Mature Readers 18] ***To keep up with release dates sign up to the mailing list at www.bluesaffire.com
An intimate guide to self-acceptance and discovery that offers a Buddhist perspective on wholeness within the framework of a Western understanding of self. For decades, Western psychology has promised fulfillment through building and strengthening the ego. We are taught that the ideal is a strong, individuated self, constructed and reinforced over a lifetime. But Buddhist psychiatrist Mark Epstein has found a different way. Going to Pieces Without Falling Apart shows us that happiness doesn't come from any kind of acquisitiveness, be it material or psychological. Happiness comes from letting go. Weaving together the accumulated wisdom of his two worlds--Buddhism and Western psychotherapy—Epstein shows how "the happiness that we seek depends on our ability to balance the ego's need to do with our inherent capacity to be." He encourages us to relax the ever-vigilant mind in order to experience the freedom that comes only from relinquishing control. Drawing on events in his own life and stories from his patients, Going to Pieces Without Falling Apart teaches us that only by letting go can we start on the path to a more peaceful and spiritually satisfying life.
Fall to Pieces is a beautifully written, visceral, roller coaster ride inside bipolar disorder, rock ’n’ roll, celebrity culture, and the world of modeling. Mary Forsberg Weiland, ex-wife of the late Scott Weiland, front man for Stone Temple Pilots and Velvet Revolver, tells a harrowing true story of depression, drug addiction, and mental illness with candor and, often, humor. Co-written with veteran journalist Larkin Warren, Fall to Pieces is a blistering, eye-opening memoir of Hollywood meltdown in the bestselling vein of Tatum O’Neal’s A Paper Life and Valerie Bertinelli’s Losing It.
How can I have inner peace as a mother when I feel so stressed and scattered? For mothers who feel they are constantly juggling multiple demands, How to Have Peace When You're Falling to Pieces is packed with uplifting stories, poems, quotes, and scriptures that instill fresh perspective on the work of a mother.
As a wife and mom, church volunteer, and small business owner, Ann Van Hine prided herself on being in control of her life. Until 9/11. Pieces Falling is Ann's story of navigating the very personal loss of her husband, Bruce-a New York City firefighter who died on 9/11- amid the very public tragedy that shocked the world. Her poignant reflections help answer the questions: - How do you cope when life lies in pieces around you? - How do you begin to rebuild in the face of all that has been lost? - How do you commemorate the past while creating space for your future? Ann's journey parallels the evolution of Ground Zero from a place of death and destruction to the moving Memorial Plaza today-and is a beautiful testament to the resilience of a woman, a family, and a nation.
John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.
I lost my men. I lost my leg. I lost my career. And all I could think of was Lauren.I left for West Point with two things: a broken heart and a promise to never let it happen again.Now I'm back in Colorado as a war hero. F*ck that, I'm a celebrity.And every woman wants to open her legs for Captain America.So why do I only want her? ***Even with one leg, Mack Forrester hasn't lost his swagger. It's been a decade since he left. But under his tattoos, I still see the guy who broke my heart when he chose his country instead of me. I told myself I was over it. Over him. One glimpse in his crystal blue eyes and I knew it was a lie. Now he wants me back, but ten years is a long time. There's so much he doesn't know. Like, that I had his child.
From the New York Times-bestselling creator of The Adventures of Beekle: The Unimaginary Friend comes the inspiring epilogue to the beloved classic nursery rhyme Humpty Dumpty. Everyone knows that when Humpty Dumpty sat on a wall, Humpty Dumpty had a great fall. But what happened after? Caldecott Medalist Dan Santat's poignant tale follows Humpty Dumpty, an avid bird watcher whose favorite place to be is high up on the city wall--that is, until after his famous fall. Now terrified of heights, Humpty can longer do many of the things he loves most. Will he summon the courage to face his fear? After the Fall (How Humpty Dumpty Got Back Up Again) is a masterful picture book that will remind readers of all ages that Life begins when you get back up. 2018 NCTE Charlotte Huck Award Winner A Kirkus Reviews Best Picture Book of 2017 A New York Times Notable Children's Book of 2017 A New York City Public Library Notable Best Book for Kids A Chicago Public Library Best Book of 2017 A Horn Book Fanfare Best Book of 2017 An NPR Best Book of 2017
"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.