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This publication examines soil and water conservation technologies and approaches from a global perspective, using case studies from over 20 countries around the world. It addresses key environmental concerns such as desertification, poverty, water scarcity and conflicts. Various land use categories are covered (cropland, forest and grazing land) and technologies described include: conservation agriculture, manuring and composting including vermiculture, vegitative strips, agroforestry, water harvesting, gully rehabilitation, terraces and grazing land management. Co-published by the Technical Centre for Agricultural and Rural Co-operation (CTA), FAO, UNEP and the Centre for Development and Environment (CDE) on behalf of the World Overview of Conservation Approaches and Technologies (WOCAT), this publication sets new standards for the systematic documentation, evaluation and dissemination of knowledge on sustainable land management.
SHORTLISTED FOR THE DIVERSE BOOK AWARDS 'Tender, challenging and as warm as it was razor-sharp' Beth O'Leary 'If you've read Joanna Cannon I think you'll love this' Simon Savidge 'A sublimely witty and touching story' Jonathan Coe The standout new novel by acclaimed author Ayisha Malik - perfect for fans of David Nicholls and Candice Carty-Williams. In the sleepy village of Babel's End, trouble is brewing. Bilal Hasham is having a mid-life crisis. His mother has just died, and he finds peace lying in a grave he's dug in the garden. His elderly Auntie Rukhsana has come to live with him, and forged an unlikely friendship with village busybody, Shelley Hawking. His wife Mariam is distant and distracted, and his stepson Haaris is spending more time with his real father. Bilal's mother's dying wish was to build a mosque in Babel's End, but when Shelley gets wind of this scheme, she unleashes the forces of hell. Will Bilal's mosque project bring his family and his beloved village together again, or drive them apart? Warm, wise and laugh-out-loud funny, This Green and Pleasant Land is a life-affirming look at love, faith and the meaning of home.
SHORTLISTED FOR INSPIRATIONAL BOOK OF THE YEAR AT THE 2014 GARDEN MEDIA GUILD AWARDS. The wonderfully evocative story of how Britain’s World War Two gardeners – with great ingenuity, invincible good humour and extraordinary fortitude – dug for victory on home turf. A Green and Pleasant Land tells the intriguing and inspiring story of how Britain's wartime government encouraged and cajoled its citizens to grow their own fruit and vegetables. As the Second World War began in earnest and a whole nation listened to wireless broadcasts, dug holes for Anderson shelters, counted their coupons and made do and mended, so too were they instructed to ‘Dig for Victory’. Ordinary people, as well as gardening experts, rose to the challenge: gardens, scrubland, allotments and even public parks were soon helping to feed a nation deprived of fresh produce. As Ursula Buchan reveals, this practical contribution to the Home Front was tackled with thrifty ingenuity, grumbling humour and extraordinary fortitude. The simple act of turning over soil and tending new plants became important psychologically for a population under constant threat of bombing and even invasion. Gardening reminded people that their country and its more innocent and insular pursuits were worth fighting for. Gardening in wartime Britain was a part of the fight for freedom.
The lives of a group of Romanian students under Communism, with its poverty, regimentation and depressing greyness. Life gets no better after graduation, so much so that several commit suicide.
Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.
This is a rich ethnographic account of the relationship between identity politics, neoliberal development policy, and rights to resource management in native communities on the north coast of Honduras. It also answers the question: can “freedom” be achieved under the structures of neoliberalism?
‘One of the most important books of the decade’ Country Life Finally, a practical, realistic plan to rescue, preserve and enhance nature.
Joanna Burton was born in South Africa but sent by her missionary father to be raised in Yorkshire. There she dreams of the far-off lands she will visit and adventures to come. At eighteen, tall and flaxen-haired, she meets Teddy Leigh, a young man on his way to the trenches of the First World War. Joanna has been in love before - with Sir Walter Raleigh, with the Scarlet Pimpernel, with Coriolanus - but this is different. Teddy tells her he's been given the world to wear as a golden ball. Joanna believes him and marries him, but the fabled shores recede into the distance when, after the war, Teddy returns in ill health. The magic land turns out to be the harsh reality of motherhood and life on a Yorkshire farm. Yet still she dares to dream.
A practical and engaging guide to dinghy cruising, covering everything from getting set up to embarking on more adventurous cruises. A wonderful read with a huge amount of useful advice.
British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features. The myth-inspired writings of Alfred, Lord Tennyson, Algernon Blackwood, Aleister Crowley, Lord Dunsany and even Kenneth Grahame's The Wind in the Willows informed later British films and television dramas such as The Owl Service (1969-70), Blood on Satan's Claw (1971), The Wicker Man (1973), Excalibur (1981) and Monty Python and the Holy Grail (1975). The author analyzes the evocative language and esthetics of landscapes in literature, film, television and music, and how "psycho-geography" is used to explore the influence of the past on the present.