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Links developments in the new sciences with the ancient wisdom of the various occult and spiritual traditions. New revised edition.
In a world where science is everything, humans rule the universe, and people no longer believe in magic. An earthling, Sam, who grew up believing that he is an orphan, dreams of finding true magic and the answer to life. His admission into Volgarth, a mysterious institution in the far-away planet of Tiron, brought hope into his life. He will meet new friends there; new territories and magical lore will be explored. But magic brings with it many mysteries and dangerous secrets. Strange secrets are associated with Sam and his past and it makes him special… but only if he can figure out what they are.
Could we understand, in biological terms, the unique and fantastic capabilities of the human brain to both create and enjoy art? In the past decade neuroscience has made a huge leap in developing experimental techniques as well as theoretical frameworks for studying emergent properties following the activity of large neuronal networks. These methods, including MEG, fMRI, sophisticated data analysis approaches and behavioral methods, are increasingly being used in many labs worldwide, with the goal to explore brain mechanisms corresponding to the artistic experience. The 37 articles composing this unique Frontiers Research Topic bring together experimental and theoretical research, linking state-of-the-art knowledge about the brain with the phenomena of Art. It covers a broad scope of topics, contributed by world-renowned experts in vision, audition, somato-sensation, movement, and cinema. Importantly, as we felt that a dialog among artists and scientists is essential and fruitful, we invited a few artists to contribute their insights, as well as their art. Joan Miró said that “art is the search for the alphabet of the mind.” This volume reflects the state of the art search to understand neurobiological alphabet of the Arts. We hope that the wide range of articles in this volume will be highly attractive to brain researchers, artists and the community at large.
Exploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
• Details how sacred sites resonate at the same frequencies as both the Earth and the alpha waves of the human brain • Shows how human writing in its original hieroglyphic form was a direct response to the divine sound patterns of sacred sites • Explains how ancient hero myths from around the world relate to divine acoustic science and formed the source of religion The Earth resonates at an extremely low frequency. Known as “the Schumann Resonance,” this natural rhythm of the Earth precisely corresponds with the human brain’s alpha wave frequencies--the frequency at which we enter into and come out of sleep as well as the frequency of deep meditation, inspiration, and problem solving. Sound experiments reveal that sacred sites and structures like stupas, pyramids, and cathedrals also resonate at these special frequencies when activated by chanting and singing. Did our ancestors build their sacred sites according to the rhythms of the Earth? Exploring the acoustic connections between the Earth, the human brain, and sacred spaces, David Elkington shows how humanity maintained a direct line of communication with Mother Earth and the Divine through the construction of sacred sites, such as Stonehenge, Newgrange, Machu Picchu, Chartres Cathedral, and the pyramids of both Egypt and Mexico. He reveals how human writing in its original hieroglyphic form was a direct response to the divine sound patterns of sacred sites, showing how, for example, recognizable hieroglyphs appear in sand patterns when the sacred frequencies of the Great Pyramid are activated. Looking at ancient hero legends--those about the bringers of important knowledge or language--Elkington explains how these myths form the source of ancient religion and have a unique mythological resonance, as do the sites associated with them. The author then reveals how religion, including Christianity, is an ancient language of acoustic science given expression by the world’s sacred sites and shows that power places played a profound role in the development of human civilization.
In this engaging guide, teacher, poet and lyricist Adrian May shows how magic is a tool used by writers to generate creativity, where concepts of magic are seen as portals of creative power. This unique book features approachable chapters on aspects of magic and writing - such as the Tarot and the creative methods of W. B. Yeats. Blending literary criticism with practical exercises, this text will enable readers to understand the magical nature of creative writing, giving them a sense of wider possibilities and equipping them to improve their creative writing. This an ideal resource for undergraduate or postgraduate students taking courses on Creative Writing, as well as established or budding writers working independently.
Scientist and psychonaut David Luke weaves personal experience and scientific research in this comprehensive exploration of chemically mediated extra ordinary human experiences."Emphasizing parapsychological aspects of the psychedelic experience, Luke's new book fills in a fascinating and previously neglected lacuna in the burgeoning field of human studies with these compounds. " - Rick Strassman, PhD "A psychedelic Indiana Jones. " - Matt Colborn, PhD "David Luke's delightful one-liner about his book is that it's 'about weird people in weird places taking weird substances doing weird things and, importantly, having weird experiences' . . . On reflection, it's much more profound than that . . . So weird reader, forge ahead without fear. " - Dean Radin, PhD "In his fascinating book David plunges into this controversial topic and gives the backstory, the front story, and possible ways forward to bring paranormal and psychedelic research together, and further our understanding of both. " - Dennis J. McKenna, PhD "A remarkable collection and a necessary one. This body of research illuminates aspects of psychedelic experiences usually obscured or denied in the medical and clinical research and sensationalized in the popular press. " - James Fadiman, PhD "A real Dr Gonzo. " - Will Self
Phineas What do you do when you discover your mate is ensconced in your enemy’s ranks? You take her. And nothing and no one will get in my way. Lennox I was raised to believe that ‘they’ are evil, but I never fully believed that. At least, I didn’t until I found myself taken from the safety of my family and hidden away from everyone and thing I knew. Now face-to-face with my captor, I can’t decide if I’m terrified or intrigued.
We are living in a complicated period in relation to our understanding of 'extraordinary' phenomena. Naive materialist approaches are more assertive than ever, in anthropology and in the world more generally. At the same time, the taboos against admitting to the reality of the paranormal are weakening. There is a growing body of writing which takes the paranormal and extraordinary seriously, while bringing to it the same academic standards that any other subject matter would require. This is a valuable and important development, and it helps open the way to new modes of understanding in the sciences and social sciences that will not reject scientific rationality, but expand that rationality so as to include more of the world of human experience. The articles in this Paranthropology reader provide important clues and suggestions, along with rigorous argument, to help us in exploring what is likely to be a major area of anthropological engagement in coming years. Dr.Geoffrey Samuel, Cardiff University.
How magicians exploit the natural functioning of our brains to astonish and amaze us How do magicians make us see the impossible? The Illusionist Brain takes you on an unforgettable journey through the inner workings of the human mind, revealing how magicians achieve their spectacular and seemingly impossible effects by interfering with your cognitive processes. Along the way, this lively and informative book provides a guided tour of modern neuroscience, using magic as a lens for understanding the unconscious and automatic functioning of our brains. We construct reality from the information stored in our memories and received through our senses, and our brains are remarkably adept at tricking us into believing that our experience is continuous. In fact, our minds create our perception of reality by elaborating meanings and continuities from incomplete information, and while this strategy carries clear benefits for survival, it comes with blind spots that magicians know how to exploit. Jordi Camí and Luis Martínez explore the many different ways illusionists manipulate our attention—making us look but not see—and take advantage of our individual predispositions and fragile memories. The Illusionist Brain draws on the latest findings in neuroscience to explain how magic deceives us, surprises us, and amazes us, and demonstrates how illusionists skillfully “hack” our brains to alter how we perceive things and influence what we imagine.