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"During the Civil War and Reconstruction, popular magazines throughout the country published hundreds of short narratives that confronted or evaded the meaning of the Union's great crisis. Yet despite their importance as a measure of the era's cultural temper, these stories have remain largely unexamined in studies of Civil War literature. Where My Heart is Turning Ever is the first volume in a projected trilogy that seeks to recover the significance of this forgotten body of writing. Unearthing more than three hundred stories from sixteen magazines in the South and West as well as the culturally dominant Northeast, Kathleen Diffley examines the effort of popular writers and publications to contain the disruption caused by the war and its aftermath. That effort, she shows, proved especially precarious when writers took up matters of race, political section, and gender. In this volume, Diffley identifies three distinct genres among the stories she investigates: "Old Homestead," which embodies themes of domestic order, collapse, and restoration; "Romance," which represents tensions between the sexes as the result of difficulties imposed by the war and Reconstruction; and "Adventure," which subverts domestic ideals by uprooting characters and situating them outside the home. As she discusses these genres, Diffley relates their messages to the post-bellum congressional debates over constitutional amendments abolishing slavery, guaranteeing federal authority over state jurisdictions, and extending voting rights to black men. She hows how the rhetoric that emerged both in Congress and in popular magazines promoted a new concept of national citizenship, one that transformed ties to kin into ties to country. In addition to discussing the broad spectrum of stories that fall within the three genres she identifies, Diffley includes full text of representative stories by Mark Twain, John W. De Forest, and Rebecca Harding Davis. She then analyzes each story, linking its author's career with the wider cultural and formal patterns that the story reveals. In the subsequent volumes of the trilogy, Diffley will provide a taxonomy of the stories she has uncovered and will examine them in light of reader-response theory. The completed project promises an unprecedented analysis of the ways in which short popular narratives helped readers of that troubled era make sense of the Civil War."--Publisher's description
The Day My Heart Turned Blue: Healing After the Loss of My Mother After witnessing her mother’s death, Karla J. Noland struggled with the uncertainty of what life would be like without her. Then, while packing up her mother’s belongings, Karla uncovered a collection of journal writings and prayers that changed her life forever. The Day My Heart Turned Blue: Healing After the Loss of My Mother was written for people reeling from the death of a parent and needing encouragement and direction to help them move forward. There are three parts to the book. Part 1: Picking up the Pieces, describes Karla’s experience as she witnessed her mother take her last breath and the phases of grief she went through while being the executrix of her mother’s estate. Part 2: In Her Own Words, emphasizes the power of journaling and displays the handwritten journal entries of Karla’s mother, Eutrice E. James. This section describes how the journals gave Karla solace in her grief and allowed her to see her mother as a more complex person. Part 3: Give Yourself Permission, outlines Karla’s healing process and the creation of her coaching business, Reveal Heal Thrive LLC. It is also a call to action for readers to begin their own healing process. Karla encourages others to journal their life experiences in order to uncover their hidden pain and heal from it so they can live life to the fullest. The Day My Heart Turned Blue tells the story of how Karla found the strength to turn her pain into purpose after losing her mother. She hopes her readers will walk away encouraged and give themselves permission to discover their own strength and walk in it.
This is the story of Will Rawlins, a gifted physician and scientist derailed by his passion for an enigmatic young woman who wields her sensuality as a weapon. Damaged and directionless, he drifts southward into Mexico, where he is forced to flee prosecution for a crime not of his own doing. Set largely in Sonoran Mexico, Baja California, and the strange, deep sea that divides them, The Heart’s Hard Turning is a story of loyalty and betrayal, despair and courage, friendship and death; a story of a deliverance from evil; and, ultimately, a story of our struggle to learn where to love and whom.
The Day My Heart Turned Blue Bereavement Companion Journal The Day My Heart Turned Blue Bereavement Companion Journal is meant to complement Karla J. Noland’s book, The Day My Heart Turned Blue: Healing After the Loss of My Mother. However, it can also be used on its own to guide you on your bereavement journey. The purpose of the companion journal is to guide the bereaved through the process of healing, reflecting, and honoring their parent so they can move forward. The journal is composed of three parts: Part 1: Embracing Your Emotions. This section will walk you through a cathartic experience of identifying and releasing the range of powerful emotions triggered by the loss of a parent. Grief cannot be stifled or rushed. You need to allow yourself to experience all of the emotions in order to get to the other side. And you get to decide what the other side of grief looks like for you. Part 2: Self-Care for a Grieving Heart. This section outlines the four steps of bereavement self-care that can help you heal from a wounded heart. Grief can have an unshakeable hold on your heart when you lose a loved one. Mourning ensues because your heart is devastated, and you realize that what was no longer is. Fortunately, with proper care, a wounded heart can heal. Part 3: Honoring your Loved One. This section will coach you through the process of moving forward by celebrating your loved one’s heavenly birthday, getting through the holiday season, and turning your pain into purpose. You can view life from a new perspective as you heal, one that is full of hope and inspiration. In between each chapter of the companion journal, you will find self-check-ins that prompt you to perform emotional checkups on yourself. The check-ins are designed to provide you with valuable personal insight into your current emotional state and allow you to reflect on the progress you’ve made. Remember that you are the author of your life. Your journal should be unapologetically raw and honest, no matter how difficult the pain is right now. When you pour your heart out on paper, you shine a light on the darkest emotions you may experience due to your grief. You might even consider turning this journal into a memoir documenting your healing journey after your parent’s death. Some days, it may feel like you’re climbing a relentless mountain with an enormous amount of weight on your back. Be encouraged. Your life may feel like a mess, but this so-called mess will give way to an inspirational message for you to share to encourage others. May the therapeutic power of journaling in The Day My Heart Turned Blue Bereavement Companion Journal allow you to reveal the areas in your life where you need to heal the most, so you can move from surviving grief to thriving in life.
Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child’s hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.