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"If you ask men if they spend any time hiding, they usually look at you as if you're nuts. 'What, me hide?' But if you ask women whether men hide, they immediately know what you mean."—from Where Men Hide Where Men Hide is a spirited tour of the dark and often dirty places men go to find comfort, camaraderie, relaxation, and escape. Ken Ross's striking photographs and James Twitchell's lively analysis trace the evolution of these virtual caves, and question why they are rapidly disappearing. Ross documents both traditional and contemporary male haunts, such as bars, barbershops, lodges, pool halls, strip clubs, garages, deer camps, megachurches, the basement Barcalounger, and Twitchell examines their provenance, purpose, and appeal. He finds that for centuries men have met with each other in underground lairs and clubhouses to conduct business or, in the case of strip clubs and the modern rec room, to bond and indulge in shady entertainments. In these secret dens, certain rules are abandoned while others are obeyed. However, Twitchell sees this less as exclusionary behavior and more as the result of social anxiety: when women want to get together, they just do it; when men get together, it's a production. Drawing on literary, historical, and pop cultural sources, Twitchell connects the places men hide with figures like Hemingway and Huck Finn, Frederick Jackson Turner's theory of the American frontier, and the mythological interpretations of Joseph Campbell and Robert Bly. Instead of blaming the disappearance of the man-cave solely on feminism, simple fair play, or the demands of Title IX, Twitchell believes this evaporation is due as well to the rise of solitary pursuits such as driving, watching television, and playing videogames. By blending together anecdote, research, and keen observation, Ross and Twitchell bring this little-discussed and controversial phenomenon to light.
“Gajda’s chronicle reveals an enduring tension between principles of free speech and respect for individuals’ private lives. …just the sort of road map we could use right now.”—The Atlantic “Wry and fascinating…Gajda is a nimble storyteller [and] an insightful guide to a rich and textured history that gets easily caricatured, especially when a culture war is raging.”—The New York Times An urgent book for today's privacy wars, and essential reading on how the courts have--for centuries--often protected privileged men's rights at the cost of everyone else's. Should everyone have privacy in their personal lives? Can privacy exist in a public place? Is there a right to be left alone even in the United States? You may be startled to realize that the original framers were sensitive to the importance of privacy interests relating to sexuality and intimate life, but mostly just for powerful and privileged (and usually white) men. The battle between an individual’s right to privacy and the public’s right to know has been fought for centuries. The founders demanded privacy for all the wrong press-quashing reasons. Supreme Court jus­tice Louis Brandeis famously promoted First Amend­ment freedoms but argued strongly for privacy too; and presidents from Thomas Jefferson through Don­ald Trump confidently hid behind privacy despite intense public interest in their lives. Today privacy seems simultaneously under siege and surging. And that’s doubly dangerous, as legal expert Amy Gajda argues. Too little privacy leaves ordinary people vulnerable to those who deal in and publish soul-crushing secrets. Too much means the famous and infamous can cloak themselves in secrecy and dodge accountability. Seek and Hide carries us from the very start, when privacy concepts first entered American law and society, to now, when the law al­lows a Silicon Valley titan to destroy a media site like Gawker out of spite. Muckraker Upton Sinclair, like Nellie Bly before him, pushed the envelope of privacy and propriety and then became a privacy advocate when journalists used the same techniques against him. By the early 2000s we were on our way to today’s full-blown crisis in the digital age, worrying that smartphones, webcams, basement publishers, and the forever internet had erased the right to privacy completely.
An ALA Stonewall Honor book and a finalist for the Lambda Literary and Publishing Triangle awards, Hide is a tender, aching story of a hidden life in the recent history of gay love in America. *The hardcover was an ABA Indies Introduce Pick, an Indie Next List Selection, and an Amazon Best Book of the Month.* Wendell and Frank meet at the end of World War II, when Frank returns home to their North Carolina town. Soon he's loitering around Wendell's taxidermy shop, and the two come to understand their connection as love-a love that, in this time and place, can hold real danger. Cutting nearly all ties with the rest of the world, they make a home for themselves on the outskirts of town, a string of beloved dogs for company. Wendell cooks, Frank cares for the yard, and together they enjoy the vicarious drama of courtroom TV. But when Wendell finds Frank lying outside among their tomatoes at the age of eighty-three, he feels a new threat to their careful self-reliance. As Frank's physical strength and his memory deteriorate, the two of them must fully confront the sacrifices they've made for each other-and the impending loss of the life they've built. Raw, gently funny, and gorgeously rendered, Hide is a love story of rare power.
When Heidi Evans's ninety-one-year-old aunt died, her sons were dumbstruck to discover a bankbook with a balance of $50,000 hidden in her top drawer. She had been a devoted housewife and mother all of her adult life -- so where had the money come from? But the women in the family just smiled. They knew. Like generations of women, Aunt Lee had been building a nest egg, stashing away a few dollars a week from her household allowance (and maybe sometimes from Uncle Irving's pockets) so that she could have a little money of her very own -- for a rainy day, for her kids, or just to pay for her dreams. Now Evans revives this age-old practice of stowing away money and shows women of all ages how a nest egg can make marriage more secure and more fun, and divorce or widowhood less devastating. This award-winning journalist shows us just how the nest egg works by introducing us to a fascinating variety of women whose marriages have been marked by the war over money. These intimate and revealing stories give us a clear view of the financial landscape within marriage today, from relationships in which men control the money -- and their wives -- to families in which women can openly save their own money for the years ahead. And so we meet Veronica, a hair colorist in her twenties who stashes $20 a day from her tips so she can pay for the little luxuries she and her new husband would like. And Meryl, whose husband left her for a younger woman after twenty-five years of marriage and who now finds that divorce has generated a desperate need for private savings. Later, we meet Irene, a seventy-seven-year-old for whom early widowhood might have meant poverty for her and her sons if she hadn't been so smart about creating a nest egg. The age-old tradition of the nest egg has become more important for women than ever. Indeed, financial security is the number-one problem facing women today, in and out of marriage. Women are still earning only 76 cents to every dollar earned by men and champing at the bit to have equal footing -- or at least the ability to buy that third pair of black pumps without an argument. What to do? Save a little for yourself...with the full knowledge of your husband (if you can) or on the sly (if you must). Whether you pick your husband's pockets or work like a dog for your own paycheck, money is marriage insurance, and it's nonnegotiable. So what are you waiting for?
If you or someone you love is struggling with sexual sin, then you know how easy it is to live a lie. But what if you stepped out of the shadows and into the truth—starting with the truth of God's love for you right now? Stop hiding. You've been found by the only One powerful enough to change you.
Written for Christian men struggling with any form of sexual brokenness, this resource helps men understand that sexual sin starts in their minds and hearts and shows them how knowing Christ breaks their chains, builds spiritual brotherhood, and helps them take practical steps to re-create their minds in a God-focused direction. The ...
A former MI6 agent must return to his deadly talents when his quiet English village is overtaken by killers in this nonstop action thriller. When armed men infiltrate the tiny Peak District hamlet of Barkelow, Emil Torrance thinks they’ve cone to kill him because of his past. Escaping is easy enough for a man like him, but when he learns that all of Berkelow has been overtaken, he realises his son is in grave danger. Believing that calling the police will cost lives, he decides to deal with the problem alone. But Emil isn’t far from the target, and the threat he’s facing is far greater than he realises. Who are these killers? What do they want? And how far are they willing to go to get it? If Emil and his son are going to survive, he will have to become the man he has been trying to hide from . . .
"Pankaj Mishra transforms a visceral, intimate story of one man’s humble origins into a kaleidoscopic portrait of a society bedazzled by power and wealth—what it means on a human level, and what it costs. Run and Hide is a spectacular, illuminating work of fiction." —Jennifer Egan, author of Manhattan Beach Growing up in a small railway town, Arun always dreamed of escape. His acceptance to the prestigious Indian Institute of Technology, enabled through great sacrifice by his low-caste parents, is seemingly his golden ticket out of a life plagued by everyday cruelties and deprivations. At the predominantly male campus, he meets two students from similar backgrounds. Unlike Arun—scarred by his childhood, and an uneasy interloper among go-getters—they possess the sheer will and confidence to break through merciless social barriers. The alumni of IIT eventually go on to become the financial wizards of their generation, working hard and playing hard from East Hampton to Tuscany—the beneficiaries of unprecedented financial and sexual freedom. But while his friends play out Gatsby-style fantasies, Arun fails to leverage his elite education for social capital. He decides to pursue the writerly life, retreating to a small village in the Himalayas with his aging mother. Arun’s modest idyll is one day disrupted by the arrival of a young woman named Alia, who is writing an exposé of his former classmates. Alia, beautiful and sophisticated, draws Arun back to the prospering world where he must be someone else if he is to belong. When he is implicated in a terrible act of violence committed by his closest friend from IIT, Arun will have to reckon with the person he has become. Run and Hide is Pankaj Mishra’s powerful story of achieving material progress at great moral and emotional cost. It is also the story of a changing country and global order, and the inequities of class and gender that map onto our most intimate relationships.
In 1867 the total number of buffaloes in the trans-Missouri region was conservatively estimated at fifteen million. By the end of the 1880s that figure had dwindled to a few hundred. The destruction of the great herds is the theme of this book. Mari Sandoz's canvas is vast, but it is charged with color and excitement—accounts of Indian ambushes, hairbreadth escapes, gambling and gunfights, military expeditions, famous frontier characters (Wild Bill Hickok, Lonesome Charlie Reynolds, Buffalo Bill, Sheridan, Custer, and Indian Chiefs Whistler, Yellow Wolf, Spotted Tail, and Sitting Bull).
Photographer Deirdre O'Callaghan has produced an unsettling but ultimately engaging document of the residents at Arlington House, Europe's largest men's refuge. Built in the early 20th century for itinerant irish workers, many of the residents have been displaced from their home country, Ireland, and suffer from mental and physical disabilities, largely alchoholism. O'Callaghan's work reveals the humour and companionship the men derive from their shared experience, both in the refuge and on their return, sponsored, trips to Ireland. Deirdre O'Callaghan was born in County Cork, Ireland in 1969, and shoots regularly for Q, Mojo, Spin, Arena, The Guardian and Observer magazines. Hide That Can is her first book. She lives and works in London.