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In love and soon to be a father, Luke Carey has the life he's always wanted. That is, until a mysterious late-night phone call summons him to San Francisco. Luke's first daughter whom he hasn't seen in six years, fourteen-year-old Danielle, needs him, and he's desperate to do anything he can to help. But coming back into Danielle's life means facing his ex-wife Nora, and the explosive, violent drama of the life he left behind.
William John Locke was a novelist and playwright. Five times Locke's books made the list of best-selling novels in the United States for the year. His works have been made into 24 motion pictures the most recent of which was Ladies in Lavender, filmed in 2004 and starring Dame Judi Dench and Maggie Smith. Adapted to the screen by Charles Dance, it was based on Locke's 1916 short story of the same title that had been published in a collection entitled "Faraway Stories." Probably the most famous of Locke's books adapted to the screen was the 1918 Pickford Film Corporation production of Stella Maris starring Mary Pickford. In addition, four of his books were made into Broadway plays, two of which Locke wrote and were produced by Charles Frohman.
Every day brings evidence of dramatic change upon the landscape. It's called progress. Melissa Holbrook Pierson, with unalloyed insight, elucidates how it feels to lose that landscape of home.
A romantic conflict between three seniors: love, jealousy, and solitude play a major role not only in the life of young people.
A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.
**AS SEEN ON BBC BETWEEN THE COVERS** 25TH ANNIVERSARY EDITION - WITH A NEW INTRODUCTION BY THE AUTHOR 'A true diamond of a novel, glinting with comedy and tragedy' Daily Mail It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous – and a consummate musician. When Pelagia, the local doctor's daughter, finds her letters to her fiancé go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable. But can this fragile love survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender? 'Louis de Bernières is in the direct line that runs through Dickens and Evelyn Waugh...he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste' Evening Standard
"A combination of the mystical, magical, and marvelous, Sequoia Nagamatsu weaves a collection of bold, hysterical, and moving tales into an unforgettable debut. From shape-shifters, to star-makers, to babies made of snow, the characters in WHERE WE GO WHEN ALL WE WERE IS GONE form a community of longing, of the surreal, of wonder. What a joy it is to read each and every story." --Michael Czyzniejewski
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.