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Where are we? Where is heaven and where is God? Are there moments in your life where you look to the sky and wonder, where are we? Do you see images of earth in space and question how you fit into it all? Is God really out there? Does he even know I exist?If a child were to ask you where heaven is, what would you say? Would you smile, point to the sky and say, up there? Most children are satisfied with that answer, but I have a question for you.....do you actually believe that?Do you really believe heaven is up there? Or do you have your doubts? What about someone south of the equator? Is heaven up there for them too? How would that work? Is heaven just out there somewhere? How is it possible that the sun and moon perfectly overlap on an eclipse? How is the sun about 400 times the size of the moon, yet happens to be about 400 times further away? Does that strike you as an amazing coincidence? What if it is not a coincidence at all? What if there is more to it than we can possibly imagine?Together, you and I are going to go on a very special journey. A journey that will take us through the pages of the most famous book ever assembled. Will a single book, comprised of 66 smaller books, written over a 1500 year period, by 40 different authors, all inspired by God, paint a consistent picture of God's creation? This book contains over 100 illustrated examples from the Bible. Will they paint a clear and consistent picture about the location of earth, heaven and God? Will we find the answers to some of mankind's biggest mysteries were right in front of us the whole time? Imagine, what if you are holding those answers in your hands right now?Let's find out, it's time to begin our journey...
A theory of human evolution and history based on ever-increasing mutual dependency between humans and things In this engaging exploration, archaeologist Ian Hodder departs from the two prevailing modes of thought about human evolution: the older idea of constant advancement toward a civilized ideal and the newer one of a directionless process of natural selection. Instead, he proposes a theory of human evolution and history based on “entanglement,” the ever-increasing mutual dependency between humans and things. Not only do humans become dependent on things, Hodder asserts, but things become dependent on humans, requiring an endless succession of new innovations. It is this mutual dependency that creates the dominant trend in both cultural and genetic evolution. He selects a small number of cases, ranging in significance from the invention of the wheel down to Christmas tree lights, to show how entanglement has created webs of human-thing dependency that encircle the world and limit our responses to global crises.
Print | eBook Language: English 150 pages Illustrations, map Vol. 12 , 2016 ISSN: 1660-9638 ISBN: Print: 978-3-905758-79-5 Ulla Dentlinger Where are you from? 'Playing White' under Apartheid “My family did the unthinkable: after getting away with ‘playing white’ for some years, we went one step further and ‘jumped the colour line’. By various obscure and not well-documented processes, we changed our ‘racial classification’ from ‘coloured’ – as defined by the apartheid policy of the day – to that of ‘white’ … The price we paid was anguish, constant fear of detection and a sacrifice of family connectedness. The decades-long process of becoming completely comfortable with my ultimate identity was psychologically so unnerving that I have only recently felt free to talk about it. This is certainly the first time I have ever written about it.” With these words the fascinating story of Ulla Dentlinger’s life history begins. Growing up in poor, rural Apartheid-Namibia in the early 1950s, Ulla Dentlinger soon learns that her parents are not prone to reminisce about their family’s past. The most mundane information about their background is guarded much like a state secret. As a child, she begins to panic at being asked the question so normal to others: Where are you from? Only in later years it dawns on her that she had to be a ‘Coloured’. The sense of conflict increases incrementally. Nonetheless, after living in Namibia for the first six years of her life, she grows up in a white area in Cape Town, goes to a white school and bears herself in a German fashion. She has, in fact, jumped the colour line. Returning to southern Africa in the 1990s, she now openly pursues investigations into her family background. Ulla Dentlinger portrays some of her relatives and their intimate, painful or straightforward stories as well as her own emotional realisation about her enriching heritage.
Maggie was a curious little mouse. As she was growing up, she was taught all about God. But she had never seen God, and she very much wanted to. So on a beautiful morning, Maggie convinces her friend George to help her search for God. Where should they look? Could they really find God?
Designed to help children cope with the loss of a loved one and find comfort during this stressful and difficult time.
This volume presents a line of original experimental studies on the bodily self, investigating where people locate themselves in their bodies and how accurate they are at localizing their body parts. So far, it was not well known whether people locate themselves in one or more specific regions of their bodies. On the other hand, some systematic distortions in indicating bodily locations were already documented. In the present studies, participants were therefore asked to indicate their self-locations, as well as the locations of several of their body parts, using a self-directed, first-person perspective pointing paradigm in various virtual reality (VR) setups (different head-mounted displays and a large-screen immersive display). Overall, participants were found to locate themselves mainly in the (upper) face and the (upper) torso. However, striking differences in self-localization were found when testing in different VR setups. Upon further investigation, these differences were found to be foremost due to inaccuracies in body part localization. When taking these inaccuracies into account, differences between setups—and also with self-localization outside of VR—largely disappear. Another striking finding was that providing participants—in between pointing phases—with information about their bodies in the form of a real-time animated self-avatar, did not make them more accurate at locating their own body parts. While manipulating their viewpoint to chest-height of their self-avatar did shift the afterwards indicated locations of their own body parts upwards, towards where they were seen on the avatar. Potential explanations for the various new findings, also from tasks outside of VR, are discussed. Taken together, this volume suggests a differential involvement of multi-sensory information processing in experienced self-location within the body and the ability to locate body parts. Self-localization seems to be less flexible, possibly because it is strongly grounded in the 'bodily senses', while body part localization appears more adaptable to the manipulation of sensory stimuli, at least in the visual modality.
Daddy, where are you? She cried, Daddy, Where Are You? Trapped in a maze, trying to escape the feelings of a hurting girl's bondage, a daughter constantly hits roadblocks. Her pain negatively impacts her identity and relationships. Could she be lost because of a father that left her alone? Maybe he didn't notice her stuck in a corner or understand her need for guidance. Either way, there is no cry like that of a daughter who is lost because her father is missing! In a non-fiction portrayal of the search for her father's love, Dr. Anntwanique Edwards candidly expresses how her quest could not be satisfied by man. She openly describes her disappointment with her biological and heavenly fathers for not attending to her needs. Her Life experiences are divulged to reveal the purpose of pain. This phenomenal speaker puts her words on a paper to establish God's ability to release women from the catastrophic danger of dancing with versions of love created by this world. Hear her words, declare the affirmations she shares at the end of each chapter, and experience freedom as never before.
A smart, juicy, and page-turning novel about celebrity, fandom, and the price of ambition following a journalist's obsessive search for a missing Hollywood starlet When Echo Blue, the most famous child star of the nineties, disappears ahead of a highly publicized television appearance on the eve of the millennium, the salacious theories instantly start swirling. Mostly, people assume Echo has gotten herself in trouble after a reckless New Year’s Eve. But Goldie Klein, an ambitious young journalist who also happens to be Echo's biggest fan, knows there must be more to the story. Why, on the eve of her big comeback, would Echo just go missing without a trace? After a year of covering dreary local stories for Manhattan Eye, Goldie is sure this will be her big break. Who better to find Echo Blue, and tell her story the right way, than her? And so, Goldie heads to L.A. to begin a wild search that takes her deep into Echo’s complicated life in which parental strife, friend break ups, rehab stints, and bad romances abound. But the further into Echo’s world Goldie gets, the more she questions her own complicity in the young star’s demise . . . yet she cannot tear herself away from this story, which has now consumed her entirely. Meanwhile, we also hear Echo's side of things from the beginning, showing a young woman who was chewed up and spit out by Hollywood as so many are, and who may have had to pay the ultimate price. As these young women's poignant and unexpected journeys unfold, and eventually meet, Where Are You, Echo Blue? interrogates celebrity culture, the thin line between admiration and obsession, and what it means to tell other peoples’ stories, all while ushering us on an unruly ride to find out what did become of Echo Blue.
The story is about Inez, a Hungarian girl who takes on a job as an au pair in London right after finishing college. She finds an advert in a newspaper and meets with the mother, who lives with her French husband and two boys (eight and five) in London. The girls journey begins in the south of France. She suddenly finds herself in the French Riviera in a beautiful house, with two boys whom she will have to take care of. They spend the summer holiday in France getting to know each other and the extended family. In September, the family moves back to Chiswick, London. Everybody starts to go after their duties, and Inezs daily routine takes shape too. It isnt exactly what she was looking for, and she doesnt really get along with the mother, but at least she finds friends at the English school. The mother gets pregnant, and then it turns out that the whole family has to pack up and move to Colorado. The transition period turns out to be horrific. The situation gets a little out of hand, especially after the new baby arrives. Inezs year of duty ends in the summer after one last job she has to do for the family: accompany the boys as they fly back to Budapest.