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Who were Shakespeare's 'Friend' and the 'Dark Lady'? Why did Donne risk his life and ruin his career for a seventeen-year-old girl? Why did Wordsworth's sister retire to her bed on his wedding day? Writing never takes place in a vacuum and much of the finest poetry in the English language has been inspired by particular people - patrons, spouses, lovers, friends, or just casual acquaintances. Whether relegated to an obscurity they do not deserve or thrust into prominence they did not seek, their importance to the creative process is inescapable. In Where All the Ladders Start, Julian Lovelock discusses with characteristic incisiveness and enthusiasm nine major British poets and the real lives behind some of their most personal and significant works. Along the way he shows how poetry has developed over the past four hundred years and provides suggestions for further reading, while for convenience all of the relevant poems and extracts are reproduced in full. Written for both the seasoned reader and the student encountering these poems for the first time, Lovelock's analysis will inspire and entertain in equal measure.
Walter Sands is back! In crippled, post-nuclear Boston, private investigator Walter Sands is neck-deep in the mysterious--and possibly miraculous--disappearance of Flynn Dobler, the charismatic leader of the Church of the New Beginning. Meanwhile, the governor of New England orders Walter to follow the head of a Federal delegation charged with negotiating a vital treaty, a man who the governor suspects is fomenting a revolution. Before long, both cases collide, and Walter's life hangs in the balance. Where All the Ladders Start is a memorable addition to The Last P.I. series. THE LAST P.I., in series order Dover Beach The Distance Beacons Where All The Ladders Start OTHER TITLES by Richard Bowker Senator Summit Replica Pontiff
This multi-disciplinary anthology is about hermeneutical issues pertaining to gender ideology in university scholarship. The authors provide, from their own discipline, an extensive examination of the issues raised in the Social Sciences and Humanities Research Council of Canada pamphlet, "On the Treatment of the Sexes in Research," by Margrit Eichler and Jeanne Lapointe (1985). Gender bias is described and evaluated in the light of possible alternative perspectives which would alter the content and shape of research, including women as subjects of research and as researchers. The authors underscore the importance of acknowledging underlying gender imagery in the selection, interpretation, and communication of research data. They explore the notion of research as a social construction which is strongly aligned with the socially constructed notion of male and dissociated from the socially constructed notion of female. The focus is on refraining research ideology to include both female- and male-constructed imagery. Contributors include Marlene Mackie (sociology), Carolyn Larsen (psychology), Estelle Dansereau (literary criticism), Gisele Thibault (education), Alice Mansell (art), Eliane Leslau Silverman (history), Yvonne Lefebvre (biochemistry), Petra von Morstein (philosophy), and Naomi Black (political science).
Following his critically acclaimed Modern Poems on the Bible, David Curzon gives us The View from Jacob's Ladder: One Hundred Midrashim, a look at biblical and other classic Jewish texts through his witty poetry and prose. After exploring what modern poets made of these ancient tales and then using the literary devices he learned from the poets and from the ancient commentators, Curzon writes his own midrashim. The View from Jacob's Ladder is a dialogue between the ancient and the modern, as is Modern Poems on the Bible; here, however, the modern voice is Curzon's alone. It is sometimes acerbic, sometimes playful, and speaks to all who are looking for modern approaches to ancient texts.
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