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And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness. With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.' Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.
Shares memories of Ken Scott's days working as a producer with the Beatles, David Bowie, Elton John, Pink Floyd, Jeff Beck, Duran Duran, The Rolling Stones, Lou Reed, America, Devo, Kansas, The Tubes, Missing Persons, Mahavishnu Orchestra, Billy Cobham, Dixie Dregs and Stanley Clarke.
* Rare and unseen images from Terry O'Neill's unprecedented access to David Bowie's last performance as Ziggy Stardust, including candid backstage shots* New and original interviews from a host of people who witnessed the last performance, including Geoff MacCormack - one of Bowie's long-time friends and "Spider"; Suzy Ronson - Mick's wife and stylist; Ken Scott - sound engineer and producer; Ava Cherry - backing vocals, and many more* Includes a neon acetate coverWhen Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realize that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O'Neill, celebrated photographer, was given unprecedented access to document the event. O'Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he'd soon put to rest. On stage, dodging television cameras and lights, O'Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O'Neill remembers of Bowie: "He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes - this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet - and it was Ziggy Stardust". Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.
(Guitar Recorded Versions). Note-for-note transcriptions with tab for 13 top hits spanning the eclectic career of this innovative and influential artist. Includes: Changes * China Girl * Diamond Dogs * Fame * Heroes * I'm Afraid of Americans * Rebel, Rebel * Space Oddity * Station to Station * Suffragette City * TVC 15 * Young Americans * Ziggy Stardust.
And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist.
He came from Outer Space... It was the greatest invention in the history of pop music – the rock god who came from the stars – which struck a young David Bowie like a lightning bolt from the heavens. When Ziggy the glam alien messiah fell to Earth, he transformed Bowie from a prodigy to a superstar who changed the face of music forever. But who was Ziggy Stardust? And where did he really come from? In a work of supreme pop archaeology, Simon Goddard unearths every influence that brought Ziggy to life – from HG Wells to Holst, Kabuki to Kubrick, and Elvis to Iggy. Ziggyology documents the epic drama of the Starman’s short but eventful time on Planet Earth... and why Bowie eventually had to kill him.
A band member recounts his experience with David Bowie during the early years: “Those interested in rock history won’t want to miss this.” —Publishers Weekly For millions of people, David Bowie was an icon celebrated for his music, his film and theatrical roles, and his trendsetting influence on fashion and gender norms. But until now, no one from Bowie’s inner circle has told the story of how David Jones—a young folksinger, dancer, and aspiring mime—became one of the most influential artists of our time. Drummer Woody Woodmansey’s Spider from Mars reveals what it was like to be at the white-hot center of a star’s self-creation. With never-before-told stories and never-before-seen photographs, Woodmansey offers details of the album sessions for The Man Who Sold the World, Hunky Dory, The Rise and Fall of Ziggy Stardustand the Spiders from Mars, and Aladdin Sane: the four albums that made Bowie a cult figure. And, as fame beckoned and eventually consumed Bowie, Woodmansey recalls the wild tours, eccentric characters, and rock ‘n’ roll excess that eventually drove the band apart. A vivid and unique evocation of a transformative musical era and the enigmatic, visionary musician at the center of it, with a foreword by legendary music producer Tony Visconti and an afterword from Def Leppard’s Joe Elliot, Spider from Mars is a close-up portrait of David Bowie, by one of the people who knew him best. “Wild tours, behind-the-scenes drama, and album sessions . . . revealing.” —USA Today “An engaging behind-the-scenes look at an early phase in the life of one of rock’s most triumphant figures.” —Booklist
Mick Ronson was a lot more than just the guitarist for Ziggy Stardust. This fully updated first biography is full of first-hand recollections by those who were closest to him including a foreword by his wife Suzi and a hand-written speech by his daughter Lisa. During the five years it has taken to collate this work, authors Weird and Gilly have spoken to over fifty family members, close friends and colleagues including exclusive interviews with Suzi Ronson, David and Maggi Ronson (brother and sister), Minnie Ronson (mother), Steve Popovich (manager), Lou Reed, Mick Jones, Ian Hunter, Chrissie Hynde, Glen Matlock, Cherry Vanilla, Steve Harley, Bob Harris, Joe Elliott and a host of others. As a result, this book provides a deeply intimate and compelling insight into the life and times of an extraordinarily talented guitarist. A man who was tender and caring off the stage, yet fierce and electrifying on it. Jeff Beck, David Bowie, Ian Hunter and Annette Peacock are just a few of the names that were to become associated with the Mick Ronson legend. He toured with Bob Dylan, played with Mott The Hoople, worked with Lou Reed and produced an impressive number of albums with arresting originality. From his days as a mobile grocer to his performances at Wembley Stadium, this minutely detailed biography also includes scores of unpublished photographs and unseen rarities including: a hand-written six-page autobiography by the man himself, love letters to his first girlfriend, family album photographs and an exhaustive discography. After losing his battle with cancer, Mick passed away in the spring of 1993 at the young age of 46. This book is a salute to his remarkable music and legacy. Fully revised and updated with scores of new unpublished photographs and even more rare memorabilia. 'I was struck by the enormity of Mick's contribution to every record he played on - arrangements, incredible guitar, beautiful backing vocals, classical piano - he did it all, and he was northern and glamorous'
Bowie & Hutch is an unusual memoir, Bowie a world superstar and Hutch a comparatively little known, semi-retired jazz guitarist living in rural East Yorkshire. John 'Hutch' Hutchinson was Bowie's musical collaborator, side-man, accompanying musician and friend, and his story should be an essential read for Bowie fans around the world. An off and on musical relationship then continued for seven years, from the Marquee Club days to the fall of Ziggy Stardust in 1973. Hutch's valuable contributions to David's music during the early years are amongst the building blocks of David Bowie's spectacular career. Looking back with good humour and affection, Hutch is able to give his first-hand account of life on the road with David Bowie. The book also covers Bowie & Hutch's musical lives in parallel from the beginnings, through the rock and roll years and up to the present day. John 'Hutch' Hutchinson is still playing regular gigs in York, Scarborough and The Yorkshire Wolds area.