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Re-creates the life and loves of the storied queen as she ascends the throne of Egypt, embarks on passionate love affairs with Julius Caesar and Mark Antony, and struggles with the intrigues of the Roman Empire.
At the dawn of the 1970s, waves of hopeful idealists abandoned the city and headed for the country, convinced that a better life awaited. They were full of dreams, mostly lacking in practical skills, and soon utterly out of money. But they knew paradise when they saw it. When Loraine, Craig, Pancake, Hershe, and a dozen of their friends came into possession of 116 acres in Vermont, they had big plans: to grow their own food, build their own shelter, and create an enlightened community. They had little idea that at the same moment, all over the country, a million other young people were making the same move -- back to the land. We Are As Gods follows the Myrtle Hill commune as its members enjoy a euphoric Free Love summer. Nearby, a fledgling organic farm sets to work with horses, and a couple -- the author's parents -- attempts to build a geodesic dome. Yet Myrtle Hill's summer ends in panic as they rush to build shelter while they struggle to reconcile their ideals with the somber realities of physical hardship and shifting priorities -- especially when one member goes dangerously rogue. Kate Daloz has written a meticulously researched testament to the dreams of a generation disillusioned by their parents' lifestyles, scarred by the Vietnam War, and yearning for rural peace. Shaping everything from our eating habits to the Internet, the 1970s Back-to-the-Land movement is one of the most influential yet least understood periods in recent history. We Are As Gods sheds light on one generation's determination to change their own lives and, in the process, to change the world.
The powerful true story of a spiritual awakening, this is the saga of an ordinary woman who goes to a hypnotherapist for help with weight control and inadvertently connects with the fabulous world of Atlantis. Powerful spiritual guides appear with messages for humanity.
David Bentley Hart offers an intense and thorough reflection upon the issue of the supernatural in Christian theology and doctrine. In recent years, the theological—and, more specifically, Roman Catholic—question of the supernatural has made an astonishing return from seeming oblivion. David Bentley Hart’s You Are Gods presents a series of meditations on the vexed theological question of the relation of nature and supernature. In its merely controversial aspect, the book is intended most directly as a rejection of a certain Thomistic construal of that relation, as well as an argument in favor of a model of nature and supernature at once more Eastern and patristic, and also more in keeping with the healthier currents of mediaeval and modern Catholic thought. In its more constructive and confessedly radical aspects, the book makes a vigorous case for the all-but-complete eradication of every qualitative, ontological, or logical distinction between the natural and the supernatural in the life of spiritual creatures. It advances a radically monistic vision of Christian metaphysics but does so wholly on the basis of credal orthodoxy. Hart, one of the most widely read theologians in America today, presents a bold gesture of resistance to the recent revival of what used to be called “two-tier Thomism,” especially in the Anglophone theological world. In this astute exercise in classical Christian orthodoxy, Hart takes the metaphysics of participation, high Trinitarianism, Christology, and the soteriological language of theosis to their inevitable logical conclusions. You Are Gods will provoke many readers interested in theological metaphysics. The book also offers a vision of Christian thought that draws on traditions (such as Vedanta) from which Christian philosophers and theologians, biblical scholars, and religious studies scholars still have a great deal to learn.
While most continents float freely on the face of Mother Sea, the Land of Dhrall survives anchored by the will of the Gods. All Gods, Elder and Younger, share the people and the land of Dhrall equally. But the one place they never enter is The Wasteland: a barren and hideous wilderness ruled by the Vlagh--a god-like creature whose young are evil spawn. Now, as the Elder Gods are about to transfer their power to the Younger Gods, the Vlagh plans to take advantage of their weakened state and neutralize them, eventually conquering the world. To do so, it is breeding a terrible force borne of monsters and demons. But one ray of hope shines through the darkness: four children called the Dreamers. They alone hold the power to change the course of history...and stop the Vlagh in its quest for total world domination.
Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
"I don't think getting to know me that intimately is part of the job description," I whispered in her ear, amused by the salacious thoughts. Who'd have guessed the stiff in the lab coat would have such a dirty mind? "Let me make this clear. I would never touch a filthy mortal like you in such a way." Dr Quentin Scott doesn't believe in the Gods. Forsaken at every turn of her life, she refuses to kneel before them and beg for scraps. But when she is recruited to the E.L.I. project, Quen is forced to come face to face with the Gods she detests. Grayson, God of Chaos, never wanted to be part of the project. He would happily spend his days in Upper Elysia, watching the madness he created unfold amongst the mortals, but he's outnumbered. When he's paired with a disrespectful nonbeliever, Gray's temper leads his every action. And then he senses the chaos that lies beneath the pretty façade, and he vows to break her. As Grayson and Quentin lock horns over the smallest things, something sparks between them. But a spark can become a raging inferno in the blink of an eye and the damage done may be irreparable. When secrets emerge that could shift the balance of powers in Elysia, decisions must be made and there's no such thing as an easy choice. The Gods have come to play, but it's a dangerous game. Who can you trust? *This book contains sexually explicit scenes, mature language, discussion of deceased parents and a train accident and OM/OW drama. Not intended for readers below 18. Reader discretion is advised.*
So begins one of the most celebrated stories in fantasy literature . . . packed full of mystery, deep themes and incredible prose, meet Severian the Torturer and follow him on his journey across the great world of Urth Severian is a torturer, born to the guild and with an exceptionally promising career ahead of him . . . until he falls in love with one of his victims, a beautiful young noblewoman. Her excruciations are delayed for some months and, out of love, Severian helps her commit suicide and escape her fate. For a torturer, there is no more unforgivable act. In punishment he is exiled from the guild and his home city to the distant metropolis of Thrax with little more than Terminus Est, a fabled sword, to his name. Along the way he has to learn to survive in a wider world without the guild - a world in which he has already made both allies and enemies. And a strange gem is about to fall into his possession, which will only make his enemies pursue him with ever-more determination . . . Winner of the World Fantasy Award for best novel, 1981 Winner of the BSFA Award for best novel, 1982 Readers can't stop reading The Shadow of the Torturer: 'Full of rich characters and great imagination' Mark Lawrence, author of Red Sister 'A dark jewel . . . He has a mastery of language not often seen in fantasy writing . . . Couple this with an original and unique, highly imaginative and complex worldbuilding and the high praise is warranted' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is a picaresque fantasy with a difference, for our hero Severian is no wide-eyed country boy from the shire, but an apprentice torturer, thoroughly schooled in his trade' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'There are certain books that can be considered life-changing experiences. Gene Wolfe is an author who has written one of those for me' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'The Book of the New Sun Tetralogy is one of the great achievements in science fiction and is a MUST READ for fans of the genre. HIGHEST POSSIBLE RECOMMENDATION!!!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'In addition to being unique in style, The Shadow of the Torturer is a gorgeous piece of work: passionate storytelling (heart-wrenching in places), fascinating insights into nature and the human condition, beautiful prose' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Genre fiction at its finest. Original, difficult and well-crafted, it is easy to see how Wolfe is regarded as a writer's writer' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
"The most complete woman ever to have existed, the most womanly woman and the most queenly queen, a person to be wondered at . . . whom dreamers find always at the end of their dreams." -- Theophile Gautier, 1845 Arrestingly beautiful and fiercely intelligent, Cleopatra VII of Egypt was barely more than a teenager when she inherited the richest empire in the world--one that stretched from the scorching deserts of lower Egypt to the shining Mediterranean metropolis of Alexandria, with its famed libraries, storehouses, and treasuries. Imperiled at every turn by court conspiracies and Roman treachery, the young queen was forced to flee Alexandria and live in exile while a foreign army overran her city and her own siblings plotted her downfall. With nothing to lose, Cleopatra brazenly sought a partnership with the only man who could secure Egypt's safety: Julius Caesar, a wily politician and battle-hardened general with a weakness for women. The result was a passionate love affair that scandalized Rome and thrust Cleopatra into the glittering but deadly world of imperial intrigue and warfare-- a world that she would mesmerize and manipulate even after Caesar was gone. At the height of her power and fame, Cleopatra fell in love with Caesar's protégé and successor, Marc Antony, a handsome general known as much for his drunken hedonism as for his victories in battle. Brash, irresistible, and fatally unreliable, Antony's once-strong hold on the Roman Empire was slipping fast, and with it slipped Cleopatra's fortunes. When the tide had finally, irrevocably turned against her, the proud queen plotted a last, spectacular maneuver that was to save her children, her empire, and her place in the pantheon of gods. Colin Falconer's bold, sensuous prose takes the reader inside the walls of Alexandria's great palaces and into Cleopatra's very heart, creating a vivid portrait of an unforgettable woman who thrived and triumphed in a world ruled by men. This is the story of a legendary woman's most glorious time, a story that blazes through thousands of years of history to capture the imagination of readers today.