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When War Comes Home combines spiritual comfort and practical, Christ-centered solutions for wives of combat veterans struggling with the hidden wounds of war including Post-Traumatic Stress Disorder.
"One of the many scandals of the war in Iraq is how the administration has betrayed our returning servicemen. I'm grateful that the facts surrounding these tragedies are finally being exposed."--Paul Haggis, Academy-Award-winning director of Crash and In the Valley of Elah, screenwriter of Flags of Our Fathers and Letters from Iwo Jima "A must-read for those who claim to support our troops."--Robert G. Gard, Lt. General, U.S. Army (ret.) "The treatment by the Bush Administration of America's returning veterans from the wars in Iraq and Afghanistan is one of the saddest chapters in American history. This story is painfully documented by Aaron Glantz. This book is a must-read for anyone who wants to make the phrase, 'Support the Troops,' more than a slogan."--Former US Senator Max Cleland "A fitting tribute to what these men and women fought and risked their lives and well-being for."--Gerald Nicosia, author of Home to War "This superbly documented and eloquent book is a clarion call for honesty, compassion, outrage, and an end to the lies that cause so much suffering in far-off countries and in our own nation."--Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death "Aaron Glantz draws on his eyewitness experiences of reporting in Iraq to bring the courage and the suffering of our troops into vivid relief. The War Comes Home exposes how physical and mental injuries plague our returning servicemen and what we can do about it."--Linda Bilmes, coauthor of The Three Trillion Dollar War "Weep, America, cringe, America. We talk a good game about honoring all those who go into harm's way for our sake and caring for those who get physically and psychologically broken, but do we go beyond fine words and a few gold-plated flagship medical facilities? Are we walking the walk? Are we getting it right? Aaron Glantz is in our face on the military treatment facilities, the VA, and civilian society at large."--Jonathan Shay, MD, PhD, author of Achilles in Vietnam and Odysseus in America. MacArthur Fellow "Aaron Glantz reports on the human cost of war, what it does physically and emotionally to those young men and women who carry out industrial slaughter. He rips apart the myths we tell ourselves about war and illustrates, in painful detail, the dark psychological holes that those who have been through war's trauma endure and will always endure. He reminds us that the essence of war is not glory, heroism, and honor but death."--Chris Hedges, former New York Times foreign correspondent, author of War is a Force That Gives Us Meaning "We should all be reading people like Greg Palast and Aaron Glantz."--Al Kennedy, The Guardian (UK)
"Based on a breathtaking range of research in British and German archives, The War Come Home is written in an engaging, immediately accessible style and filled with rich anecdotes that are excellently told. This impressive book offers a powerful set of insights into the lasting effects of the First World War and the different ways in which belligerent states came to terms with the war's consequences."—Robert Moeller, author of War Stories: The Search for a Usable Past in the Federal Republic of Germany "With verve, compassion, and above all else, clarity, The War Come Home makes the dismal story of the failed reconstructions of disabled veterans in interwar Britain and German into engaging and provocative reading. Cohen moves from astute analysis of the interventions of high level bureaucrats to sensitive interpretations of how disabled veterans wrote and talked about their lives and the treatment they received at the hands of public and private agencies. She beautifully interweaves histories from below and above, showing how the two shaped -- but also collided with -- one another in profoundly consequential ways for the history of the 20th century."—Seth Koven, coeditor (with Sonya Michel) of Mothers of a New World: Maternalist Politics and the Origins of Welfare States
Any child who could demonstrate American parentage - if only by the simple evidence of Western features - would be welcome. Relatives too. By then the children's average age was 19.
She held a weapon given to her by a stranger to end her own life. Except the stranger was her husband, a former war hero of Operation Iraqi Freedom who had somehow lost himself to an illness she did not understand. How would she carry on? Would she survive? The War That Came Home is one spouse’s journey to face the lingering effects of war. Facing many obstacles as the battles escalate throughout her harrowing account, author Andrea Carlile walks toward an uncertain future while recollecting a colorful past. Through her tale, she represents the battered woman, the veteran’s spouse, and the wife and mother in marriage. Each is vividly brought to life as she engages in the war that enters her home. Through her discovery, she finds her heavenly Father and the hope to overcome her own hell. Her story is an example to any who need the inspiration to face their own personal battles with the wars faced in life—to the battered, the broken, the veteran, and the spouse. Take the journey and discover your own feelings of hope and strength. This story of Andrea and Wes Carlile will be featured in the documentary When War Comes Home, by the Emmy award winning producer and director, Michael W. King. For more information on this Tallwood documentary please visit http://whenwarcomeshome.org/.
Reveals how wartime loss in the Vietnam War transformed U.S. politics, arguing that the effort to recover lost warriors was as much a means to establish responsibility for their loss as it was a search for answers about their fate.
Gifted writer and reporter Robert Poole opens Section 60: Arlington National Cemetery with preparations for Memorial Day when thousands of families come to visit those buried in the 624-acre cemetery, legions of Rolling Thunder motorcyclists patrol the streets with fluttering POW flags, and service members place miniature flags before each of Arlington's graves. Section 60, where many of those killed in Iraq and Afghanistan have been laid to rest alongside service members from earlier wars, is a fourteen-acre plot that looms far larger in the minds and hearts of Americans. It represents a living, breathing community of fellow members of the military, family members, friends, and loved ones of those who have fallen to the new weapons of war: improvised explosive devices, suicide bombs, and enemies who blend in with local populations. Several of the newest recruits for Section 60 have been brought there by suicide or post-traumatic stress disorder, a war injury newly described but dating to ancient times. Using this section as a window into the latest wars, Poole recounts stories of courage and sacrifice by fallen heroes, and explores the ways in which soldiers' comrades, friends, and families honor and remember those lost to war--carrying on with life in the aftermath of tragedy. Section 60 is a moving tribute to those who have fought and died for our country, and to those who love them.
The Ottoman Empire was unprepared for the massive conflict of World War I. Lacking the infrastructure and resources necessary to wage a modern war, the empire's statesmen reached beyond the battlefield to sustain their war effort. They placed unprecedented hardships onto the shoulders of the Ottoman people: mass conscription, a state-controlled economy, widespread food shortages, and ethnic cleansing. By war's end, few aspects of Ottoman daily life remained untouched. When the War Came Home reveals the catastrophic impact of this global conflict on ordinary Ottomans. Drawing on a wide range of sources—from petitions, diaries, and newspapers to folk songs and religious texts—Yiğit Akın examines how Ottoman men and women experienced war on the home front as government authorities intervened ever more ruthlessly in their lives. The horrors of war brought home, paired with the empire's growing demands on its people, fundamentally reshaped interactions between Ottoman civilians, the military, and the state writ broadly. Ultimately, Akın argues that even as the empire lost the war on the battlefield, it was the destructiveness of the Ottoman state's wartime policies on the home front that led to the empire's disintegration.
Intense, powerful, and compelling, Matterhorn is an epic war novel in the tradition of Norman Mailer’s The Naked and the Dead and James Jones’s The Thin Red Line. It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever. Written by a highly decorated Marine veteran over the course of thirty years, Matterhorn is a spellbinding and unforgettable novel that brings to life an entire world—both its horrors and its thrills—and seems destined to become a classic of combat literature.
Following the end of World War II in Asia, the Allied powers repatriated over six million Japanese nationals and deported more than a million colonial subjects from Japan. Watt analyzes how the human remnants of empire served as sites of negotiation in the process of jettisoning the colonial project and in the creation of new national identities.