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Every change takes its toll. Stefan KUhl critically examines the blind enthusiasm that continues to celebrate the leveling of hierarchies and the decentralization of organizations. Relying on studies performed in European and U.S. companies, KUhl describes why these management concepts can carry organizations to the edge of extinction. Organizations are facing the challenge of coming to grips with the threat of losing their identity, ever-escalating complexity, and the power struggles that result from both.
Anyone who works with the very young will delight in this charming treasury of age-appropriate programming ideas for children from as young as 6 months through age 3. Unlike many other children's programming guides, this one takes a literature-based approach, offering a dynamic mix of stimulating activities that center around books and give young children a head start on literacy. Promote lifelong reading and library use with these exciting programs for infants, toddlers, and their families, and enhance children's capacity for learning with a myriad of stories, songs, and sing-alongs! Anyone who works with the very young will delight in this charming treasury of age-appropriate programming ideas for children from as young as 6 months through age 3. Unlike many other children's programming guides, this one takes a literature-based approach, offering a dynamic mix of stimulating activities that center around books and give young children a head start on literacy. PreK. You'll find everything you need to run magnificent literature-based children's programs. For each age level (6-11 months, 12-23 months, 24-36 months, 36-48 months), the authors present eight complete programs and provide specific instructions and guidance for working with each group. Adults will have as much fun as the children with such programs as Wiggle, Jiggle, and Bounce, Oink, Cluck, Moo, 1, 2, 3 Count With Me, and Monster Mash. A chapter on Family Fun addresses working with diverse ages and features eight family programs. Whether you're a novice or an experienced children's programmer, this book will help you offer quality programming and foster lifelong literacy in your community. Ages: Infant-3
The remarkable true story of a family who move into a rundown zoo-already a BBC documentary miniseries and excerpted in The Guardian. In the market for a house and an adventure, Benjamin Mee moved his family to an unlikely new home: a dilapidated zoo in the English countryside. Mee had a dream to refurbish the zoo and run it as a family business. His friends and colleagues thought he was crazy. But in 2006, Mee and his wife with their two children, his brother, and his 76-year-old mother moved into the Dartmoor Wildlife Park. Their extended family now included: Solomon, an African lion and scourge of the local golf course; Zak, the rickety Alpha wolf, a broadly benevolent dictator clinging to power; Ronnie, a Brazilian tapir, easily capable of killing a man, but hopelessly soppy; and Sovereign, a jaguar and would-be ninja, who has devised a long term escape plan and implemented it. Nothing was easy, given the family's lack of experience as zookeepers, and what follows is a magical exploration of the mysteries of the animal kingdom, the power of family, and the triumph of hope over tragedy. We Bought a Zoo is a profoundly moving portrait of an unforgettable family living in the most extraordinary circumstances.
Grace Wilde must use her psychic abilities to track down a pesky primate in the latest Call of the Wilde Mystery. Grace Wilde is excited to head to New Orleans for her first “real” case as an animal telepath. She intends to help a woman find her missing sister, but when she attempts to communicate with her client’s cat, Coco, Grace gets distracted by the presence of a much wilder animal. Coco confirms that a mysterious monkey has been swinging around the Big Easy. Grace thinks she might be able to help corral the cheeky Capuchin in addition to solving her case. But things get complicated when she receives a cryptic warning that her client isn’t what she seems. Now it’s up to Grace to separate the truth from the monkey business...
This is a poetry book about life, love, family, friendships, passion, heartbreak, life's challenges and it's crazy adventures. The poems written are based on my own personal life experiences. I invite you to go on this journey with me, as we inspire and up lift each other. Life is full of adventures, so let's dive into the pages of A Fragile Heart and discover its beauty and strength. Together we can get through anything.
Provides fifty storytime programs for two-year-olds, including ideas and suggestions for storytime content and encouragement to serve this age group.
This comical, adorable, and fascinating reader documents the lives of monkeys living in the wild and includes details regarding their behavior, families, and environment. The carefully constructed text guarantees a successful and rewarding reading experience for level 2 readers who are able to read alone, with minor assistance. The photography and extras featured in this title ensure a fun and interactive experience for the reader. National Geographic supports K-12 educators with ELA Common Core Resources. Visit www.natgeoed.org/commoncore for more information.
A charming new series filled with friends that pop out to play with eager young readers. Bright and whimsical illustrations literally pop off each page delight and surprise and entertain little ones. Interactive questions reinforce early learning skills such as shapes and number recognition, observation, and comprehension. Pop and Play is the perfect series for parents and children to enjoy together. Monkeys and tigers and penguins, oh my! This exciting new pop-up book contains cheerful images and facts about kids favorite animals they can visit at the zoo. Children will love the playful pop-ups that leap off the page, and adults will love the early learning concepts that Pop and Play: Zoo Animals reinforce.
This anthology presents the work of twenty-four young Spoken Word poets from South Africa, with a sprinkling of guests from the United States, Britain and Australia. The experience of black youth in societies polarized by racism, inequality and gender violence whilst, at the same time, struggling to come to terms with love, sex and all the other basic needs of young people makes for fascinating reading. The inventive graphic layout is a fine addition to a stand out volume. Home is Where the Mic Is was conceived as a collaboration with Word n Sound, a popular Johannesburg Spoken Word platform. The intention was to give hitherto only stage poets an opportunity to test their work on the page and confound the Eurocentric critics of the new wave of performance poetry who decry its energy and breaking down of artificial definitions of poetry. This is South African poetry standing on it's own two feet!
A year before he died, Jack Matthews (author of 10 story collections and over 30 books) was asked to suggest his 3 favorite stories from all his books for this story sampler. "Amos Smith, the Gunsmith" reaches into the folk tale tradition to produce a nice allegory about human labor. "A Woman of Properties" is a satirical suburban tale (reminiscent of Flannery O'Connor or Cheever) about a real estate agent with a grudge. "The Girl at the Window" is an unsettling and mysterious tale about our relationship to the past. Also included is an extended interview the author gave about the craft of writing in 2009. During his career as a writer, Mr. Matthews was distinguished professor of Fiction Writing at Ohio University in Athens, Ohio for over 4 decades. Winner of Guggenheim and several arts grants, Matthews has been anthologized widely, translated into several languages and nominated for a National Book Award. His own books have been praised by Eudora Welty, Anthony Burgess, Shirley Ann Grau, Tim O’Brien, Doris Grumbach, Walker Percy and a host of other famous and highly accomplished authors. "Mr. Matthews is a master of prose conversation and deadpan charm. He is ironic, cool, and shrewd, and he writes a lucid prose." (Tom O'Brien, New York Times) "Matthews' always graceful prose finds that precise telling detail. It's easy to fall in love with such writing." (Perry Glasser, North American Review) "Engaging wit and irony have been characteristic of Matthews's writing from the start, and both are strongly present in his latest gatherings of stories. His irony is increasingly darker, however, and his characters' obsession with memory and its distortions plays a more dominant role in this later work, much of which deals with death. For the most part, these are stories with deceptively simple and ordinary surfaces, but they are driven by powerful and ominous undercurrents, which often fuse the local and regional with the archetypal. Few can do it better. Without question, Matthews has established himself as one of America's finest storytellers." (Stanley Lindberg, editor, Georgia Review)