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A number of the movies she reviews have gay characters, and quite a number of the actors (Rock Hudson, Sir John Gielgud) are gay.--P. Thorslev.
“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry
In October 2003, I became a victim of traumatic brain injury. Thats when I was hit and dragged by a pickup truck while riding a Big Wheel trike at a friends party. Emergency brain surgery saved my life, but I lost a portion of the back part of my brain. At the age of ten, I had to learn how to breathe, swallow, talk, eat, stand, sit, walkeverything all over again. Traumatic brain injury is one of the leading causes of disability among children, yet, because of the complexity of the brain, experts still have much to learn about how to treat TBI. In When the Lights Go Out, I describe my therapieswhats worked, what hasnt, and whyand share how I learned to cope with the emotional and psychological challenges. In the process, I have discovered the critical roles that faith in God, love of family, the healing power of friends, and the inherent goodness of people all played in my ability to triumph over overwhelming odds. I have also learned that a horrific accident has given me an amazing gift. When the Lights Go Out is an expression of that gift.
'A powerful and truthful story about hope and how to find it' The Times 'A gem of a book' Emily Maitlis Emma's husband Chris is fretting about starvation and societal collapse. He's turned off the heating and is stockpiling off-label medicines and tins of baked beans. Chris, certain that society will soon spiral to its doom, finds Emma's optimism exasperating. Emma finds Chris's obsession with disaster relentless. She's beginning to wonder whether relationships, like mortgages, should be conducted in five-year increments. But when Chris's mother turns up for a visit, the cracks begin to show. Will Emma and Chris be able to find their way back to each other?
What you need to know now about America's energy future "Hi, I'm the United States and I'm an oil-oholic." We have an energy problem. And everybody knows it, even if we can't all agree on what, specifically, the problem is. Rising costs, changing climate, peaking oil, foreign oil, public safety?if the fears are this complicated, then the solutions are bound to be even more confusing. Maggie Koerth-Baker?science editor at the award-winning blog BoingBoing.net?finally makes some sense out of the madness. Over the next 20 years, we'll be forced to cut 20 quadrillion BTU worth of fossil fuels from our energy budget, by wasting less and investing in alternatives. To make it work, we'll need to radically change the energy systems that have shaped our lives for 100 years. And the result will be neither business-as-usual, nor a hippie utopia. Koerth-Baker explains what we can do, what we can't do, and why "The Solution" is really a lot of solutions working together. This isn't about planting a tree, buying a Prius, and proving that you're a good person. Economics and social incentives got us a country full of gas-guzzling cars, long commutes, inefficient houses, and coal-fired power plants out in the middle of nowhere, and economics and incentives will be the things that build our new world. Ultimately, change is inevitable. Argues we're not going to solve the energy problem by convincing everyone to live like it's 1900 because that's not a good thing. Instead of reverting to the past, we have to build a future where we get energy from new places, use it in new ways, and do more with less. Clean coal? Natural gas? Nuclear? Electric cars? We'll need them all. When you look at the numbers, you'll find that we'll still be using fossil fuels, nuclear, and renewables for decades to come. Looks at new battery technology, smart grids, passive buildings, decentralized generation, clean coal, and carbon sequestration. These are buzzwords now, but they'll be a part of your world soon. For many people, they already are. Written by the cutting edge Science Editor for Boing Boing, one of the ten most popular blogs in America
The children go home, the library closes, the lights go out... and the adventure begins!
A harrowing and spellbinding story about family, the complications of mixed-race relationships, misplaced loyalties, and the price athletes pay to entertain—from the critically acclaimed author of Three-Fifths Xavier “Scarecrow” Wallace, a mixed-race MMA fighter on the wrong side of thirty, is facing the fight of his life. Xavier can no longer deny he is losing his battle with chronic traumatic encephalopathy (CTE), or pugilistic dementia. Through the fog of memory loss, migraines, and paranoia, Xavier does his best to stay in shape by training at the Philadelphia gym owned by his cousin-cum-manager, Shot, a retired champion boxer to whom Xavier owes an unpayable debt. Xavier makes ends meet while he waits for the call that will reinstate him after a year-long suspension by teaching youth classes at Shot’s gym and by living rent-free in the house of his white father, whom Xavier was forced to commit to a nursing home. The progress of Sam Wallace’s end-stage Alzheimer’s has revealed his latent racism, and Xavier finally gains insight into why his Black mother left the family years ago. Then Xavier is offered a chance at redemption: a last-minute high-profile comeback fight. If he can get himself back in the game, he’ll be able to clear his name and begin to pay off Shot. With his memory in shreds and his life crumbling around him, can Xavier hold on to the focus he needs to survive? John Vercher, author of the Edgar and Anthony Award–nominated Three-Fifths, offers a gripping, psychologically astute, and explosive tour de force about race, entertainment, and healthcare in America, and about one man’s battle against himself.
Blackouts—whether they result from military planning, network failure, human error, or terrorism—offer snapshots of electricity's increasingly central role in American society. Where were you when the lights went out? At home during a thunderstorm? During the Great Northeastern Blackout of 1965? In California when rolling blackouts hit in 2000? In 2003, when a cascading power failure left fifty million people without electricity? We often remember vividly our time in the dark. In When the Lights Went Out, David Nye views power outages in America from 1935 to the present not simply as technical failures but variously as military tactic, social disruption, crisis in the networked city, outcome of political and economic decisions, sudden encounter with sublimity, and memories enshrined in photographs. Our electrically lit-up life is so natural to us that when the lights go off, the darkness seems abnormal. Nye looks at America's development of its electrical grid, which made large-scale power failures possible and a series of blackouts from military blackouts to the “greenout” (exemplified by the new tradition of “Earth Hour”), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
A nation unprepared : surviving the aftermath of a blackout where tens of millions of people over several states are affected.
“A harrowing, beautiful, searching, and deeply literary memoir. In these pages, we watch Cree LeFavour evolve from a wounded (and wounding) lost girl to a woman who can at last regard her existence with a modicum of mercy and forgiveness...a story of true self-salvation and transformation.”—Elizabeth Gilbert As a young college graduate a year into treatment with a psychiatrist, Cree LeFavour's began to organize her days around the cruel, compulsive logic of self-harm: with each newly lit cigarette, the world would drop away as her focus narrowed to an unblemished patch of skin calling out for attention and the fierce, blooming release of pleasure-pain as the burning tip was applied to the skin. Her body was a canvas of cruelty; each scar a mark of pride and shame. In sharp and shocking language, Lights On, Rats Out brings us closely into these years, allowing us to feel the pull of a stark compulsion taking over a mind. We see the world as Cree did—turned upside down, the richness of life muted and dulled, its pleasures perverted. The heady, vertiginous thrill of meeting with her psychiatrist, Dr. X—whose relationship with Cree is at once sustaining and paralyzing—comes to be the only bright spot in her mental solitude. Her extraordinary access to and inclusion of the notes kept by Dr. X during treatment offer concrete evidence of Cree’s transformation over 3 years of therapy. But it is her own evocative and razor-sharp prose that traces a path from a lonely and often sad childhood to her reluctant commitment to and emergence from a psychiatric hospital, to the saving refuge of literature and eventual acceptance of love. Moving deftly between the dialogue and observations from psychiatric records and elegant, incisive reflection on youth and early adulthood, Lights On, Rats Out illuminates a fiercely bright and independent woman’s charged attachment to a mental health professional and the dangerous compulsion to keep him in her life at all costs.