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David Barnato was born in England in 1942 of Irish, Scottish, Welsh and English ancestry. He attended King James The First., school in Newport, Isle of Wight. After extensive travelling around the world he started and sold several businesses including a publishing company, insurance brokerage and fi nally a debt advisory service based in a remote Scottish castle. Rather than retire completely, he and his wife Jane decided to retire to South Africa and buy a farm and grow olives. Despite fires and floods David and Jane won a silver award for their olive oil, but sadly Jane suffered strokes and died of a heart attack in 2010. David’s passions are his five dogs, several of whom were rescued. He is also a great fan of opera and loves blues, especially when sung by Bessie Smith. He is now a full time writer. When the Jacaranda Petals Fall, is David’s first novel.
A quintessentially American epic poem that rewrites all the rules of epic poetry—starting with the one that says epic poetry can’t be about the writing of epic poetry itself The appearance of Flow Chart in 1991 marked the kickoff of a remarkably prolific period in John Ashbery’s long career, a decade during which he published seven all-new books of poetry as well as a collected series of lectures on poetic form and practice. So it comes as no surprise that this book-length poem—one of the longest ever written by an American poet—reads like a rocket launch: charged, propulsive, mesmerizing, a series of careful explosions that, together, create a radical forward motion. It’s been said that Flow Chart was written in response to a dare of sorts: Artist and friend Trevor Winkfield suggested that Ashbery write a poem of exactly one hundred pages, a challenge that Ashbery took up with plans to complete the poem in one hundred days. But the celebrated work that ultimately emerged from its squared-off origin story was one that the poet himself called “a continuum, a diary.” In six connected, constantly surprising movements of free verse—with the famous “sunflower” double sestina thrown in, just to reinforce the poem’s own multivarious logic—Ashbery’s poem maps a path through modern American consciousness with all its attendant noise, clamor, and signal: “Words, however, are not the culprit. They are at worst a placebo, / leading nowhere (though nowhere, it must be added, can sometimes be a cozy / place, preferable in many cases to somewhere).”
Nicholas Flood, an unassuming eighteenth-century London printer, specializes in novelty books -- books that nestle into one another, books comprised of one spare sentence, books that emit the sounds of crashing waves. When his work captures the attention of an eccentric Slovakian count, Flood is summoned to a faraway castle -- a moving labyrinth that embodies the count's obsession with puzzles -- where he is commissioned to create the infinite book, the ultimate never-ending story. Probing the nature of books, the human thirst for knowledge, and the pursuit of immortality, Salamander careens through myth and metaphor as Flood travels the globe in search of materials for the elusive book without end.
A story of passion, greed, secrets and lies. Present day: A reclusive woman living in outback Australia receives a letter acknowledging a terrible secret from her past. Thirty years before, she stole another woman's life. From the moment the letter is opened two women are on a collision course with destiny. From the London pop scene, to the opera stages of Europe; from a tiny Greek island, to a stifling manor house full of secrets and deceptions; from the sun-drenched Queensland coast, to the silent outback; Angela and Ellie are two women both looking for something. One in search of her identity and her memory; the other in search of the love that she had and lost; theirs is a duet whose last note will not be sung until the heart-stopping climax, when a shadow from the past returns to claim them both.
Alexander is autistic. When he is nine years old he is found dead in a bath of water. The only other person in the house at the time is his mother Ingrid. The circumstances arouse suspicion and the police take Ingrid into custody. Did she murder her child? And who could blame her if she did? She has had nine years of hell with her uncontrollable child, all those she cares about have deserted her, and not even the church has come to her assistance. Her efforts to find help for Alexander have left her bankrupt and she is emotionally and physically depleted. If it were not for Miriam and Gunter, she would surely never have endured the nine years... In this haunting novel Annelie Botes exposes the tragedy of autism and its devastating effect on families. Searingly honest, it brings home the inescapable truth that society can be cruelly indifferent to whatever it perceives to be aberrant.
Ruth Jone's family was among the settlers who came to Kenya at the turn of the century to carve farms and towns from the wilderness. Ruth leads a lonely existence with her bitter father in the hills above the town of Cambellburgh. Her future is without promise... That is until the day Douglas MacPherson, a Canadian missionary doctor, arrives in town looking for land on which to build his hospital for African natives. He faces endless obstacles to his plan due largely to the prejudices of the town's founding family. Douglas may have to move his hospital to another town, and with him will go Ruth's last shred of hope for a brighter future. Can she wait for God's timing? Praying is new to this spinster. Or will she throw aside her reserve and devise a plan to snag a husband?
Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.
Despite what Jo Ann Fuson Staples might tell you, she is no ordinary woman. She has led a remarkable life, full of adventure, love, hardship, and survival. Raised in the mountains of southeastern Kentucky, she comes from a long line of strong mountain folk, those ready to take on adversity and fight for anyone they love, no matter the odds. At only seven, Jo Ann tragically lost her father, and then, when Jo Ann was twenty-four, her mother to brutal violence. Although the pain from those experiences followed Jo Ann for the rest of her life, the bonds she made with her friends and family members only grew stronger, and from there, Jo Ann dove head-first into life. From having a relationship with the prime suspect of the infamous D. B. Cooper skyjacker case to taking on a twenty-six-year journey with her husband on diplomatic assignments to Central and South America, Africa, and the Middle East to surviving a grizzly bear attack, Jo Ann shares it all with humour, grace, and, occasionally, sorrow. Paths I Have Walked is a story of trauma, heartbreak, compassion, true friendship, finding love, and the gift of motherhood. It is a deeply human, compelling, and poignant self-portrait of a resilient woman ready to face life, no matter the odds.
“A challenging and satisfying thriller . . . [with] many surprising twists.”—The New York Times Jane Whitefield is a Native American guide who leads people out of the wilderness—not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself. So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape. . . . Praise for Vanishing Act “Thomas Perry keeps pulling fresh ideas and original characters out of thin air. The strong-willed heroine he introduces in Vanishing Act rates as one of his most singular creations.”—The New York Times Book Review “One thriller that must be read. . . . Perry has created his most complex and compelling protagonist.”—San Francisco Examiner
Milton Hancock is a nerd of a teenager with an interest in science. When a laboratory accident creates a shift in time, separating him and his girlfriend, Jane, by centuries, he finds himself trapped in an unwelcoming future, while Jane is caught in the past. Milton is captured, deemed to be an illegal immigrant seeking asylum but, regardless, is thrown into a detention center built into the lunar crater, Plato. With the help of his fellow inmates, Milton attempts a daring escape from his evil captors, to return to the present before the time shift occurred. But when the arch villain Bertha flees to the past with plans to destroy their future, only one person will be able to follow her back in time and thwart her plans ...but the one who goes can never return. Bertha ...is a great villain the reader will love to hate. The ending is chilling! Lyn Aldred - Author, Neptune's Fingers Sons of Plato is fast moving, a gutsy novel that shows heart, passion, and potential. Al Carrozza, Author, Universal Enzyme, Universal Enzyme Part I. A well planned, imaginative story. Marty Connor - Author, Awake (Are We)? The Sons of Plato is an ingeniously developed ...absorbing and gripping tale. Uta Christensen - Author, Bed of Roses, Bed of Thorns As a teenager, Richard Meyer enjoyed writing short stories for his little sister, Janet. Inspired by the classics of Charles Dickens, Victor Hugo and Jules Verne, Richard plans to continue writing epic novels, as well as non-fiction stories. He and his wife, Dianne, have two grown children and live on Australia's Gold Coast. Publisher's website: http: //www.sbpra.com/RichardMeye