Download Free When Radio Writes For War Book in PDF and EPUB Free Download. You can read online When Radio Writes For War and write the review.

"By focusing on the medium of radio during World War II, Horten has provided us with a window into an important change in radio broadcasting that has previously been ignored by historians. The depth of research, the book's contribution to our understanding of radio and the war make Radio Goes to War an outstanding work."—Lary May, author of The Big Tomorrow: Hollywood and the Politics of the American Way "Radio broadcasting, and its impact on American life, still remains a neglected area of our national history. Radio Goes to War demonstrates conclusively how short-sighted that omission is. As we enter what is sure to be another era of contested claims of government control over freedom of speech, the controversies and compromises of wartime broadcasting sixty years ago provide an ominous example of difficult decisions to be made in the future. The alliance of big business, advertising, and wartime propaganda that Horten so convincingly illuminates takes on a heightened significance, especially as this relationship has tightened in the last several decades. When radio and television go to war again, will they follow the same course? This is cautionary reading for our new century."—Michele Hilmes, author of Radio Voices: American Broadcasting 1922-1952
Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.
Words at War describes how 17 radio dramatists and their actors fought a war of words against fascism abroad and injustice at home. Beginning in the late 1930s, the commercial networks, private agencies, and the government cooperated with radio dramatists to produce plays to alert Americans to the Nazi threat. They also used radio to stimulate morale. They showed how Americans could support the fight against fascism even if it meant just having a "victory garden." Simultaneously as they worked on the war effort, many radio writers and actors advanced a progressive agenda to fight the enemy within: racism, poverty, and other social ills. When the war ended, many of these people paid for their idealism by suffering blacklisting. Veterans' groups, the FBI, right-wing politicians, and other reactionaries mounted an assault on them to drive them out of their professions. This book discusses that partly successful effort and the response of the radio personalities involved. This book discusses commercial drama series such as The Man Behind the Gun, network sustained shows such as those of Norman Corwin, and government-produced programs such as the Uncle Sam series. The book is largely based on the author's interviews with Norman Corwin, Arthur Miller, Pete Seeger, Arthur Laurents, Art Carney and dozens of others associated with radio during its Golden Age. It also discusses public reaction to these broadcasts and the issue of blacklisting. Words at War weaves together materials from FBI files and materials from archives around the country, including the Academy of Motion Picture Arts and Sciences, the National Archives and a dozen university special collection libraries, to tell how the nation used a unique broadcast genre in a time of national crisis. Readers in the era of the current World Trade Center terrorism crisis will be particularly interested to read about censorship, scapegoating, and the government's role in disseminating propaganda and other issues that have once again
During the Second World War German intelligence had deployed wireless teams throughout occupied Europe. Agents had even been deployed to mainland Britain to spy on British military activity. Monitoring and reporting of their wireless transmissions fell to a small, secretive and largely unknown unit manned almost exclusively by volunteers. The Voluntary Interceptors (VI) as they became known would spend hours every day at home monitoring the short wavelengths for often faint and difficult to copy signals transmitted by these German secret intelligence services. This unit was to become known as the Radio Security Service (RSS) and was at the core of the signals intelligence production effort at Bletchley and the insights into German military tactical and strategic planning. Without interceptors like the RSS, Bletchley would not have existed. Their story has never truly been written and RADIO WAR focuses on the secret world of wireless espionage and includes first-hand accounts from the surviving veterans of the unit. Its existence was only made public 35 years after WWII ended, shortly after Bletchley Park's secrets were exposed. Patrick Reilly, the Assistant to Head of MI6 Stewart Menzies, was to say of the RSS.... `a team of brilliance unparalleled anywhere in the intelligence machine.'
The War of the Worlds is a science fiction novel by English author H. G. Wells, first serialised in 1897 by Pearson's Magazine in the UK and by Cosmopolitan magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians. The novel is one of the most commented-on works in the science fiction canon.
Tells how Blacks used radio
This compelling memoir tracks the war experiences of a radio wireman in the 11th Infantry Regiment of the Fifth Infantry Division. Born in Brooklyn and having left school in the sixth grade to work, the author enlisted at the age of 17. The book explores his time in combat, when he laid down wire for radio communications, often along the front lines and during battles, always alert for German troops. Featured are his sketches of the scenes of his work with fellow soldiers. Particular attention is paid to the role of the wireman and the history of the Fifth Infantry Division.
A Washington Post Best Children's Book This book for young readers explores in riveting detail the false panic created by the famous War of the Worlds radio broadcast from 1938—as well as the repercussions of "fake news" today. On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was in fact a radio drama based on H. G. Wells's War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio. In this compelling nonfiction chapter book, Gail Jarrow explores the production of the broadcast, the aftermath, and the concept of "fake news" in the media.