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Michaels tells his inspiring story of coming out as a gay man. How he hid it for years and how his family and friends responded. From his Personal memoirs and life lessons, he gives a no-nonsense view of homosexuality. From his first gay experience to his journey of relationships that leads him to find his life partner. An excellent book for not just gays, but for parents of gays. June 26, 2015 Gay Marriage became legal in all 50 states and U.S. territories. We've come along way baby, but the fight continues. Warning BEWARE this may contain some explicit GAY content.
A devotional for self-image and self-love. In this collection of meditations and reflections, Rev. Beverly Dale critiques the theology and culture of shame that negatively impact so many lives. She offers an alternative theology rooted in embracing who we are as sexual beings. Both self-help guide and theological and cultural criticism, this volume will appeal to anyone interested in practical, applicable engagement with the intersection between theology and sexuality.
A hurt/comfort tale in the sizzling gay cowboy Morning Report series. Ray is surrounded by happy gay couples on the Lost Cow Ranch. Lonely and in desperation, he visits the Pink Palm, a spit-and-sawdust dive. What he wants is a hook-up with someone new. What he gets is a closeted, desperately unhappy divorcé named Zeke. Zeke lost everything when he was outed. His kids, his job, his whole life. He’s extremely bitter and in denial about his sexuality. But he’s lonely too. And Ray is the first person to show him any kindness in a long time. Ray wants uncomplicated. Zeke is not that cowboy. But his need to hold Zeke in his arms and shield him from the world is overwhelming. Zeke wants…well, he has no clue, but he knows Ray offers him everything he’s always desired, and nothing he thought he could have. Will Ray still love Zeke when he finds out who he is? Will Zeke find the strength to step into Ray’s world. Find out in Go-to Guy.
Julian is a flamboyant backing dancer for Australian pop princess, Sallie. He loves touring with Sallie as it means he has gentlemen friends for the night in every European city. Backrooms in Berlin, cruisy bars in Barcelona, Julian’s enjoyed it all. And if he doesn’t pull while he’s on tour, he ends up in bed with best friend and fellow dancer, Bjorn. Troy, a quiet, gruff St John Ambulance volunteer, and gardener at a stately home in Essex, has just split up from his third supposedly serious girlfriend in the last few years. He doesn’t understand why he can’t make relationships last. A failed serial monogamist, he’s obviously doing something wrong. One night, at a Sallie concert, an enormous glitter ball falls and concusses Julian. In the recovery room, as Troy is seeing to Julian’s vital signs, the dancer feels a spark. Julian doesn't do relationships so he dismisses it as simply lust. Troy finds himself drawn to the confident chatty performer, wanting to get to know him better… Can Troy put aside his preconceptions to discover who he really is and how he feels about Julian? Can Julian face his biggest fear of being emotionally vulnerable with a man; with Troy? Can Julian and Troy, who’ve never had a relationship with a man, find out if they were lucky enough to have met the only man they should be with? I should be so lucky—they both think…
Within the intricate fabric of our perceptions, we sometimes cling to the illusory belief that we have the power to shape the course of events. But is this belief anything more than a fleeting echo in the wind? Does voting for political party colors represent significant participation, or rather a sophisticated dance in the puppetry of the established system? Who truly are the architects behind the curtain directing the symphony of global power? Could it be the cunning elite whose dominion transcends political facades that is behind it all? In this gripping tale, it hints at the possibility that genuine governance rests in the hands of invisible puppeteers who craft a script that many choose to overlook. In a world where injustice reigns like an empire, Cyper, a young man burdened by the weight of inequality, emerges as the linchpin of a plot that will unravel the mysteries of a divided planet. A colossal wall, erected by the northern inhabitants with barbed wires tearing flesh, fractures the land almost entirely. Cyper, our protagonist, unveils in first person the challenges of his life, marked by his attraction to other boys and the adversities of his youth. His odyssey to return to his native continent, escaping the desolation of the north, becomes a journey filled with dangers and discoveries.
Hollywood actress Suzanne Vale stars in this story of a mother's reaction to her gay son.
This book offers a complete overview of the contributions of U.S. Latinos to American popular culture and examines the emergence of the U.S. Latino identity. According to the 2010 Census, Latinos represent more than 16 percent of the total population and are the largest and fastest-growing minority group in the United States. Their vast contributions to popular culture are visible in nearly every aspect of American life and are as diverse as the countries and cultures of origin with which Latinos identify themselves. This book provides a historical overview of the developments in U.S. Latino culture and highlights the most recent expressions of Latino life in American popular culture. With coverage of topics like Latino representations in television, radio, film, and theater; U.S. Latino literature and art; Latino sports stars in baseball, basketball, boxing, football, and soccer; and contemporary pop music; this book will appeal to general readers and be a useful and engaging resource for high school and college students. The work examines the cultural ties that U.S. Latinos maintain with their country of origin or that of their ancestors, explains why language is a critical cultural marker for Latinos, and identifies how Latinos are changing American popular culture. Insightful information on U.S. Latino identity issues and prevalent cultural stereotypes is also included.
Sequel to the sizzling gay cowboy romance, Morning Report. Tommy is faced with an impossible decision, his first love, or his family. Will he take the risk and follow his heart's desire? Tommy has hidden his sexuality his entire life. Despite the fact he works on the Lost Cow Ranch and his bosses are gay, Tommy knows his parents will never accept the truth. Then he meets Pastor Noah who is unlike any man of God - or any man - Tommy's ever met. Witty and sharp tongued, yet he takes care of his congregation with love and kindness. Noah is overwhelming to the shy virgin cowboy. He doesn’t hide his attraction to Tommy even though he treats him with gentle respect. But one issue stands in the way of their happiness. Noah left the closet a long time ago and he won’t step back in, not even for Tommy. Faced with the choice of losing Noah or coming out to his parents, will Tommy take his first steps out of the closet?
How artists challenged a military dictatorship through mass print technologies in 1970s and 1980s São Paulo. Throughout the 1970s and into the 1980s, during Brazil's military dictatorship, artists shifted their practices to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant-Garde examines these artworks and their engagement with politics and mainstream art institutions and practices. As Binnie skillfully shows, artists appropriated processes like photocopy, offset lithography, and thermal and heliographic printing, making newly available technologies of mass production foundational to their work of resistance against both the dictatorship and the established art world. Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. As democracy was reestablished in Brazil, and in the decades that followed, their works largely fell out of sight. Here, in the first English-language book to focus entirely on conceptual practices in São Paulo in the 1970s and 1980s, Binnie unearths a scene critical to the development of contemporary Brazilian Art.