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Since the early times, India has been famous for its expertise in creating innumerable forms of jewellery that have fascinated the world. One such jewellery tradition is that of kundan which is one of the oldest forms of jewellery made in India. Thanks to its patronage by the royalty during the Mughal era, it flourished. It was once a powerful symbol of regalia but the jewellery tradition has a lot of popularity even today. Today 'kundan minaakari' jewellery is synonymous with the state of Rajasthan whose capital, the city of Jaipur, is the main centre of this art form.The volume presents an interesting study of the genre of; kundan minakaariç' jewellery. It offers a kaleidoscopic view of the tradition through the annals of history. It takes the readers on a retrospective journey into the Mughal period during which this genre reached glorious heights of artistic expression.
Roland Barthes was one of the most widely influential thinkers of the 20th Century and his immensely popular and readable writings have covered topics ranging from wrestling to photography. The semiotic power of fashion and clothing were of perennial interest to Barthes and The Language of Fashion - now available in the Bloomsbury Revelations series - collects some of his most important writings on these topics. Barthes' essays here range from the history of clothing to the cultural importance of Coco Chanel, from Hippy style in Morocco to the figure of the dandy, from colour in fashion to the power of jewellery. Barthes' acute analysis and constant questioning make this book an essential read for anyone seeking to understand the cultural power of fashion.
Almost everyone would agree that there's some point where enough jewelry is enough. Well, what is that point? In this book, Doug Batchelor challenges you to find out for yourself what God's Word says on this fascinating subject.
The idea of the "project" crosses generic, disciplinary and cultural frontiers. At a time when writers and artists are increasingly describing their practices as "projects", remarkably little critical attention has been paid to the actual idea of the "project". This collection of essays responds to an urgent need by suggesting a framework for evaluating the notion of the project in the light of various modernist and postmodernist cultural practices, drawn mainly but not exclusively from the French-speaking domain. The overview offered by this volume promises to makes an original and thought-provoking contribution to contemporary literary, artistic and cultural criticism. Johnnie Gratton is the holder of the 1776 Chair of French at Trinity College Dublin. He is the author of Expressivism: The Vicissitudes of a Theory in the Writing of Proust and Barthes (Legenda, 2000), and has written widely on modern French fiction and autobiography. Michael Sheringham is Marshal Foch Professor of French Literature, University of Oxford. He has worked extensively on Surrealism, modern fiction, poetry, and autobiography and related genres. His publications include French Autobiotraphy: Devices and Desires (OUP 1993) and Parisian Fields (ed, Raktion Books, 1996).
Includes section "Reviews and notices of books".
A dazzling exploration of both traditional and contemporary jewelry. Spectacular photographs of the beautiful jewelry and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and of the cultures from which it springs. Includes a collector's guide and a directory of sources. 210 illustrations, 155 in full color.