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Explores the intersection between the philosophy of Simone Weil from Paris, France, and the fiction of Flannery O'Connor from the Southern state of Georgia, USA.
Winner of the Hugo Award! In A Psalm for the Wild-Built, bestselling Becky Chambers's delightful new Monk and Robot series, gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot. Becky Chambers's new series asks: in a world where people have what they want, does having more matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This collection, selected from more than 140 interviews Gardner granted, presents a wealth of information on the life and art of one of America's foremost novelists. These interviews show him as a novelist, a charismatic teacher of creative writing, and a widely published scholar who has vast knowledge and who generated much literary information in his lectures and interviews. After the publication of such popular and critical successes as Grendel (1971) and The Sunlight Dialogues (1972), this philosophical writer with an enviable talent for storytelling was regarded as ""a major contemporary writer."" After Gardner had demonstrated that he was one of America's most prolific, versatile, and imaginative authors, he became one of its most controversial when he attacked the literary establishment in his book On Moral Fiction and in his interviews. These candid conversations reveal a man of contrasts and contradictions, a writer who, as one of his interviewers remarks, ""brought to everything he did a passion that at times bordered on madness.
"This is truly a major contribution to African American literary criticism, and it promises to elevate Johnson to the place in the literary firmament he so richly deserves." -- Henry Louis Gates, Jr., Harvard University Charles Johnson came of age during the Black Arts Movement of the 1960s and 1970s. His fiction bears the imprint of his formal training as a philosopher and his work as a journalist and cartoonist with a well-honed interest in political satire. Mentored by the American writer John Gardner, Johnson is preoccupied with questions of morality, which are informed by his knowledge of Continental and Asian philosophical traditions. In this book, Rudolph Byrd examines Johnson's four novels -- Faith and the Good Thing, Oxherding Tale, Middle Passage (National Book Award Winner), and Dreamer -- under the rubric of philosophical black fiction, as art that interrogates experience. Byrd contends that Johnson suspends, shelves, and brackets all presuppositions regarding African American life. This bracketing accomplished, the African American experience becomes a pure field of appearances within two poles: consciousness and the people or phenomena to which it is related. Johnson's principal themes are identity and liberation. Intent upon the liberation of perception, for the reader and the writer, Johnson's fiction aims at "whole sight," encompassing a plurality of meanings across a symbolic geography of forms, texts, and traditions from within the matrix of African American life and culture. And like a palimpsest, Johnson's texts contain multiple layers of meaning of disparate origins imprinted over time with varying degrees of visibility and significance. Charles Johnson's Novels will appeal to fans of the writer's work, but it also will serve as a helpful guide for readers newly introduced to this brilliant contemporary American writer.
Iris Murdoch, Philosopher Meets Novelist aims to gather some of the world’s present experts on Iris Murdoch, in an effort to promote dialogue between philosophy and literature. This is due not only to the nature of Iris Murdoch’s work itself, but also to our belief that within Humanistic Studies there is a constant need for breaking down disciplinarian barriers and reaching a deeper, fuller awareness of human thinking. Thus, the book brings together scholars from a variety of fields and places—Brazil, England, Iran, Ireland, Italy, Portugal, Spain, Turkey, Taiwan, and the United States—and testifies to the interest that the work of Murdoch continues to inspire. The book is divided into two major sections: Part A, Reading Philosophies in Literature, includes articles focusing on Iris Murdoch’s philosophical concerns and their general influence in her work; Part B, Reading Literature through Philosophy, is intended as a sort of application ground, a series of case-studies wherein authors depart from novels to retrieve the underlying philosophical thinking.
In this collection, 11 important male fiction writers in America in 2001 discuss the origin, process and achievement of their own fiction. Interviewees include Robert Olen Butler, Charles Johnson, Thom Jones, Barry Hannah, Stephen Dixon, Russell Banks, Rick Moody and Chris Offutt.
This book contains selected papers from symposia and contributed sessions presented at the third biennial meeting of the Philosophy of Science Association, held in Lansing, Michigan, on October 27-29, 1972. We are grateful to Michigan State University, and especially to Professor Peter Asquith and his students and colleagues, for their friendly and efficient hospitality in organizing the circumstances of the sessions and of the 'intersessions', the unscheduled free time which is so important to any scholarly gathering. Several of the symposium papers have unhappily not been made available: those of Alasdair MacIntyre and Sidney Morgenbesser in the session on the social sciences, that of Ian Hacking in the session on randomness and that of Imre Lakatos in the session on discovery and rationality in science. Department of History and KENNETH F. SCHAFFNER Philosophy of Science, University of Pittsburgh Center for the Philosophy and ROBERT S. COHEN History of Science, Boston University TABLE OF CONTENTS PREFACE v PART I/SYMPOSIUM: SPACE, TIME AND MATTER: THE FOUNDATIONS OF GEOMETRODYNAMICS ADOLF GRUNBAUM / Space, Time, and Matter: The Foundations of Geometrodynamics. Introductory Remarks 3 CHARLES W. MISNER / Some Topics for Philosophical Inquiry Concerning the Theories of Mathematical Geometrodynamics and of Physical Geometrodynamics 7 JOHN STACHEL / The Rise and Fall of Geometrodynamics 31 PART II / PHILOSOPHICAL PROBLEMS OF BIOLOGY AND PSYCHOLOGY STUART KAUFFMAN / Elsasser, Generalized Complementarity, and Finite Classes: A Critique of His Anti-Reductionism 57 WILLIAM C.
The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.
By exploring central issues in the philosophy of literature, illustrated by a wide range of novels, poems, and plays, Philosophy of Literature gets to the heart of why literature matters to us and sheds new light on the nature and interpretation of literary works. Provides a comprehensive study, along with original insights, into the philosophy of literature Develops a unique point of view - from one of the field's leading exponents Offers examples of key issues using excerpts from well-known novels, poems, and plays from different historical periods
This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.