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A teenage girl has been missing from her Montgomery, Alabama, home for six weeks. She may be a runaway, a crime victim, or both. What’s amazing is other people’s lack of concern. Just one person cares that she’s gone: a spunky amateur sleuth on the sunset end of sixty. Armed with razor-sharp insight, a salty wit, and tenacious faith, MacLaren Yarbrough follows a trail of clues -- a wisp of a hint, a shadow of a lie -- in search of answers to questions that come hot and fast and that grow increasingly alarming. How did a fifteen-year-old girl come across a large sum of money? Why did she hide it instead of taking it with her? Where is she now? And who is willing to kill to keep MacLaren from probing too far? Masked by Dixie charm and the scent of honeysuckle, a deadly secret lies coiled . . . one that holds the ultimate answer to the question, When Did We Lose Harriet? When Did We Lose Harriet? is the first of the MacLaren Yarbrough Mysteries, featuring plucky, sixty-some heroine MacLaren Yarbrough. Look for further books in this series in the near future.
In Montgomery, Alabama, Harriet Lawson was missing for six weeks until she was found murdered. No one seemed to really care.
This is not a gentle story. I have not lived a gentle life. If while you're reading my story you become uncomfortable when I speak very openly about my sexual feelings, or if you get pissed at me for cussing all the time, or if it offends you when I curse God, that's perfectly okay. You have a right to your own feelings and opinions, and so do I. If I had tried to "pretty it up," it wouldn't be how it really happened.
Katharine Murray's elegant Atlanta home has been viciously vandalized! She's prepared to devote all her time to getting it back in tip-top shape—until she meets Bara Weidenauer. Once a picture-perfect socialite, Bara has fallen on some hard times. Her husband, Foley, has hightailed it out of their marriage, and she's convinced he'll try to take her for every penny she's got. While scouring her house for anything of value to hide from her greedy ex, Bara finds a box of military medals that once belonged to her father, a beloved war hero. Eager to know the story behind these precious trinkets, she enlists Katharine's help. But as Katharine digs deeper into Weidenauer family history, she discovers that everything Bara believed about her father may have been a lie. And when Foley is found shot to death, Bara's world turns to complete chaos. It's up to Katharine to expose this family's secrets from the past and the present . . . or the future will be very grim indeed.
NEW YORK TIMES BESTSELLER On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer. BONUS: This edition includes an excerpt from Alan Bradley's As Chimney Sweepers Come to Dust. Praise for The Dead in Their Vaulted Arches “Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist.”—The New York Times Book Review “[Alan] Bradley’s award winning Flavia de Luce series . . . has enchanted readers with the outrageous sleuthing career of its precocious leading lady. . . . This latest adventure contains all the winning elements of the previous books.”—Library Journal (starred review) “Bradley’s latest Flavia de Luce novel reaches a new level of perfection as it shows the emotional turmoil and growth of a girl who has always been older than her years and yet is still a child. The mystery is complex and very personal this time, reaching into the past Flavia never knew about. . . . These are astounding, magical books not to be missed.”—RT Book Reviews (Top Pick) “Excellent . . . Flavia retains her droll wit. . . . The solution to a murder is typically neat, and the conclusion sets up future books nicely.”—Publishers Weekly (starred review) “It’s hard to resist either the genre’s pre-eminent preteen sleuth or the hushed revelations about her family.”—Kirkus Reviews “Flavia . . . is as fetching as ever; her chatty musings and her combination of childish vulnerability and seemingly boundless self-confidence haven’t changed a bit.”—Booklist Acclaim for Alan Bradley’s beloved Flavia de Luce novels, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Winn Award, and Arthur Ellis Award “If ever there were a sleuth who’s bold, brilliant, and, yes, adorable, it’s Flavia de Luce.”—USA Today “Irresistibly appealing.”—The New York Times Book Review, on A Red Herring Without Mustard “Original, charming, devilishly creative.”—Bookreporter, on I Am Half-Sick of Shadows “Delightful and entertaining.”—San Jose Mercury News, on Speaking from Among the Bones
A science journalist's provocative exploration of how biology, psychology, media, and culture come together to shape our ongoing obsession with our bodies, while also tackling the myths and realities of the "obesity epidemic."
Always ready to help a friend, Katharine Murray has made her way to Bayard Island off the coast of Georgia with Dr. Flo Gadney, to attend to an unsavory errand. Burch Bayard, local patriarch and greedy landowner, has a nefarious plan to build McMansions up and down the island—and over graves that may belong to Dr. Flo's ancestors! The friends set to work to make sure that Dr. Flo's family tree has its roots in the old cemetery, a task made very difficult by the lack of Southern hospitality from the island's inhabitants. One old woman even tries to shoot them! But when that woman later turns up dead, Katharine and Flo realize there's more than bodies buried on that land. And if they keep unearthing the island's secrets, they might be digging their own graves.
A "powerful and indispensable" look at the devastating consequences of environmental racism (Gerald Markowitz) -- and what we can do to remedy its toxic effects on marginalized communities. Did you know... Middle-class African American households with incomes between $50,000 and $60,000 live in neighborhoods that are more polluted than those of very poor white households with incomes below $10,000. When swallowed, a lead-paint chip no larger than a fingernail can send a toddler into a coma -- one-tenth of that amount will lower his IQ. Nearly two of every five African American homes in Baltimore are plagued by lead-based paint. Almost all of the 37,500 Baltimore children who suffered lead poisoning between 2003 and 2015 were African American. From injuries caused by lead poisoning to the devastating effects of atmospheric pollution, infectious disease, and industrial waste, Americans of color are harmed by environmental hazards in staggeringly disproportionate numbers. This systemic onslaught of toxic exposure and institutional negligence causes irreparable physical harm to millions of people across the country-cutting lives tragically short and needlessly burdening our health care system. But these deadly environments create another insidious and often overlooked consequence: robbing communities of color, and America as a whole, of intellectual power. The 1994 publication of The Bell Curve and its controversial thesis catapulted the topic of genetic racial differences in IQ to the forefront of a renewed and heated debate. Now, in A Terrible Thing to Waste, award-winning science writer Harriet A. Washington adds her incisive analysis to the fray, arguing that IQ is a biased and flawed metric, but that it is useful for tracking cognitive damage. She takes apart the spurious notion of intelligence as an inherited trait, using copious data that instead point to a different cause of the reported African American-white IQ gap: environmental racism - a confluence of racism and other institutional factors that relegate marginalized communities to living and working near sites of toxic waste, pollution, and insufficient sanitation services. She investigates heavy metals, neurotoxins, deficient prenatal care, bad nutrition, and even pathogens as chief agents influencing intelligence to explain why communities of color are disproportionately affected -- and what can be done to remedy this devastating problem. Featuring extensive scientific research and Washington's sharp, lively reporting, A Terrible Thing to Waste is sure to outrage, transform the conversation, and inspire debate.
Survive alongside Henry VIII’s ill-fated wives with this witty book of essential life advice, history, and trivia—perfect for fans of the hit musical Six. Get the inside scoop from some of the toughest women in English history, as ex-wives, mothers, and daughters of King Henry VIII dish out all their survival secrets in this humorous guide to life. With a bit of sarcasm and friendly charm, each of these legendary ladies explains how their sixteenth-century hard-earned lessons (from living with unstable men to stifling Tudor traditions) apply to twenty-first-century dating, marriage, and feminism. Written from the perspectives of each of the different women around Henry VIII, you’ll get the facts from the Queen Mother and the less-remembered but no less important Anne of Cleves, Katherine Howard, and more. With must-know historical trivia alongside wise life advice, Don’t Lose Your Head is the perfect survival guide for fans obsessed with Broadway’s latest historical pop musical Six, as well as anyone fascinated by British royalty and culture.
"It's a funny old house. They have this ceremony every summer . . . There's an old chapel, in the grounds of the house. It's half-derelict. The Hunters keep bees in there. Every year, on the same day, the family processes to the chapel. They open the combs, taste the honey. Take it back to the house. Half for them -" my father winced, as though he had bitten down on a sore tooth. "And half for us." Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure - someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes - a mysterious West Country manor house - where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold. Over the summer, as an ancient family ritual looms closer, Janey falls for each member of the family in turn. She and Kitty, the eldest daughter of the house, will forge a bond that decades later, is still shaping the present . . . 'We need the bees to survive, and they need us to survive. Once you understand that, you understand the history of Vanes, you understand our family.'