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"Home and Native Land takes its vastly important topic and places it under a new, penetrating light, shifting focus from the present grounds of debate onto a more critical terrain. The book's articles, by some of the foremost critical thinkers and activists on issues of difference, diversity, and Canadian policy, challenge sedimented thinking on the subject of multiculturalism. Not merely "another book" on race relations, national identity, or the post 9-11 security environment, this collection forges new and innovative connections by examining how multiculturalism relates to issues of migration, security, labour, environment/nature, and land. These novel pairings illustrate the continued power, limitations, and, at times, destructiveness of multiculturalism, both as policy and as discourse."--Publisher's note.
In October 1983 Ken Dryden gave us what was called the best non-fiction book ever written about hockey: The Game. In that same month Roy MacGregor published what was hailed as the best novel ever written about hockey: The Last Season. These two writers teamed up to write another extraordinary book. Inspired by Ken Dryden’s major CBC-TV series on hockey, Home Game delves into hockey in all its incarnations, from life in a small hockey community and the dreams of amateurs determined to reach the NHL to the reminiscences of players involved in the 1972 Canada-Soviet series. By exploring hockey’s significance to our nation, Dryden and MacGregor help to define what it means to be Canadian. On publication, Home Game shot to the top of the bestseller lists, establishing itself as a must-read for every hockey fan. The lavish book, with nearly 100 full-colour photographs, continues to win over Canadians.
In this remarkable book — thoughtful, intimate and stunningly illustrated with archival and original photos — three of the best writers in their fields join with Adrienne Clarkson and John Ralston Saul to tell the story of Canada’s house in the 21st century. Opening wide the doors, Canada’s House reveals how Rideau Hall has reinvented itself into a place that mirrors the varied identity, gardens and foods of the country — immensely inspiring, alive with a vitality and distinctiveness that is Canada today. Over the last five years, Rideau Hall has been transformed into a place that vitally reflects Canada’s unique contemporary identity: its kitchens are now a hive of activity using indigenous foods and wine from across the country; and its garden has been redesigned into a true Northern Garden — a showcase for Canadian flowers, plants and trees, and organic vegetables. It has become a unique home that represents Canada and Canadians from coast-to-coast. Three of our leading writers have come together to tell the story of how Rideau Hall has come to reflect so much that is both distinctive and excellent from across Canada: Margaret MacMillan, Governor-General’s Literary Award winner, contemplates the history of “home” in Canada, and the story of the great house — the hub of the country’s public life since before Confederation — through the people who have given it life. Marjorie Harris, award-winning garden writer, writes vividly on the Canadian woodland garden, the flowers and plants, as well as the organic vegetable garden that provides the fresh herbs and an impressive proportion of the fruits and vegetables for both daily life and state dinners — essential reading for all who love gardens, as well as those who aspire to creating a Canadian garden. Anne Desjardins, award-winning Quebec food writer, shows how Rideau Hall has become synonymous with contemporary Canadian cuisine, its cross-country diversity and its riches — from the shellfish and cloudberries of the Maritimes to the cheeses of Quebec; from the oolichan of the West coast to the teas and caribou of the Far North; from the wines of the Okanagan to Niagara, recognized world-wide for their excellence. With an introduction to the country’s leading food and wine producers, as well as thirty original recipes tested for home cooks by Rideau Hall’s famous Chef Oliver Bartsch. Throughout the book, Adrienne Clarkson and John Ralston Saul share their experiences in helping to bring our national house — a place that reflects Canada as diverse, bountiful, self-confident and rich in achievement — into the 21st century.
Looks at Canada's immigration history, exploring how and why people people made their way across land and sea to make Canada their home.
Following the fantastic success of his bestselling memoir, Where I Belong, Great Big Sea front man Alan Doyle returns with a hilarious, heartwarming account of leaving Newfoundland and discovering Canada for the first time. Armed with the same personable, candid style found in his first book, Alan Doyle turns his perspective outward from Petty Harbour toward mainland Canada, reflecting on what it was like to venture away from the comforts of home and the familiarity of the island. Often in a van, sometimes in a bus, occasionally in a car with broken wipers "using Bob's belt and a rope found by Paddy's Pond" to pull them back and forth, Alan and his bandmates charted new territory, and he constantly measured what he saw of the vast country against what his forefathers once called the Daemon Canada. In a period punctuated by triumphant leaps forward for the band, deflating steps backward and everything in between--opening for Barney the Dinosaur at an outdoor music festival, being propositioned at a gas station mail-order bride service in Alberta, drinking moonshine with an elderly church-goer on a Sunday morning in PEI--Alan's few established notions about Canada were often debunked and his own identity as a Newfoundlander was constantly challenged. Touring the country, he also discovered how others view Newfoundlanders and how skewed these images can sometimes be. Heartfelt, funny and always insightful, these stories tap into the complexities of community and Canadianness, forming the portrait of a young man from a tiny fishing village trying to define and hold on to his sense of home while navigating a vast and diverse and wonder-filled country.
Aged 26 and newly married, Juliana Ewing left England in 1867, bound for Fredericton, New Brunswick, where her husband had been posted to the army garrison. A famed children's writer and skilful artist, Juliana used her talents in chronicling for her family in Yorkshire her day-to-day experiences in the maritime city from Confederation to the withdrawal of British troops in 1869. In 101 letters, reproduced almost in their entirety, Juliana recreates the 'high colonial' society of mid-nineteenth-century Fredericton. Her letters unconsciously also reveal herself -- her courage, intelligence, gaity and, above all, her loving nature. Witty, perceptive, and dramatic, her letters reflect her ability as a prose writer of unusual sensibility.
Canada and the British Empire traces the evolution of Canada, placing it within the wider context of British imperial history. Beginning with a broad chronological narrative, the volume surveys the country's history from the foundation of the first British bases in Canada in the early seventeenth century, until the patriation of the Canadian constitution in 1982. Historians approach the subject thematically, analysing subjects such as British migration to Canada, the role played by gender in the construction of imperial identities, and the economic relationship between Canada and Britain. Other important chapters examine the history of Newfoundland, the history and legacy of imperial law, and the attitudes of French Canadians and Canada's aboriginal peoples to the imperial relationship. The overall focus of the book is on emphasising the part that Canada played in the British Empire, and on understanding the Canadian response towards imperialism. With contributions from leading scholars in the field, it is essential reading for anyone interested either in the history of Canada or in the history of the British Empire.