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A dance hall session in poetry, Wheel and Come Again takes readers into the heart of reggae, into the seduction of the drum and bass. The poems mix all the resources of language with the reggae mood. Copyright © Libri GmbH. All rights reserved.
A classic adventure series by many writers including Stratemeyer Syndicate and his successors associated with Tom Swift. Tom Swift, in his first adventure, has purchased a motorcycle and immediately gets busy modifying it. Eager to test his enhancements, Tom volunteers to transport his father's revolutionary turbine design plans across the country roads to Albany. Unaware of the evil corporate investors who want to steal the invention for themselves, Tom falls into their trap and finds himself facing the greatest peril of his young life. It is up to Tom not only to retrieve the blueprints and turbine prototype, but also to bring a gang of hired thugs to justice.
A dance hall session in poetry, Wheel and Come Again takes readers into the heart of reggae, into the seduction of the drum and bass. The poems mix all the resources of language with the reggae mood. Copyright © Libri GmbH. All rights reserved.
H.E. Bates's fifth collection is a sparkling body of work full of stories of childhood. Geoffrey West observed the collection overall as "bright with life, with individuals alive and interacting, and with the sweeping beauties of broad country backgrounds." Often cited as one of Bates's best stories, 'The Mill' relates the misfortune of a young girl in service. Bates was inspired by the daughter of a travelling greengrocer who called on his family: "It seemed to me a face moulded out of yellow clay: a face born to tragedy. I believe it is true that Hardy saw his Tess only once and ... from that fleeting experience, haunted also by a face, created his celebrated novel.” We get a glimpse into Bates's negative experiences of education in both 'Little Fish', where a boy observes his father, normally a man "terrifying everyone in spasms of half-theatrical anger" become, in the presence of a school administrator, furtive and apprehensive; and in 'Jonah and Bruno', a classroom tale involving an arrogant and dictatorial teacher, a rebellious smart-mouthed student, and the eventual humiliation of the teacher by an intervening soldier. Comic relief comes in the form of witty characterisation and dialogue in 'The Irishman', and in 'The Revelation', a charming tale where the young narrator observes the housekeeper giving an elderly Uncle Silas his weekly bath; between roasting "taters" and drinking wine, Silas relates his childhood follies, including the time he chased a young woman "across the meadow with my clothes under her arms," which leads to a tender twist in the tale.
From the award-winning author of the acclaimed Sun Going Down comes an intimate portrait of a marriage and a family struggling to survive turbulent times that echo our own. THE PAINT FAMILY built an American empire on the legendary strength of their character, their wit, and their resolve, but the foreclosures, bank failures, and joblessness of the Great Depression may bring their world down around them. The family’s foundation is further weakened by a rift running through two generations, scarred over by stubbornness and pain. Come Again No More is a uniquely American story about a family navigating a changing world and the tough choices it presents. The indomitable family patriarch, Eli, owns everything as far as the eye can see, but there is an emptiness in his heart. After a dramatic accident leaves him struggling for life, he must reckon with the decisions he made that separated him from the daughter he loved most. A chance for redemption presents itself in his granddaughter Emaline. Eli has faced his own mortality many times, but his pride seems to have a death grip on him. Emaline marries Jake, a womanizing prizefighter who promises to help her realize her dream of making a life on a farm. But Jake’s inner demons and nature itself conspire against Emaline’s fierce determination to make their marriage work. Life sends Emaline many joys when she least expects them, but ultimately, she must make tough decisions about holding on and letting go. Based on the author’s family letters and diaries, Come Again No More is a bittersweet novel, a moving and vivid portrayal of a family’s triumphs and tragedies paralleling the glories and shameful underbelly of a nation struggling through the Great Depression.
The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.
On the frontispiece of this tract is a woodcut, representing the name of God irradiated; below it a hand is placing a nail on a wall (of Norwich Cathedral?), and a second hand turning a double-wheel, with eyes in the rim. The frontispiece woodcut to "The Nail hit on the head" represents three columns, to the central one of which are attached, on the left, as on nails, a crown, an hour-glass (preaching-glass), a pulley; and, on the right, crossed keys, a hat, holy-water sprinkler (?), and a pitcher; to the sides of the column, on the left of the centre, a robe, a girdle (of the High Priest), and two other objects; on the pillar to the right hang a flagon, a vessel of another form, and a pair of bellows. Below is inscribed "Fideliter Ser-" This woodcut is repeated on page 49 of the sermon. On the title page of "The Nail hit on the head : and driven into the city and cathedral wall of Norwich" is a woodcut of a broad-headed nail. The text is a sermon on the verse, "And I wil fasten him a nail in a sure place; and he shal be for a glorious throne to his fathers house. Esa, 22, 23".