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G.K. Chesterton delivers insightful commentary on modern behavior and social practices influenced by big business, gender roles, government and other notable figures throughout his lifetime. The book is inspired by his own personal beliefs regarding faith, family and the working man. What's Wrong with the World is a critical analysis of various topics covered by acclaimed writer G.K. Chesterton. He tackles contemporary ideals that dominate society and dictate culture. This book compiles Chesterton's most prominent beliefs about the dangers of consumerism and a social hierarchy that thrives on oppression. It's an indictment of what he considers the world's most undeniable ills. G.K. Chesterton was a principled man with old fashioned values. His personal views shaped his literary work as well as his opinion of others. His catalog is full of essays offering distinct commentary with an indelible writing style. With an eye-catching new cover, and professionally typeset manuscript, this edition of What's Wrong with the World is both modern and readable.
In What's Wrong With The World Chesterton rightly points out that what people see as "wrong with the world" are only the symptoms of a deeper problem. He shows that our governments, be they capitalistic or socialistic, also fail to see the deeper problem. With a keen wit and lively prose he cuts directly to the true problems that society must deal with and his solutions feel utterly correct.
G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.
One of G. K. Chesterton’s finest collection of essays, The Well and the Shallows, explore more controversial themes than typically seen in the work of the English writer. Written with Chesterton’s biting wit, he touches on various cultural, social and moral issues from birth control to Catholicism. Chesterton’s perceptive analysis of core issues within modern society remains startling relatable nearly 100 years since its publication. Written shortly after his conversion to Catholicism, he writes with tremendous foresight focusing on subjects like Catholicism, Reformation and Protestantism, and other profound writings on political and social issues based around the central theme of religion. Essays in this volume include: My Six Conversions The Return to Religion The Higher Nihilism The Ascetic At Large Babies and Distribution A Century of Emancipation Trade Terms Shocking the Modernists Sex and Property Why Protestants Prohibit Where is the Paradox? The Well and the Shallows is an insightful collection of essays on some of the most important ideas of the modernist era written by one of the greatest English writers of the 20th century. It is a perfect read for those interested in the work of G. K. Chesterton or any with a broader interest in historical, social analysis from a religious perspective.
If Mr. Chesterton had been permitted to have his own way this handful of papers would have been sent out under the title of "Gargoyles." Perhaps the publisher foresaw horror upon the faces of really unimaginative readers when once brought face to face with a "monster" title; so it was changed to "Alarms and discursions," as indefinite and capable of possibilities as one could wish. "Fragments of futile journalism or fleeting impressions," Mr. Chesterton calls his essays. "This row of shapeless and ungainly monsters . . . does not consist of separate idols cut out capriciously in lonely valleys or various islands. These monsters are meant for the gargoyles of a definite cathedral. I have to carve the gargoyles, because I can carve nothing else; I leave to others the angels and the arches and the spires." Forty essays, in which excellent common sense and brilliantly phrased wisdom mingle with sheer nonsense.
What's Wrong With The World is a collection of essays from G.K. Chesterton that includes the following works: The homelessness of man, Imperialism, or the mistake about man, Feminism, or the mistake about woman, Education, or the mistake about the child, The home of man, Three notes. To C. F G. Masterman, M. P. My Dear Charles, I originally called this book "What is Wrong," and it would have satisfied your sardonic temper to note the number of social misunderstandings that arose from the use of the title. Many a mild lady visitor opened her eyes when I remarked casually, "I have been doing 'What is Wrong' all this morning." And one minister of religion moved quite sharply in his chair when I told him (as he understood it) that I had to run upstairs and do what was wrong, but should be down again in a minute. Exactly of what occult vice they silently accused me I cannot conjecture, but I know of what I accuse myself; and that is, of having written a very shapeless and inadequate book, and one quite unworthy to be dedicated to you. As far as literature goes, this book is what is wrong and no mistake. It may seem a refinement of insolence to present so wild a composition to one who has recorded two or three of the really impressive visions of the moving millions of England. You are the only man alive who can make the map of England crawl with life; a most creepy and enviable accomplishment. Why then should I trouble you with a book which, even if it achieves its object (which is monstrously unlikely) can only be a thundering gallop of theory?
G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”
Chesterton's customary wit and engaging storytelling provide a brief but vivid profile. He focuses on the saint's life, rather than on theology, to illustrate Thomas's relevance to modern readers.