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In Whats My Name, Fool? sports writer Dave Zirin shows how sports express the worst - and at times the most creative, exciting, and political - features of our society. Zirins sharp and insightful commentary on the personalities, politics, and history of American sports is unlike any sports writing being done today. Zirin explores how NBA brawls highlight tensions beyond the arena, how the bold stances taken by sports unions can chart a path for the entire labor movement, and the unexplored political stirrings of a new generation of athletes who are no longer content to just ''play one game at a time.'' Whats My Name, Fool? draws on original interviews with former heavyweight champ George Foreman, Olympic athlete John Carlos, NBA player and anti-death penalty activist Etan Thomas, antiwar womens college hoopster Toni Smith, Olympic Project for Human Rights leader Lee Evans and many others. It also unearths a history of athletes ranging from Jackie Robinson to Muhammad Ali to Billie Jean King, who charted a new course through their athletic ability and their outspoken views.
"Zirin is America's best sportswriter."--Lee Ballinger, Rock and Rap Confidential "Zirin is one of the brightest, most audacious voices I can remember on the sportswriting scene, and my memory goes back to the 1920s."--Lester Rodney, N.Y. Daily Worker sports editor, 1936-1958 "Zirin has an amazing talent for covering the sports and politics beat. Ranging like a great shortstop, he scoops up everything! He profiles the courageous and inspiring athletes who are standing up for peace and civil liberties in this repressive age. A must read!"--Matthew Rothschild, The Progressive "This is cutting-edge analysis delivered with wit and compassion."--Mike Marqusee, author, Redemption Song: Muhammad Ali and the Spirit of the Sixties Here Edgeofsports.com sportswriter Dave Zirin shows how sports express the worst, as well as the most creative and exciting, features of American society. Zirin explores how Janet Jackson's Super Bowl flash-time show exposed more than a breast, why the labor movement has everything to learn from sports unions and why a new generation of athletes is no longer content to "play one game at a time" and is starting to get political. What's My Name, Fool! draws on original interviews with former heavyweight champ George Foreman, Olympian and black power saluter John Carlos, NBA basketball player and anti-death penalty activist Etan Thomas, antiwar women's college hoopster Toni Smith, Olympic Project for Human Rights leader Lee Evans and many others. Popular sportswriter and commentator Dave Zirin is editor of The Prince George's Post (Maryland) and writes the weekly column "Edge of Sports" (edgeofsports.com). He is a senior writer at basketball.com. Zirin's writing has also appeared in The Source, Common Dreams, College Sporting News, CounterPunch, Alternet, International Socialist Review, Black Sports Network, War Times, San Francisco Bay View and Z Magazine.
A riotously entertaining chronicle of larger-than-life sporting characters and dramatic contests, this is an alternative political history of the United States as seen through the games its people played. Replete with surprises for seasoned sports, it will also amaze anyone interested in history with the connections Zirin draws between politics and sports. A groundbreaking book, it looks at the history of sports in the US through the lens of politics and culture, and shows how athlete-rebels have used sports for social and political change.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
For each name Osborn provides a history, number, astrological sign, color, stone, element, and herb.
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A day in the life of a mad housewife in Manhattan: “One of the truest and most awesome books I have ever read” (The Scotsman). She was born Mary Dunne. A New York actress in a stalled career, she’s previously been known as Maria and Martha. Married three times, she’s also been called Mrs. Phelan, Mrs. Bell, and currently, Mrs. Terence Lavery—wife of the esteemed playwright. No wonder Mary Dunne forgot her name this morning at the hairdresser. She has no idea who she is anymore. Or maybe she’s just crazy. She’s curious to find out. Over the course of a single day, Mary tries to recall more than her name. But as memories of her past come trickling back—infuriating, illuminating, and grievous—she realizes there’s so much she’d prefer to forget. As she tries to escape what she calls “the dooms,” Mary must confront what she’s done with her life—deliberately, haplessly, or by default. If only she were going crazy; it would be so much easier to explain it all away. Hailed by the Globe and Mail as a “feminist novel written before the wave of feminist novels began,” I Am Mary Dunne is “as complex and satisfying as anything Moore has yet done” (The Observer).