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“A lyrical and erotic reimagining of the gay Greek-Alexandrian poet C.P. Cavafy’s three-day trip to Paris in 1897 . . . dizzying, fevered and beautiful.” —The Millions Winner of the 2019 National Translation Award In June 1897, the young Constantine Cavafy arrives in Paris on the last stop of a long European tour, a trip that will deeply shape his future and push him toward his poetic inclination. With this lyrical novel, tinged with a hallucinatory eroticism that unfolds over three unforgettable days, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery across a continent on the brink of massive change. He is by turns exhilarated and tormented by his homosexuality; the Greek-Turkish War has ended in Greece’s defeat and humiliation; France is torn by the Dreyfus Affair, and Cavafy’s native Alexandria has surrendered to the indolent rhythms of the East. A stunning portrait of a budding author—before he became one of the 20th century’s greatest poets—that illuminates the complex relationship of art, life, and the erotic desires that trigger creativity. “A perfect book.” ―Edmund White, author of A Boy’s Own Story “The novel is as sen­sual as it is eru­dite, a stir­ringly in­ti­mate ex­plo­ration of the pri­vate, earthy place where cre­ation commences.” ―The Wall Street Journal “A remarkable novel . . . both a radiant work of the imagination and a fitting tribute to the greatest Greek poet of the twentieth century.” ―The Times Literary Supplement “Engaging and original . . . powerfully erotic . . . This is a hallucinatory work of art, in every sense.” ―The Literary Review
"Move over, Scout Finch! There's a new contender for feistiest girl in fiction, and her name is Swiv." -USA Today, "Best Books of the Year" "Toews is a master of dialogue." -New York Times Book Review, Editors' Choice "A revelation." -Richard Russo NPR Best Books of the Year * Shortlisted for the Scotiabank Giller Prize * Writers' Trust Fiction Prize Finalist * Indie Next Pick * Amazon Editors' Pick * Apple Book of the Month From the bestselling author of Women Talking and All My Puny Sorrows, a compassionate, darkly humorous, and deeply wise novel about three generations of women. “You're a small thing,” Grandma writes, “and you must learn to fight.” Swiv's Grandma, Elvira, has been fighting all her life. From her upbringing in a strict religious community, she has fought those who wanted to take away her joy, her independence, and her spirit. She has fought to make peace with her loved ones when they have chosen to leave her. And now, even as her health fails, Grandma is fighting for her family: for her daughter, partnerless and in the third term of a pregnancy; and for her granddaughter Swiv, a spirited nine-year-old who has been suspended from school. Cramped together in their Toronto home, on the precipice of extraordinary change, Grandma and Swiv undertake a vital new project, setting out to explain their lives in letters they will never send. Alternating between the exuberant, precocious voice of young Swiv and her irrepressible, tenacious Grandma, Fight Night is a love letter to mothers and grandmothers, and to all the women who are still fighting-painfully, ferociously- for a way to live on their own terms.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
After her only child, eighteen-year-old Luke, dies in a fall, Maine B & B owner Abby Stone must cope with her grief as she plans a memorial, the boy's biological father comes back into her life, and Luke's pregnant girlfriend shows up.
Every secret has its price. Anna Clark and Lia Clay were unlikely best friends in high school, but their yin-and-yang personalities drew them together in a sister-like bond. Then during college, Lia inexplicably walked out on their friendship and disappeared, leaving Anna hurt, confused, and disillusioned. Twenty years later, Anna discovers a letter Lia wrote the summer after high school—a letter that contains a cryptic postscript concealing a devastating truth. With her twenty-year high school reunion approaching, Anna moves closer to uncovering the secret in Lia’s letter and the devastating consequences it set in motion. As the layers of deceit and betrayal begin to unravel, Anna is forced to question everything she believes and come to terms with what it means to forgive the one person who hurt her in the worst way imaginable.
Our sense of history shapes how we think about ourselves. One of the distinguishing features of the left in Britain is that it holds to a remorselessly bleak and miserabilist view of our recent political history — one in which Margaret Thatcher's election in 1979 marked the start of a still-continuing fall from political grace made evident by the triumph of a free market get-what-you-can neoliberal ideology, dizzying levels of inequality, social decay, rampant individualism, state authoritarianism, and political corruption. The left does not like what has happened to us and it does not like what we have become. Andrew Hindmoor argues that this history is wrong and self-harming. It is wrong because Britain has in many respects become a more politically attractive and progressive country over the last few decades. It is self-harming because this bleak history undermines faith in politics. Post-Brexit, post-Grenfell, and post the 2010, 2015, and 2017 general elections, things may not, right now, look that great. But looked at over the longer haul, Britain is a long way from being a posterchild for neoliberalism. Left-wing ideas and arguments have shaped and continue to shape our politics.
BOOKER PRIZE WINNER • From the winner of the Nobel Prize in Literature, here is “an intricate and dazzling novel” (The New York Times) about the perfect butler and his fading, insular world in post-World War II England. This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.
Fans of Jodi Ellen Malpas, K. Bromberg, and Joanna Wylde will be unable to resist this sexy, deeply intimate tale of a woman running from her past, and the darkly mysterious man who sets her free. I didn’t think answering someone else’s cellphone would change my life. But the stranger with the low, deep voice on the other end of the line tempted me, awakened my body, set me on fire. He was looking for someone else. Instead he found me. And I found a hot, secret world where I felt alive for the first time. His name was Dylan, and, strangely, he made me feel safe. Desired. Compelled. Every dark thing he asked me to do, I did. Without question. I longed to meet him, but we were both keeping secrets. And mine were dangerous. If I took the first step, if I got closer to Dylan—emotionally, physically—then I wouldn’t be hiding anymore. I would be exposed, with nothing left to surrender but the truth. And my truth could hurt us both. Praise for Everything I Left Unsaid “Exquisite, thrilling, and toe-curlingly sensual . . . a delicious guilty pleasure I never wanted to end!”—New York Times bestselling author Katy Evans “I am head over heels in love with Everything I Left Unsaid by M. O’Keefe. Everything about this book hits the mark—the exceptional prose, the brilliantly defined characters, the delicious plot, and all the wonderful, dangerous secrets. It’s an absolute must-read keeper-shelf book!”—New York Times bestselling author J. Kenner “I couldn’t put this book down. Annie’s story is heartbreaking, liberating, sweet, and sexy—I want more!”—New York Times bestselling author Monica Murphy “Sweet, sizzling, sexy, and heart-wrenching, Everything I Left Unsaid broke my heart and left me yearning for more.”—New York Times bestselling author Megan Hart “The mystery, the excitement, and not to mention the elusive and very demanding Dylan Daniels will leave you breathless!”—New York Times bestselling author Lisa Renee Jones “O’Keefe is one of the best contemporary romance authors writing today. . . . Elegantly sensual and blisteringly sexual, the story immediately hooks readers and keeps them captivated with help from beautiful writing, complex characters, and a healthy dose of secrets, while a cliffhanger ending will have them eagerly awaiting Book 2. Breathtaking and passionately intense—a must-read.”—Kirkus Reviews “[O’Keefe] moves skillfully into . . . romantic suspense with this excellent series launch. . . . [She] infuses the situation with distinctive life and absorbing detail. Captivating characters and a cliffhanger ending will keep readers coming back for more.”—Publishers Weekly Everything I Left Unsaid is intended for mature audiences.
"Exceedingly funny . . . this one's good for what ails you."—The New York Times Reluctant P.I. to the perfidious, Junior Bender, may be L.A.’s smoothest operator but when he breaks one of the cardinal rules of burglary (don’t take scores that you’re being paid way too much for) he finds himself once again on the wrong side of, well, the wrong side. Los Angeles burglar Junior Bender has a rule about never taking a job that pays too well: in the criminal underworld, if you’re offered more money than a job is worth, someone is going to end up dead. But he’s bending his rule this one time because he and his girlfriend, Ronnie, are in desperate need of cash to hire a kidnapper to snatch Ronnie’s two-year-old son back from her ex. The whole thing is pretty complicated and has Junior on edge. The parameters of the job do nothing to calm his nerves. A nameless woman in an orange wig has offered Junior fifty grand—twenty-five up front—to break into the abandoned house of a recently deceased 97-year-old recluse, Daisy Horton, and steal a doll from her collection. Junior knows no doll is worth 50K, so he figures there must be something hidden inside the doll that can get him in a heap of trouble. It doesn’t take long for Junior to realize he’s not the only one looking for the doll. When an old friend ends up murdered, Junior decides he will stop at nothing to figure out who the woman in the orange wig is, and why she wants the doll badly enough to leave a trail of bodies in her wake.