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This is a valuable book for anyone interested in the cultural meaning of preindustrial migration. Arguing that early modern European migrants could fundamentally influence their fate and their adopted communities, it explores the world of Scots migrants to the Dutch port of Rotterdam, c. 1600-1700. The heart of the study is a reconstruction of the social networks that Scots used to establish and sustain themselves in Rotterdam, drawn from unusually rich narrative sources. Through their social ties, Scots also told stories and kept memories as they created complex identities encompassing Rotterdam, Scotland, and places further afield. By shaping their relationships to Rotterdam, Scots had a broad impact on their adopted home. Their actions helped change Rotterdam’s political, religious, and legal fabric and even tied Rotterdam to the wider Atlantic world.
A highly informative report on Chinese immigrants in the Netherlands, We Need Two Worlds is a clear and well-structured dissertation which presents a considerable amount of new material to existing knowledge of Chinese associations and their role in the Netherlands. The situation in Amsterdam is comparable to Chinese societies in other major cities, e.g. New York and London. This comprehensive study will help Western students, academics, civil servants, politicians and journalists who have an interest in Chinese culture to gain a better understanding of the significance of their associations. It also illustrates how Chinese immigrants live together and operate within a western society.
This book highlights the latest urban research in the Netherlands. From urban citizenship and civic participation to immigrant integration and urban governance, "City in sight" provides valuable new perspectives on and insightful analysis of urban transformations and challenges in Dutch cities.
Since the beginning of the 1990s, the gradual widening of scientific and policy debates on poverty from a narrow focus on income poverty to a more inclusive concept of social exclusion, has made poverty research both more interesting and more complicated. This transition to a more multidimensional conceptualization of poverty forms the background and starting point of this book. Researchers studying the 'social' and 'spatial' dimensions of poverty have only started to challenge and explore the boundaries of each other's research perspectives and instruments. This book brings together these different bodies of literature on the intersection of spatial and social exclusion for the first time, by providing a state-of-the art review written by internationally-recognized experts who critically reflect on the theoretical status of their research on social exclusion, and on the implications this has for future research and policy-making agendas.
"Low-Fat Love Stories is a collection of short stories and visual portraits based on interview research with women about a dissatisfying relationship with a romantic partner or relative, or their body image. The stories focus on settling in relationships, the gap between fantasies and realities, relationship patterns, divorce, abuse, childhood pain, spirituality, feeling like a fraud, growing older, and daily struggles looking in the mirror. Once upon a time and happily ever after take on new meaning as the women’s stories reveal the underside of fairytales and toxic popular culture. Written in the first-person with language taken directly from each woman’s interview, the stories are raw, visceral, and inspirational. As a collection, the stories and art set you on an emotional rollercoaster and illustrate the different forms “low-fat love” may take, and the quest for self-worth in the context of popular culture that tells women they are never enough. The authors developed an original method of “textual visual snapshots” for this book. Low-Fat Love Stories can be used in a range of courses in art education, gender/women’s studies, popular culture, psychology, relational communication, sociology and social work; or as an exemplar in research or qualitative methods, narrative inquiry, arts-based research or creative writing courses; or it can be read entirely for pleasure by individuals or in book clubs.“An important addition to the fields of gender and media studies that is certain to stimulate self-reflection and lively discussion.” – Jean Kilbourne, Ed.D., author, feminist activist, and creator of the Killing Us Softly: Advertising’s Image of Women film series“Breathtaking! The images are glorious – emotionally compelling – those eyes, the pain, the fragility; the stories are captivating.” – Laurel Richardson, Ph.D., Professor Emeritus, The Ohio State University and Cooley Book Award winner “A powerful book that challenges the representations of women that dominate popular culture, offering alternative narratives and images grounded in women’s real experiences.” – Sut Jhally, Ph.D., University of Massachusetts at Amherst; Founder & Executive Director, Media Education Foundation“A wonderful model of the infinite possibilities for art as research. An inspirational affirmation of life for all people.” – Shaun McNiff, University Professor, Lesley University and author of Art as Research, Art Heals, and Imagination in Action Patricia Leavy, Ph.D., is an award-winning independent sociologist and author. Victoria Scotti, Ph.D., is an art therapist and artist."
This book investigates the gender revolution in urban planning and public policy. Building on feminist urban studies, it introduces the concept of genderfication as a means of understanding the consequences of post-Fordist gender notions for the city. It traces the changes in western urban gender relations, arguing that in the post-Fordist urban landscape gender is used for urban planning and public policy – both to rebrand a city’s image and to produce space for gender-equal ideals, often at the cost of precarious urban populations. This is a topic that remains largely unexplored in critical urban studies and radical geography. Chapters cover how Jane Jacobs’ perspectives provide an alternative to the patriarchal modernist city for contemporary planners and using Rotterdam as a case study Van Den Berg discusses why new urban planning methods focus on attracting women and children as new urbanites. Topics include: forms of place marketing, gender as a repertoire for contemporary urban Imagineering and the concept of urban re-generation. The final chapter investigates how cities aiming to redefine themselves imagine future populations and how they design social policies that explicitly and particularly target women as mothers. Scholars in all fields of urban studies will find this work thought-provoking, instructive and informative.
The book examines the experiences of Black women in Italy from the 1970s to the 1990s. Although Italy is still perceived as a recent immigration country, the book demonstrates how Black women were among the first groups of new migrants to the country. Black women migrating to Italy were employed almost exclusively as live-in domestic workers and detailed attention is paid to the history and political organization of this sector. Unlike much published work in Italian, this book adopts an integrated form of analysis where gender, ethnicity and class are seen to be interconnected constructs. The book also situates Black women within the framework of the national constituency of gender. This approach challenges the ideology surrounding the Italian family and demonstrates that while live-in domestic work created specific forms of social marginality for Black women, it paradoxically allowed Italian women to express their new social identities within and outside the family. The book concludes that Italian women have largely failed in their attempts to transform the division of labour within the home and that the decision to employ other (migrant) women to fulfill household tasks is a trend which sits uneasily within the framework of an inclusive feminist project for women.