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Story of five people caught inside an airport cocktail lounge during a global disaster.
1932, the eve of the Nazi seizure of power: Germany beset with street violence, hunger, anti-Semitism, and despair; civil war threatens. The "typical" Deutsch family fights to survive. The story begins with Pitt Deutsch, inventor and self-made millionaire, whose millions evaporate in the hyperinflation, then follows Deutsch's seven children in their struggles with poverty and indignity: Klara, broken by her efforts to support the family; Susi, mistress of a businessman, reduced to bringing home extra food; Peter, an unemployed chemist, suicidally depressed; Max, who falls in love with a Jewish woman, encountering Germany's growing anti-Semitism first hand. The two youngest brothers, unemployed and undereducated, become Nazis. Claire Bergmann's novel was positively reviewed by some of Germany's most prominent critics, including Hans Fallada and Siegfried Kracauer. Not surprisingly, given the work's democratic leanings, it was banned soon after the Nazis began to exert total control. Bergmann never wrote another book, disappearing from sight in 1935. This first English translation will find immediate interest among all readers interested in the end of Weimar and the rise of the Nazis. It is a message in a bottle from the last moment when German democracy's survival seemed possible. Richard Bodek is Professor of History at the College of Charleston, South Carolina. His book Proletarian Performance in Weimar Berlin was published by Camden House in 1997.
What if a teacher’s most promising pupil is also her most dangerous? Aspiring writer Vera Lundy hasn’t entirely overcome her own adolescence when she agrees to teach at a tiny private school. A recent murder has already put their small New England town on edge when Vera bonds with a student who’s eerily reminiscent of her younger self. Amid a growing sense of menace, Vera finds herself in the vortex of danger—and suspicion.
In 1981, Heinrich Boll returned to the streets of his childhood in this remarkable collection of nonfiction. This volume captures the musings of a mature Boll as he looks back with fondness and with anger on his formative years: as a student who avoided school but lived for his education on the street; and as a young man forced to grapple with the moral horror that was Hitler. What's to Become of the Boy - superbly translated by Leila Vennewitz - provides uncommon insight into Boll's maturation as an author and as a man.
This book is about heaven but does not include any near-death experiences for sensationalism. The author shares many miracles so that the reader may understand that this book is a bona fide account of heaven, because God does not back what is not true, and the miracles are His backing. There is a section on how the devil became the devil so that the reader may understand matters in heaven and on Earth. The underlying truth always is that whatever is good on Earth is automatically in heaven. Also, whatever is good and fantastic on Earth first appeared in heaven; that is why it is called an invention and not a creation.