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A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow
This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.
Staging Stigma is a captivating excursion into the bizarre world of the American freak show. Chemers critically examines several key moments of a performance tradition in which the truth is often stranger than the fiction. Grounded in meticulous historical research and cultural criticism, Chemers analysis reveals untold stories of freaks that will change the way we understand both performance and disability in America. This book is a must-have for serious students of freakery or anyone who is curious about the hidden side of American theatrical history.
Wild Man from Borneo offers the first comprehensive history of the human-orangutan encounter. Arguably the most humanlike of all the great apes, particularly in intelligence and behavior, the orangutan has been cherished, used, and abused ever since it was first brought to the attention of Europeans in the seventeenth century. The red ape has engaged the interest of scientists, philosophers, artists, and the public at large in a bewildering array of guises that have by no means been exclusively zoological or ecological. One reason for such a long-term engagement with a being found only on the islands of Borneo and Sumatra is that, like its fellow great apes, the orangutan stands on that most uncomfortable dividing line between human and animal, existing, for us, on what has been called “the dangerous edge of the garden of nature.” Beginning with the scientific discovery of the red ape more than three hundred years ago, this work goes on to examine the ways in which its human attributes have been both recognized and denied in science, philosophy, travel literature, popular science, literature, theatre, museums, and film. The authors offer a provocative analysis of the origin of the name “orangutan,” trace how the ape has been recruited to arguments on topics as diverse as slavery and rape, and outline the history of attempts to save the animal from extinction. Today, while human populations increase exponentially, that of the orangutan is in dangerous decline. The remaining “wild men of Borneo” are under increasing threat from mining interests, logging, human population expansion, and the widespread destruction of forests. The authors hope that this history will, by adding to our knowledge of this fascinating being, assist in some small way in their preservation.
Traces the history of the hoax as a distinct American phenomenon, exploring the roles of stereotype, suspicion, and racism as factors that have shaped fraudulent activities from the heyday of P.T. Barnum through the "fake news" activities of Donald Trump.
The Treasure Punt is a delightfully-written and illustrated book in which corporate storyteller and human resources strategist Peter Christie uses the anecdotal form to bring home some important lessons for those on both sides of the job market: recruiters and people looking to be recruited. Christie's central metaphor is that of a pirate Captain (Captain Black-bug), representing a leader of a company, who sails the seven seas on his ship (The Bountiful), looking for treasure. Along the way Black-bug encounters many adventures, each of which teaches him something about making the best of his crew, and experiences, to maximise his material gain. If you read The Treasure Punt as a recruiter, you will find some powerful tools for bringing the right talent on-board in your organisation, and if you are a candidate, for making yourself a desirable workplace treasure. The book is a rollicking good read that will have you chuckling into your coffee cup, making complicated scenarios that stalk business seem simple and approachable, and imparting a sense of can-do confidence and savoir-faire.
In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's "prevailing taste for deformity." This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; "Lalloo, the Double-Bodied Hindoo Boy," a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's "missing link"; the "Last of the Mysterious Aztecs" and African "Cannibal Kings," who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities.