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"A beautiful amalgam of memoir, travelogue, and investigative report that moves with the propulsive forward energy of a thriller. A haunting chronicle of loss and redemption." --Ron Chernow, Pulitzer Prize-winning author of Alexander Hamilton In the wake of her mother's death, Jessica Pearce Rotondi uncovers boxes of letters, declassified CIA reports, and newspaper clippings that bring to light a family ghost: her uncle Jack, who disappeared during the CIA-led "Secret War" in Laos in 1972. The letters lead her across Southeast Asia in search of the truth that has eluded her family for decades. What she discovers takes her closer to the mother she lost and the mysteries of a secret war that changed the rules of engagement forever. In 1943, 19-year-old Edwin Pearce jumps from a burning B-17 bomber over Germany. Missing in action for months, his parents finally learn he is a prisoner of war in Stalag 17. Ed survives nearly three years in prison camp and a march across the Alps before returning home. Ed's eldest son and namesake, Edwin "Jack," follows his father into the Air Force. But on the night of March 29, 1972, Jack's plane vanishes over the mountains bordering Vietnam and Ed's past comes roaring into the present. In 2009, Ed's granddaughter, Jessica Pearce Rotondi, is grieving her mother's death when she stumbles across declassified CIA documents, letters, and maps that reveal her family's decades-long search for Jack. What We Inherit is Rotondi's story of her own hunt for answers as she retraces her grandfather's 1973 path across Southeast Asia in search of his son. An excavation of inherited trauma on a personal and national scale, What We Inherit reveals the power of a father's refusal to be silenced and a daughter's quest to rediscover her voice in the wake of loss. As Rotondi nears the last known place Jack was seen alive, she grows closer to understanding the mystery that has haunted her family for generations--and the destructive impact of a family secret so big it encompassed an entire war.
Read Amy Boesky's blogs and view other content on the Penguin Community. The stirring true story of a woman who chose fearlessness in the face of a fatal family legacy and discovered the pleasure of living each moment to its fullest At thirty-two, Amy Boesky thought she had it all figured out: a wonderful new man in her life, a great job, and the (nearly) perfect home. For once, she was almost able to shake the terrible fear that had gripped her for as long as she could remember. Women in her family had always died young-from cancer-and she and her sisters had grown up in time's shadow. It colored every choice they made and was beginning to come to a head now that each of them approached thirty-five-the deadline their doctors prescribed for having preventive surgery with the hope they could thwart their family's medical curse. But Amy didn't want to dwell on that now. She wanted to plan for a new baby, live her life. And with the appreciation for life's smallest pleasures, she did just that. In What We Have, Amy shares a deeply transformative year in her family's life and invites readers to join in their joy, laughter, and grief. In a true story as compelling as the best in women's fiction, written with the sagacity of Joan Didion and the elegance of Amy Bloom, Amy Boesky's journey celebrates the promise of a full life, even in the face of uncertainty.
With contributions from Cheryl Strayed, Mark Cuban, Ta-Nahesi Coates, Melinda Gates, Joss Whedon, James Patterson, and many more -- this fascinating collection gives us a peek into 150 personal treasures and the secret histories behind them. All of us have that one object that holds deep meaning--something that speaks to our past, that carries a remarkable story. Bestselling author Bill Shapiro collected this sweeping range of stories--he talked to everyone from renowned writers to Shark Tank hosts, from blackjack dealers to teachers, truckers, and nuns, even a reformed counterfeiter--to reveal the often hidden, always surprising lives of objects.
An instant New York Times bestseller! From Oliver Jeffers, world-renowned picture book creator and illustrator of The Crayons' Christmas, comes a gorgeously told father-daughter story and companion to the #1 New York Times bestseller Here We Are! What shall we build, you and I? Let's gather all our tools for a start. For putting together . . . and taking apart. A father and daughter set about laying the foundations for their life together. Using their own special tools, they get to work, building memories to cherish, a home to keep them safe, and love to keep them warm. A rare and enduring story about a parent's boundless love, life's endless opportunities, and all we need to build a together future. The perfect baby shower gift or gift for new parents! Praise for What We'll Build: "[Has] the offbeat, sweet style Jeffers' fans know and love." --Kirkus Reviews "An intensely personal statement of intergenerational fellowship and an obvious pick for library shelves best explored at home." --School Library Journal "Children will love his playbook for building a future of love and imagination, and they will delight in the special relationship the father and daughter share." --Booklist "Stroked in generous swaths of warm color and Jeffers's signature childlike scribbles . . . .. Jeffers's benediction portrays a parent who surrounds his child with love and steadies her as she learns how to bring her dreams to fruition." --Publishers Weekly
For the last 150 years, advertising has created a consumer culture in the United States, shaping every facet of American life—from what we eat and drink to the clothes we wear and the cars we drive. In the United States, advertising has carved out an essential place in American culture, and advertising messages undoubtedly play a significant role in determining how people interpret the world around them. This three-volume set examines the myriad ways that advertising has influenced many aspects of 20th-century American society, such as popular culture, politics, and the economy. Advertising not only played a critical role in selling goods to an eager public, but it also served to establish the now world-renowned consumer culture of our country and fuel the notion of "the American dream." The collection spotlights the most important advertising campaigns, brands, and companies in American history, from the late 1800s to modern day. Each fact-driven essay provides insight and in-depth analysis that general readers will find fascinating as well as historical details and contextual nuance students and researchers will greatly appreciate. These volumes demonstrate why advertising is absolutely necessary, not only for companies behind the messaging, but also in defining what it means to be an American.
The increasing output-oriented effectivity and regulatory power of socio-economic structures fail to meet human potentials for personal, social and political unfolding. Targeting the patterns of behaviour that underlie these structures, the author investigates in possibilities for transformation that arise from the awareness of needs within the political subject. What can this awareness mean and what are possible ways to foster awareness of own needs? The author gives a critical overview of different understandings of needs and connects it to practical aspects, leading towards an own approach of doing what we have to do, in order to be who we are.
From chef and food activist Alice Waters, an impassioned plea for a radical reconsideration of the way each and every one of us cooks and eats In We Are What We Eat, Alice Waters urges us to take up the mantle of slow food culture, the philosophy at the core of her life’s work. When Waters first opened Chez Panisse in 1971, she did so with the intention of feeding people good food during a time of political turmoil. Customers responded to the locally sourced organic ingredients, to the dishes made by hand, and to the welcoming hospitality that infused the small space—human qualities that were disappearing from a country increasingly seduced by takeout, frozen dinners, and prepackaged ingredients. Waters came to see that the phenomenon of fast food culture, which prioritized cheapness, availability, and speed, was not only ruining our health, but also dehumanizing the ways we live and relate to one another. Over years of working with regional farmers, Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu, as well as about the dangers of pesticides, the plight of fieldworkers, and the social, economic, and environmental threats posed by industrial farming and food distribution. So many of the serious problems we face in the world today—from illness, to social unrest, to economic disparity, and environmental degradation—are all, at their core, connected to food. Fortunately, there is an antidote. Waters argues that by eating in a “slow food way,” each of us—like the community around her restaurant—can be empowered to prioritize and nurture a different kind of culture, one that champions values such as biodiversity, seasonality, stewardship, and pleasure in work. This is a declaration of action against fast food values, and a working theory about what we can do to change the course. As Waters makes clear, every decision we make about what we put in our mouths affects not only our bodies but also the world at large—our families, our communities, and our environment. We have the power to choose what we eat, and we have the potential for individual and global transformation—simply by shifting our relationship to food. All it takes is a taste.
Traces the trajectory of African American social movements from the time of Booker T. Washington to the present. Bush (sociology, St. John's U.) looks at Black Power and other African American social movements with an emphasis on the role of the urban poor in the struggle for Black rights. He looks at African American social movements in the "Age of Imperialism" from 1890-1914, the recomposition of the white-black alliance from the Great Depression to WWII, and the crisis of US hegemony and the transformation from Civil Rights to Black Liberation. Annotation copyrighted by Book News, Inc., Portland, OR
Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists.
Finalist for the National Jewish Book Award A deeply felt, beautifully crafted meditation on friendship and loss in the vein of A Year of Magical Thinking, and a touching portrait of Philip Roth from his closest friend. I had a baseball question on the tip of my tongue: What was the name of "the natural," the player shot by a stalker in a Chicago hotel room? He gave me an amused look that darkened in-to puzzlement, then fear. Then he pitched forward into the soup, unconscious. When I entered the examining room twenty minutes after our arrival at Charlotte Hungerford Hospital, Philip said, "No more books." Thus he announced his retirement. So begins Benjamin Taylor's Here We Are, the unvarnished portrait of his best friend and one of America's greatest writers. Needless to say, Philip Roth's place in the canon is secure, but what is less clear is what the man himself was like. In Here We Are, Benjamin Taylor's beautifully constructed memoir, we see him as a mortal man, experiencing the joys and sorrows of aging, reflecting on his own writing, and doing something we all love to do: passing the time in the company of his closest friend. Here We Are is an ode to friendship and its wondrous ability to brighten our lives in unexpected ways. Benjamin Taylor is one of the most talented writers working today, and this new memoir pays tribute to his friend, in the way that only a writer can. Roth encouraged him to write this book, giving Taylor explicit instructions not to sugarcoat anything and not to publish it until after his death. Unvarnished and affectionately true to life, Taylor's memoir will be the definitive account of Philip Roth as he lived for years to come.