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Violet Holt has already met Death once. After a failed suicide attempt, she finds herself dumped by her callous mother on the doorstep of her family’s desolate oceanside estate. With only the company of her estranged grandmother, comatose grandfather, and the monsters in her head, at least there was no one to interfere with her plans to try again on her eighteenth birthday. No one, except maybe Jack: a skeleton of a boy who says he’s there to rake her grandmother’s leaves, yet seems more experienced at stalking than grounds-keeping. She knows he’s keeping a secret behind his gentle smiles and aloofness, but it’s difficult for Violet to be put off by his untimely thin-air appearances when figuring out the mystery of his true identity makes for such a good distraction. Violet’s trauma is deeper than the wound on her wrist though, and it cannot be simply whisked away in a whirlwind of guessing games and pleasant gestures. She struggles to reconnect with her grandmother, find forgiveness for her mother, and closure with her grandfather’s dire condition, all while battling the strain of it all on her family. Even with a flicker of something hopeful blossoming within herself, Violet knows her birthday plans must be inevitable. Death wouldn’t be there for her if it wasn’t.
In her unique guide, Jill Brooke reveals how to cope with grief and turn this time of sadness into an opportunity for positive change and growth. Although they are no longer physically with us, we can keep our loved ones emotionally and spiritually close by incorporating their memories into our daily lives. As we draw comfort from their sustaining presence, we can have a positive impact on those around us. Recent research shows that the trauma of loss can stimulate creativity which leads to new pportunities for happiness and success. Katie Couric and Rosie O'Donnell are just a few people in this book who have coped with loss in unique and special ways. Including tips on how to preserve our memories, create lasting family histories, and reach out to others, Don't Let Death Ruin Your Life shows how the experience of grieving helps us to heal, learn, and grow. Filled with gentle guidance and practical advice, this indispensable handbook takes readers on a journey that will motivate, inspire, and transform their lives. "Should be on everyone's bookshelf . . . Charts a survival course with dignity and hope." (The New York Post)
Chloe Humphrey, 24, is a fish out of water as the computer whiz living in Ohio's Amish Country. She's stretched even further when a local accident turns to murder, and she's in a position to solve the case.
National bestselling author: Florist Fiona Knox left behind her gloomy life for a magical garden in Scotland, but a murder on her shop’s opening day spells doom Fiona Knox thought she was pulling her life back together when she inherited her godfather’s cottage in Duncreigan, Scotland—complete with a magical walled garden. But the erstwhile Tennessee flower shop owner promptly found herself puddle boot-deep in danger when she found a dead body among the glimmering blossoms. One police investigation and a handsome Chief Inspector names Neil Craig later and Fiona’s life is getting back on a steady—though bewitched—track. Her sister Isla has just moved in with her, and the grand opening of her new spellbound venture, the Climbing Rose Flower Shop in Aberdeenshire, is imminent. But dark, ensorcelled clouds are gathering to douse Fiona’s newly sunny outlook. First, imperious parish minister Quaid MacCullen makes it undeniably clear that he would be happy to send Fiona back to Tennessee. Then, a horrific lightning storm, rife with terrible omen, threatens to tear apart the elderly cottage and sends Fi and Isla cowering under their beds. The storm passes, but then, Fi is called away from the Climbing Rose’s opening soiree when Kipling, the tiny village’s weak-kneed volunteer police chief, finds a dead body on the beach. The body proves difficult to identify, but Kipling is certain it’s that of the parish minister. Which makes Fiona, MacCullen’s new nemesis, a suspect. And what’s worse, Isla has seemed bewitched as of late...did she do something unspeakable to protect her sister? The last thing Fiona wanted to do was play detective again. But now, the rosy future she’d envisioned is going to seed, and if she and Craig can’t clear her name, her idyllic life will wilt away. Perfect for readers of Paige Shelton and Sheila Connolly, Death and Daises is the second floral Magic Garden Mystery by national bestselling author Amanda Flower.
The first in a sweet and colorful cozy mystery series from Jess Dylan, Death in Bloom introduces flower shop owner Sierra Ravenswood. At the Flower House, every rose has its thorn . . . Sierra Ravenswood is the new part-time employee of the Flower House, a flower shop in Aerieville, Tennessee. It's true she didn't expect to be back in her hometown at twenty-eight-years-old, but after her dream of making it as a singer in Nashville crashed and burned, she's just grateful to have found a soft place to land. Because, after all, Sierra firmly believes in being optimistic and positive about life, so she's sure she won't have to work at the Flower House forever. But things take a decidedly negative turn when a customer drops dead in the middle of her new bouquet-arranging workshop at the store. When it's discovered he was poisoned by a snack at the event, everyone at the workshop, including Sierra, is on the suspect list. To make matters worse, her boss has gone AWOL and left the store to her for the cost of one dollar, leaving Sierra in charge of both his store and his high-energy Corgi puppy, Gus. The town is on edge, and Sierra knows that murder is something that an upbeat attitude and a bouquet of sweet-smelling roses can't fix. She's determined to figure out whodunit, before anyone else in town meets an untimely reason for needing funeral flowers.
The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
“A visual treat as well as a literary one…for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson.” —The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener—sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson’s Gardening Life, award-winning author Marta McDowell explores Dickinson’s deep passion for plants and how it inspired and informed her writing. Tracing a year in the garden, the book reveals details few know about Dickinson and adds to our collective understanding of who she was as a person. By weaving together Dickinson’s poems, excerpts from letters, contemporary and historical photography, and botanical art, McDowell offers an enchanting new perspective on one of America’s most celebrated but enigmatic literary figures.
A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."