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An addictively free-ranging survey of the massive impact that the humble and loveable sheep have had on human history. From the plains of ancient Mesopotamia to the rolling hills of medieval England to the vast sheep farms of modern-day Australia, the domesticated ungulates of the genus Ovis—sheel—have been central to the human story. Starting with our Neolithic ancestors' first forays into sheep-rearing nearly 10,000 years ago, these remarkable animals have fed us, clothed us, changed our diet and languages, helped us to win wars, decorated our homes, and financed the conquest of large swathes of the earth. Enormous fortunes and new, society-changing industries have been made from the fleeces of sheep, and cities shaped by shepherds' markets and meat trading. Sally Coulthard weaves the rich and fascinating story of sheep into a vivid and colorful tapestry, thickly threaded with engaging anecdotes and remarkable ovine facts, whose multiple strands reflect the deep penetration of these woolly animals into every aspect of human society and culture.
When sheep Bea's unconventional attitude causes problems with her confirmist flock, she heads to the big city where she feels at home... at first. Bea eventually returns to the farm confident in her ovine originally and helps her friends wxplore their own dreams and talents.
The groundbreaking first-person account of successful recovery from dissociative identity disorder, now featuring a new preface by the author When Joan Frances Casey, a married twenty-six-year-old graduate student, “awoke” on the ledge of a building ready to jump, it wasn’t the first time she couldn’t explain her whereabouts. Soon after, Lynn Wilson, an experienced psychiatric social worker, diagnosed Joan with multiple personality disorder. She prescribed a radical program of reparenting therapy to individually treat her patient’s twenty-four separate personalities. As Lynn came to know Joan’s distinct selves—Josie, the self-destructive toddler; Rusty, the motherless boy; Renee, the people pleaser—she uncovered a pattern of emotional and physical abuse that had nearly consumed a remarkable young woman. Praise for The Flock “A testimony to [Casey’s] courage and the dedication of her therapist, who believed that a profoundly fragmented self has the capacity to heal within a loving therapeutic relationship.”—The New York Times Book Review “Absolutely mesmerizing . . . the first coherent autobiographical study of its kind.”—The Detroit News “A compelling psychological odyssey offering unique insights into a nightmare world.”—Kirkus Reviews “Extraordinary . . . deftly told and studded with striking images.”—Publishers Weekly
When longtime illustrator and lover of power tools Lauren Scheuer was looking for a project, she got the idea to raise backyard chickens. Her husband and teenage daughter looked on incredulously as coop sketches and chicken-raising books filled their New England home. But when the chicks arrived, the whole family fell in love with the bundles of fluff and the wild adventures began. Once Upon a Flock: Life with My Soulful Chickens stars Scheuer’s backyard chickens—with their big personalities, friendships, rivalries, and secrets—and the flock’s guardian, Marky the terrier. The flock includes Hatsy, the little dynamo; Lil’White, the deranged and twisted Buff Orpington; Pigeon, the fixer-upper chicken; and Lucy, the special-needs hen who bonds with Lauren and becomes a fast friend. This charming story of Lauren’s life with her quirky flock is filled with moments of humor and heartbreak: When Lucy is afflicted with a neurological disease, Lauren builds Lucy a special-needs coop. When Lucy’s nesting instinct leads Lauren to act as a chicken midwife of sorts, Lauren hatches a chick in her home. And when Lucy’s best friend Hatsy falls ill, Lauren finds an unlikely friend for Lucy in a chicken named Pigeon, who requires an emergency bath and blow-dry. Enthusiastically immersing herself in the world of her flock, Lauren discovers that love, loss, passion, and resilience are not only parts of the human experience, but of the chicken experience as well. Throughout it all, Lauren documents the laughter and drama of her flock’s adventures with her own whimsical photos and illustrations. At once humorous, poignant, and informative, Once Upon a Flock is a feathered tale like no other.
These are poems about the anxiety of what must be traded for the comfort of the flock. "Flock books" allow farmers to register and track livestock, and these poems survey the anxieties of that registry: the comfort of shelter as trade for living under the weight of threats--of removal, conformity, or one's own urge to stray. Katie Umans has an MFA from the University of Michigan, was a Ruth and Jay C. Halls Poetry Fellow at the Wisconsin Institute for Creative Writing, and received a 2010 Individual Artist Fellowship from the New Hampshire State Council on the Arts.
The Tower of the Flock Dr. Christine Van Horn has a comprehensive understanding of what it means for Jesus to be the Lamb of God. Her intensive study was born out of a revelation from God on this subject. The Tower of the Flock is the second part of this study, following The Lamb Eternal. The Tower of the Flock studies the birth of Jesus, including: Why Jesus was born in Bethlehem Who the shepherds really were Why Jesus was born in a manger Where the manger was really located What time of year Jesus was born This book will change your understanding of the meaning of Christmas forever.
Angel says that Fang will be the first to die, and Angel is never wrong. Maximum Ride is used to living desperately on the run from evil forces sabotaging her quest to save the world--but nothing has ever come as close to destroying her as this horrifying prophetic message. Fang is Max's best friend, her soul mate, her partner in the leadership of her flock of winged children. A life without Fang is a life unimaginable. When a newly created winged boy, the magnificent Dylan, is introduced into the flock, their world is upended yet again. Raised in a lab like the others, Dylan exists for only one reason: he was designed to be Max's perfect other half. Thus unfolds a battle of perfection versus passion that terrifies, twists, and turns...and meanwhile, the apocalypse is coming.
At the edge of the woods, there is a great tree. Peep through the branches and you might just see some little people who stand as tall as your thumb and have heads the size of hazelnuts. Sylvia prefers to be alone rather than play noisy games with the other Tree Keepers. But one day, she finds a baby bird in her favourite hiding place. As Sylvia and the bird become friends, can she learn that sometimes, things are better when you have someone to share them with? This beautiful debut is a tribute to community and friendship. Sunday Times Children's Book to Watch Out for - This charming debut picture book is about tiny people who live in trees, a baby starling and the joys of nature and of making friends. It is illustrated with a naivety that is both elegant and child-friendly.
Four wholly original tales of cosmic horror based on the works of H.P. Lovecraft and translated into English for the very first time. Taking their inspiration from some of Lovecraft's choicest nightmares, follow us on a dream-quest as we explore what fresh terrors the Cthulhu Mythos has to offer from the other side of the Great Wall.
Somewhere on a rooftop in Brooklyn, an old man breeds pigeons, feeding and flying them. It is an unspectacular, seemingly banal scene, and it is one that photographer Marianne Müller observed and photographed for months. The result of her observations and reflections is The Flock, a rich and dense record of life above the rooftops of Brooklyn, oscillating between documentary observation and metaphorical condensation. Precise observations alternate with almost abstract compositions in which the birds' flight is transformed into mere brushstrokes on the clouds above New York. This book is a reflection upon city and nature, on one tiny place and the aesthetic universe it holds. It offers a view of modern nature beyond sentimentalities of any kind. The photographs of flying, fighting, hatching, eating and running pigeons touch upon the subjects of mass and power, freedom and captivity, heaven and hell, associatively adding up to a panoramic metaphor of the relation between the individual and the collective body. The photographic series is complemented by an interview with the Bird Man, providing yet another, radically different perspective on the birds and their lives.