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"Joe Orton's last play, What the Butler Saw, will live to be accepted as a comedy classic of English literature" (Sunday Telegraph) The chase is on in this breakneck comedy of licensed insanity, from the moment when Dr Prentice, a psychoanalyst interviewing a prospective secretary, instructs her to undress. The plot of What the Butler Saw contains enough twists and turns, mishaps and changes of fortune, coincidences and lunatic logic to furnish three or four conventional comedies. But however the six characters in search of a plot lose the thread of the action - their wits or their clothes - their verbal self-possession never deserts them. Hailed as a modern comedy every bit as good as Wilde's The Importance of Being Earnest, Orton's play is regularly produced, read and studied. What the Butler Saw was Orton's final play."He is the Oscar Wilde of Welfare State gentility" (Observer)
'A book which goes on a special shelf in my library.' P.G. Wodehouse What the Butler Saw (1962) is one of E.S. Turner's most pertinent and illuminating 'social histories', an exploration of the 'upstairs/downstairs' relationship across three centuries of English life. Drawing on literature, contemporary accounts and household manuals, Turner describes in fascinating detail how it came to be that the upper classes felt a need for an ever larger household staff, engaged in every imaginable form of drudgery; and, accordingly, how those in service - from high to low, butler to footman, housemaid to au pair - had to give satisfaction to their masters and mistresses while also, on occasions, contending with physical blows, tantrums, and (in the cases of some unfortunate servant girls) threats to their virtue.
During his fraudulent stay at a mental institution, a charming rogue invokes the head nurse's antagonism by inciting revolution among the inmates
"Joe Orton's last play, What the Butler Saw, will live to be accepted as a comedy classic of English literature" (Sunday Telegraph) The chase is on in this breakneck comedy of licensed insanity, from the moment when Dr Prentice, a psychoanalyst interviewing a prospective secretary, instructs her to undress. The plot of What the Butler Saw contains enough twists and turns, mishaps and changes of fortune, coincidences and lunatic logic to furnish three or four conventional comedies. But however the six characters in search of a plot lose the thread of the action - their wits or their clothes - their verbal self-possession never deserts them. Hailed as a modern comedy every bit as good as Wilde's The Importance of Being Earnest, Orton's play is regularly produced, read and studied. What the Butler Saw was Orton's final play. "He is the Oscar Wilde of Welfare State gentility" (Observer)
From Guggenheim and National Endowment for the Humanities fellow Wil Haygood comes a mesmerizing inquiry into the life of Eugene Allen, the butler who ignited a nation's imagination and inspired a major motion picture: The Butler: A Witness to History, the highly anticipated film that stars six Oscar winners, including Forest Whitaker, Oprah Winfrey (honorary and nominee), Jane Fonda, Cuba Gooding Jr., Vanessa Redgrave, and Robin Williams; as well as Oscar nominee Terrence Howard, Mariah Carey, John Cusack, Lenny Kravitz, James Marsden, David Oyelowo, Alex Pettyfer, Alan Rickman, and Liev Schreiber. With a foreword by the Academy Award nominated director Lee Daniels, The Butler not only explores Allen's life and service to eight American Presidents, from Truman to Reagan, but also includes an essay, in the vein of James Baldwin’s jewel The Devil Finds Work, that explores the history of black images on celluloid and in Hollywood, and fifty-seven pictures of Eugene Allen, his family, the presidents he served, and the remarkable cast of the movie.
BOOKER PRIZE WINNER • From the winner of the Nobel Prize in Literature, here is “an intricate and dazzling novel” (The New York Times) about the perfect butler and his fading, insular world in post-World War II England. This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.
A black farce masterpiece, Loot follows the fortunes of two young thieves, Hal and Dennis. Dennis is a hearse driver for an undertaker. They have robbed the bank next door to the funeral parlour and have returned to Hal's home to hide-out with the loot. Hal's mother has just died and the pair put the money in her coffin, hiding the body elsewhere in the house. With the arrival of Inspector Truscott, the thickened plot turns topsy-turvy. Playing with all the conventions of popular farce, Orton creates a world gone mad and examines in detail English attitudes at mid-century. The play has been called a Freudian nightmare, which sports with superstitions about death - and life. It is regularly produced in professional and amateur productions. First produced in London in 1966, Loot was hailed as "the most genuinely quick-witted, pungent and sprightly entertainment by a new, young British playwright for a decade" (Sunday Telegraph). The Student Edition offers a plot summary, full commentary, character notes and questions for study, besides a chronology and bibliography.
Another disturber from the author of Nothing and There Is No Year.
To the girls who came to make it big in the town's 'What the Butler Saw' movie industry, Aberystwyth was the town of broken dreams. To Dean Morgan who taught at the Faculty of Undertaking, it was just a place to get course materials. But both worlds collide when the Dean checks into the notorious bed and breakfast ghetto and mistakenly receives a suitcase intended for a ruthless druid assassin. Soon he is running for his life, lost in a dark labyrinth of druid speakeasies and toffee apple dens, where every spinning wheel tells the story of a broken heart, and where the Dean's own heart is hopelessly in thrall to a porn star known as Judy Juice.