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The tables are turned on legendary master thief Gideon Sable when a priceless magical artifact is stolen from him, in this fast-paced supernatural heist thriller. You can find everything you've ever dreamed of in the strange, old magical shop known as Old Harry's Place. The problem is, not all dreams are kind. Gideon Sable - legendary master thief, conman and well-dressed rogue - and his partner in crime Annie Anybody don't want to be shopkeepers, but when the enigmatic Harry decides to retire, he blackmails the pair into taking the store on. Before the grand reopening can happen, however, a menacing stranger arrives - with a rare and deadly item for them to appraise. A small piece of rock, with an unnerving aura, which 'Smith' claims contains the last echoes of the legendary sirens' song. Before they can find out more, however, Smith vanishes . . . leaving only the stone. Some valuables are more trouble than they're worth. But before Gideon and Annie can work out if they've been set up, the stone is stolen from its impregnable hiding place. How? And why? Gideon only knows one thing for certain: no one steals from him and gets away with it . . . What Song the Sirens Sang is the third supernatural heist thriller featuring master conman Gideon Sable from British SFF veteran and New York Times bestselling author Simon R. Green, following The Best Thing You Can Steal and A Matter of Death and Life.
A lawyer’s lucrative case has deadly consequences in the third installment of the Hilary Tamar mysteries that began with Thus Was Adonis Murdered “Sarah Caudwell is one of my very favorite mystery writers.”—A. J. Finn, New York Times bestselling author of The Woman in the Window Young barrister Michael Cantrip has skipped off to the Channel Islands to take on a tax-law case that’s worth a fortune—if Cantrip’s tax-planning cronies can locate the missing heir. But Cantrip has waded in way over his head. Strange things are happening on these mysterious, isolated isles. Something is going bump in the night—and bumping off members of the legal team, one by one. Soon Cantrip is messaging the gang at the home office for help. And it’s up to amateur investigator Hilary Tamar, Oxford don turned supersleuth, to get Cantrip back to the safety of his chambers—alive! Don’t miss any of Sarah Caudwell’s riveting Hilary Tamar mysteries: THUS WAS ADONIS MURDERED • THE SHORTEST WAY TO HADES • THE SIRENS SANG OF MURDER • THE SIBYL IN HER GRAVE
In the lightning-paced sequel to The Icon Thief, Europe’s turbulent past and terrifying future are set to collide in the streets and prisons of London—and beyond. Rachel Wolfe, a gifted FBI agent assigned to a major investigation overseas, discovers that a notorious gun runner has been murdered at his home in London, his body set on fire. When a second victim is found under identical circumstances, the ensuing chase plunges Wolfe and her colleagues into a breathless race across Europe, a secret war between two ruthless intelligence factions, and a hunt for a remorseless killer with a deadly appointment in Helsinki. At the heart of the mystery lies one of the strangest unsolved incidents in the history of Russia—the unexplained death of nine mountaineers in the Dyatlov Pass five decades before. And at the center of it all stands a figure from Wolfe’s own past, the Russian thief and former assassin known in another life as the Scythian…
Welcome to London, but not as you know it. A place where magics and horror run free, wonders and miracles are everyday things, and the dark streets are full of very shadowy people . . . Gideon Sable is a thief and a con man. He specializes in stealing the kind of things that can't normally be stolen. Like a ghost's clothes, or a photo from a country that never existed. He even stole his current identity. Who was he originally? Now, that would be telling. One thing's for sure though, he's not the bad guy. The people he steals from always have it coming. Gideon's planning a heist, to steal the only thing that matters from the worst man in the world. To get past his security, he's going to need a crew who can do the impossible . . . but luckily, he has the right people in mind. The Damned, the Ghost, the Wild Card . . . and his ex-girlfriend, Annie Anybody. A woman who can be anyone, with the power to make technology fall in love with her. If things go well, they'll all get what they want. And if they're lucky, they might not even die trying . . .
Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
Hugo and Locus Award Finalist An Economist Best Book of the Year A Milwaukee Journal Sentinel Best Book of 2018 “An amazing and engrossing history...Insightful, entertaining, and compulsively readable.” — George R. R. Martin Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself. "Enthralling…A clarion call to enlarge American literary history.” — Washington Post “Engrossing, well-researched… This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre’s history.” — Wall Street Journal “A gift to science fiction fans everywhere.” — Sylvia Nasar, New York Times bestselling author of A Beautiful Mind
In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of myth I am the home of this story. After thousands of years of other people’s tellings, of all these different bridges, of words gotten wrong, I’ll tell it myself. Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid’s narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.