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Dickey Chapelle was a pioneering female journalist who covered some of the most significant events of the 20th century, from World War II to the Vietnam War. In this memoir, she reflects on her experiences as a reporter and photographer, and offers insights into the challenges and opportunities faced by women in the field of journalism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing
This unique book is the first single-source history of women in Wisconsin. It features dozens of excerpts of articles as well as primary sources, such as women's letters, reminiscences, and oral histories, previously published over many decades in the Wisconsin Magazine of History. Editor and historian Genevieve G. McBride provides the contextual commentary and overarching analysis to make Wisconsin women's history accessible to students, scholars, and lifelong learners.
Dickey Chapelle was a pioneering female journalist who covered some of the most significant events of the 20th century, from World War II to the Vietnam War. In this memoir, she reflects on her experiences as a reporter and photographer, and offers insights into the challenges and opportunities faced by women in the field of journalism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This unique and innovative book fuses journalism with both psychology and biology to create a new scaffolding where primal literacy is the guiding force to covering high-risk environments. When humans are in high-stress situations, their perceptions of reality can be easily deceived and manipulated. What is safe, moral, truthful, and brave can be distorted, unless the journalist has a strong core in primal literacy. This text remedies this oversight by showing the mechanisms of primal literacy and survival instincts to create a powerful and reliable scaffolding with internal, external, and ecological validity. Readers are shown how to cover dangerous events using journalism and evolutionary psychology to avoid falling for propaganda or bringing further danger to the reporter and news consumer; however, these methods can easily be applied to any situation in times of both war and peace.
When a reporter for The New York Times uproots her family to move to West Africa, she manages her new role as breadwinner while finding women cleverly navigating extraordinary circumstances in a forgotten place for much of the Western world. “A story you will not soon forget.”—Kathryn Bigelow, Academy Award–winning director of The Hurt Locker and Zero Dark Thirty In 2015, Dionne Searcey was covering the economy for The New York Times, living in Brooklyn with her husband and three young children. Saddled with the demands of a dual-career household and motherhood in an urban setting, her life was in a rut. She decided to pursue a job as the paper’s West Africa bureau chief, an amazing but daunting opportunity to cover a swath of territory encompassing two dozen countries and 500 million people. Landing with her family in Dakar, Senegal, she quickly found their lives turned upside down as they struggled to figure out their place in this new region, along with a new family dynamic where she was the main breadwinner flying off to work while her husband stayed behind to manage the home front. In Pursuit of Disobedient Women follows Searcey’s sometimes harrowing, sometimes rollicking experiences of her work in the field, the most powerful of which, for her, center on the extraordinary lives and struggles of the women she encounters. As she tries to get an American audience subsumed by the age of Trump and inspired by a feminist revival to pay attention, she is gone from her family for sometimes weeks at a time, covering stories like Boko Haram–conscripted teen-girl suicide bombers or young women in small villages shaking up social norms by getting out of bad marriages. Ultimately, Searcey returns home to reconcile with skinned knees and school plays that happen without her and a begrudging husband thrown into the role of primary parent. Life, for Searcey, as with most of us, is a balancing act. She weaves a tapestry of women living at the crossroads of old-fashioned patriarchy and an increasingly globalized and connected world. The result is a deeply personal and highly compelling look into a modern-day marriage and a world most of us have barely considered. Readers will find Searcey’s struggles, both with her family and those of the women she meets along the way, familiar and relatable in this smart and moving memoir.
In contrast to the author's previous book, Healing the Unimaginable: Treating Ritual Abuse and Mind Control, which was for therapists, this book is designed for survivors of these abuses. It takes the survivor systematically through understanding the abuses and how his or her symptoms may be consequences of these abuses, and gives practical advice regarding how a survivor can achieve stability and manage the life issues with which he or she may have difficulty. The book also teaches the survivor how to work with his or her complex personality system and with the traumatic memories, to heal the wounds created by the abuse. A unique feature of this book is that it addresses the reader as if he or she is dissociative, and directs some information and exercises towards the internal leaders of the personality system, teaching them how to build a cooperative and healing inner community within which information is shared, each part's needs are met, and traumatic memories can be worked through successfully.
Arthur Ellis Award Winner: The “flat-out funny” first mystery in the series featuring a newly single reporter trying to clear herself of murder (Publishers Weekly). Meet Robin Hudson. Dumped by her husband, she’s been demoted to third-string reporter at New York’s All News Network. Her downstairs neighbor thinks she’s a hooker. Louise Bryant, her finicky cat, refuses to chow down on anything but stir-fry. Now Robin’s being blackmailed by a late-night caller who knows her childhood nickname and other personal stuff, like whom she gave her virginity to. What could be worse? Being the prime suspect in the bludgeoning death of her mystery caller—that’s what. In life, he was a PI who had the skinny on everyone. Now, while Robin is undercover investigating a suspicious sperm bank, she must also find the killer and clear her name. In her downtime, she’s amusing herself with her hot new boy toy, who may not be Mr. Right but could be Mr. Close Enough. When someone else is murdered, Robin races to break the story before she makes headlines again—as the next victim. The Robin Hudson Mystery series is a winner of the Sherlock Award for Best Comic Detective. What's a Girl Gotta Do? is the 1st book in the Robin Hudson Mysteries, but you may enjoy reading the series in any order.
Despite years of dominating journalism school classrooms across North America, women remain vastly underrepresented at the highest levels of newspaper leadership. Why do so many female journalists leave the industry and so few reach the top? Interviewing female journalists at daily newspapers across Canada, Vivian Smith – who spent fourteen years at The Globe and Mail as a reporter, editor, and manager – finds that many of the obstacles that women face in the newspaper industry are the same now as they have been historically, made worse by the challenging times in which the industry finds itself. The youngest fear they will have to choose between a career and a family; mid-career women madly juggle the pressures of work and family while worrying that they are not “good mothers”; and the most senior reflect on decades of accomplishments mixed with frustration at newsroom sexism that has held them back. Listening carefully to the stories these journalists tell, both about themselves and about what they write, Smith reveals in Outsiders Still how overt hostility to women in the newsroom has been replaced by systemic inequality that limits or ends the careers of many female journalists. Despite decades of contributions to society’s news agenda, women print journalists are outsiders still.