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What Lies Within the Words Written is a collection of poetry written straight from the heart. This book will take you on a passionate journey that will open up your hearts and allow you to feel what is written. This collaboration of poems will touch on things that are happening in everyday life to personal experiences. In this book, you will read poems, quotes, and expressions that speak about love, heartbreaks, friendship, betrayal, violence, strength, death, and pain. I hope that after reading this book, a piece of it sticks and stays with you.
“What Lies Within,” a riches to rags to reality memoir of the author's early life, evokes memories of a kinder, gentler time in America--the fifties. It takes us into the turbulent sixties when family secrets unravel the author's idyllic youth while the fabric of American life concurrently shreds. The book's themes of love, loss, hope, and resilience resonate with readers from preteen up, but it especially touches Baby Boomers.
Writing Subtext explores all the underlying meanings that lie beneath the words, images, and actions in film, which are also applicable to any kind of fiction writing. Replete with examples from films, as well as examples from real life, Writing Subtext helps the writer figure out how to find and write subtext.
How far would you go to hide who you really are inside? And what do you do when you find the one person from whom hiding your true self isn't an option? Glamorous movie star Dara Thomas has it all-an Oscar nomination, dozens of magazine covers proclaiming her the sexiest woman alive, and people of both sexes clamoring for her attention. She also has a carefully guarded secret life. As Constance Darrow, Dara writes Pulitzer Prize-winning fiction, an outlet that allows her to be so much more than just a pretty face. Rebecca Minton is a professor of American Literature in love with the work of the mysterious, reclusive author Constance Darrow, with whom she strikes up a correspondence. A chance phrase in a letter leads her to a startling conclusion about the author. What happens next will change the course of both of their lives forever.
Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?
Living in a remote Devon farmhouse, Anna and her family have always been close to nature, surrounded by the haunting beauty of the moor. But when a convict escapes from nearby Dartmoor prison, their isolation suddenly begins to feel more claustrophobic than free. Meanwhile, a young idealistic teacher has just started her first job, determined to 'make a difference'. But when she is brutally attacked by one of her students, her version of events is doubted by even those closest to her. Struggling to deal with the terrible consequences, she does what she can to move on and start afresh.
The Book of Lies was written by English occultist and teacher Aleister Crowley under the pen name of Frater Perdurabo. As Crowley describes it: "This book deals with many matters on all planes of the very highest importance. It is an official publication for Babes of the Abyss, but is recommended even to beginners as highly suggestive." The book consists of 91 chapters, each of which consists of one page of text. The chapters include a question mark, poems, rituals, instructions, and obscure allusions and cryptograms. The subject of each chapter is generally determined by its number and its corresponding Qabalistic meaning.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
With the pervasiveness of vitriol and dishonesty today, language needs to be revived and restored. In Caring for Words in a Culture of Lies, Marilyn McEntyre exposes the commercial and political forces that affect public discourse in American culture and counters with twelve constructive “strategies of stewardship”—such as challenging lies (including widely tolerated forms of deception and spin), fostering the art of conversation, and encouraging playfulness and prayerfulness in writing and speaking. The second edition of this timely and timeless book includes updated cultural references and questions for reflection and discussion at the end, allowing a new generation of readers to apply McEntyre’s wisdom in a world that struggles with truth and graceful language more than ever before.
In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.