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Marble Mining: Unearthing the Beauty of Nature Introduction to Marble What is Marble? The Geological Formation of Marble Marble Deposits Around the World Major Marble Producing Countries Marble Quarrying Process Selecting the Quarry Site Drilling and Blasting Extracting the Marble Blocks Transport and Storage of Marble Blocks Processing Marble into Usable Forms Cutting and Shaping Marble Polishing and Finishing Marble Marble Tile Production Marble Slab Manufacturing Marble Sculpture and Carving Architectural Applications of Marble Marble in Construction Marble in Interior Design Marble in Monuments and Memorials The History of Marble Usage Ancient Marble Structures Marble in the Renaissance Period Marble in Modern Architecture Environmental Considerations in Marble Mining Sustainability in Marble Quarrying Waste Management in Marble Production Preserving Marble Quarry Ecosystems Advances in Marble Mining Technology Automated Quarrying Equipment Innovations in Marble Processing Marble Recycling and Repurposing The Global Marble Market Marble Trade and Export Marble Pricing and Trends Marble Industry Challenges Health and Safety in Marble Mining Worker Protection Measures Dust Mitigation Techniques Marble Mining and Local Communities Community Engagement Strategies Marble Mining's Economic Impact Conclusion: The Future of Marble Mining
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archaic sculptures were originally painted in bright colours - a feat which meant defying Victorian gender roles and jeopardising her marriage. Sensuous and electric, yet admirably forensic in its approach to mineral life, Marble is a galvanizing novel about the materials life is made of, about korai and sponge diving, about looking and looking again, written in a spare and pellucid style. Praise for Marble Everything connects. In that Ali Smith/Isabel Waidner way, Amalie Smith manages to stuff a lot of topics in an economic way... Enriching and rewarding - The Bobsphere A resolute novel that, by virtue of its mix of literary suggestion, aesthetic experience and art historical insight, makes something that is simultaneously straightforwardly concrete and almost incomprehensibly abstract come alive - Jyllands-Posten Marble is not reminiscent of much else, but that does not make it odd. Just beautifully its own. It is made of the stuff art and literature is made of. In excess - Berlingske Amalie Smith brings marble to life - Politiken ♥♥♥♥ Admirably vivid - Information Marble is an artistically ambitious and original attempt at creating an open, hybrid and 'impure' strand of novel which integrates and supplements fiction with factual and documentary elements... Amalie Smith digs into the material with knowledge, sensuality, and aesthetic sensibility - Litteratursiden Marble is a novel about insisting on the significance of surfaces, about longing and absorption, about diving and becoming porous. The book thinks across disciplines and aesthetic genre conventions, and hence it is no coincidence that Amalie Smith is a practising artist as well as a writer - Vagant AMALIE SMITH (b. 1985) is a Danish writer and visual artist. A graduate from the Danish Academy of Creative Writing and the Royal Danish Academy of Fine Arts, Smith has published eight hybrid books. She has received numerous awards for her work as an artist and writer, including the Danish Arts Foundation's prestigious three-year working grant, the Danish Crown Prince Couple's Rising Star Award, and the Bodil and Jørgen Munch-Christensen Prize for emerging writers. JENNIFER RUSSELL has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius's 'Birdland', and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's All the Birds in the Sky.
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
"Marble is a metamorphic stone that has been a material of choice and a subject of reflection for millennia. Its geology, history, and economics are well known, but its aesthetics remain understudied. This book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. Through empirical research centered on the Mediterranean from Late Antiquity to the present, it closely examines the artistic versatility of marble in its uses and re-uses, including the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materializing of marble made possible by digital technology"--
Global thinking principle -- Anthropocene as context principle -- Transformation engagement principle -- Integration principle -- Transboundary engagement principle -- GLOCAL principle -- Cross-silos principle -- Time being of the essence principle -- Yin-yang principle -- Bricolage methods principle -- World savvy principle -- Skin in the game principle -- Theory of transformation principle -- Transformation fidelity principles : evaluating transformation -- Transformational alignment principle : transforming evaluation to evaluate transformation.
More than 500 color photos display marbles of all types, including Indians, Aggies, Steelies, transitionals, M.F. Christensen & Son, Akro Agate and more.
An investigation of differences in durability of the Colorado Yule marble, a widely used building stone.
Humans have difficulty thinking at the global scale. Yet as we come to understand our planet as a single, interconnected, complex system and encounter compelling evidence of human impact on Earth’s climate and biosphere, the need for a truly global effort is increasingly urgent. In this concise and accessible text, David P. Turner presents an overview of global environmental change and a synthesis of research and ideas from the rapidly evolving fields of earth system science and sustainability science that is suitable for anyone interested in humanity’s current predicaments and what we can do about them. The Green Marble examines Earth’s past, contemporary human disruption, and the prospects for global environmental governance. Turner emphasizes the functioning of the biosphere—the totality of life on Earth—including its influence on geologic history, its sensitivity to human impacts, and its possible role in ameliorating climate change. Relying on models of the earth system that synthesize vast amounts of monitoring information and recent research on biophysical processes, The Green Marble describes a range of scenarios for our planetary home, exploring the effects of anthropogenic greenhouse gas emissions and factors such as economic globalization. Turner juxtaposes cutting-edge ideas from both the geosciences and the social sciences to illustrate how humanity has arrived upon its current dangerous trajectory, and how we might pull back from the brink of civilization-challenging environmental change. Growing out of the author’s popular course on global environmental change, The Green Marble is accessible to non-science majors and provides a framework for understanding the complex relationship of humanity to the global environment.
Caldecott Medalist Kevin Henkes’s award-winning Penny returns in the third I Can Read story about a sweet and curious mouse, perfect for fans of Lilly’s Purple Plastic Purse, Owen, and Chrysanthemum. When Penny spots a marble in Mrs. Goodwin's front yard, she picks it up, puts it in her pocket, and takes it home. It's a beautiful marble—it's big, shiny, blue, smooth, and fast, and Penny loves it. But does the marble really belong to Penny? Penny and Her Marble was named a 2014 Geisel Honor book by the American Library Association. This annual award, given to the most distinguished books for beginning readers, is named for the world-renowned children's author Theodor Geisel, also known as Dr. Seuss. Kevin Henkes is a master at creating beautifully illustrated books that resonate with young children. The Penny books are new classics for beginning readers and will appeal to fans of Frog and Toad, Little Bear, and Henry and Mudge. Penny and Her Marble is a Level One I Can Read book, which means it's perfect for children learning to sound out words and sentences. Whether shared at home or in a classroom, the short sentences, familiar words, and simple concepts of Level One books support success for children eager to start reading on their own. Don't miss Penny's newest adventures in Penny and Her Sled!
Sylacauga—Alabama’s “Marble City”—is blessed with an abundant natural resource that nurtures both its economy and its cultural heritage. Thirty-five miles long, at least four hundred feet deep, and more than a mile wide, the Sylacauga Marble Belt yields crystalline white marble frequently compared to the Parian marble treasured by Greek sculptors and the Italian Carrara marble often chosen by Michelangelo. Artisans have quarried Sylacauga marble for tombstones since the early 1800s, and architects prized it for years as dimension stone for buildings like the United States Supreme Court. In the early 1900s, Giuseppe Moretti and Gutzon Borglum both chose this marble for magnificent sculptures. When granite, better able to withstand industrial pollution, overtook marble as the preferred architectural stone in the 1930s, Sylacauga’s quarry owners shifted their focus to the production of ground calcium carbonate (GCC), a fundamental ingredient in manufactured products from toothpaste, foodstuffs, and disposable diapers to paints, caulks, and sealants. Many cringe at the idea of blasting and grinding marble into fine powder, but GCC is a vital factor in the local economy. Thankfully, the Magic of Marble Festival, first held in 2009, has revitalized interest in the artistic value of Sylacauga marble, inspiring sculptors from across the United States and masters from Italy to apply their skills to cream-white blocks of this beautiful stone and share their creativity with thousands of residents and visitors each year. This is the story of quarry pioneers, investors, artists, and artisans. It's also the story of their families, who fondly remember their lives along the edge of “the hole” that provided for them.