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Introduction -- Archetypes -- Multipurpose Spaces -- Crowd Capacities -- Community Hubs -- Businesses -- Coda.
This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.
The Paper Playhouse includes a series of how-to art projects that transform cardboard boxes, paper, and found books into imaginative toys, structures, and games for kids!
critical issues of early modern performance in fresh and vital ways. --
Sitting in his playhouse alone with one cookie and one glass of milk, Monster realizes it is more fun to share than to keep everything for himself.
Treehouses & Playhouses You Can Build shows how average "do-it-yourself" families can easily and affordably bring to life a "Hobbit's Treehouse," a "Pirate's Playhouse," or a "Crow's Nest" in their own backyards! There are a lot of books out there filled with enchanting photos of elaborate treehouses and playhouses built by professionals and costing tens of thousands to build. For the rest of us, there's bit of elbow grease, a lot of imagination, a trip to the hardware store-and Treehouses & Playhouses You Can Build.
On the 25th anniversary of the show "Pee-wee's Playhouse," the behind-the-scenes story is being told for the first time by those who experienced it. Complete with an episode guide, biographical information about the cast and key members of the show's creative team, never-before-told anecdotes, and previously unpublished photos.
Perfect for fans of Alma and How She Got Her Name and Your Name is a Song, this picture book encourages readers to take up space and support each other with respect and kindness When Zimdalamashkermishkada starts at a new school, he knows he’ll have to introduce himself to lots of new people. He trips over his long name and decides to shrink it down to the shorter, simpler Zim. The nickname works fine for introductions, but deep down, it doesn’t feel right. It’s not until a new friend sees him for who he truly is that Zimdalamashkermishkada finds the confidence to step proudly into his long name. The Boy Who Tried to Shrink His Name is a warm and uplifting story that encourages young readers to celebrate their authentic selves, and proclaims that no one should ever have to shrink themselves to fit in.
Improbably located in the heart of the Jewish ghetto on the Lower East side of Manhattan, the Neighborhood Playhouse and its brief yet influential tenure offers a fascinating story in the annals of theater history. From 1915 to 1927, this progressive theater, along with the better-known Provincetown Players and the Theatre Guild, inaugurated the Little Theater Movement in America. In John P. Harrington’s detailed account of the Neighborhood Playhouse’s remarkable history, readers learn not only about its notable productions but also about its gradual shift in mission and the tensions between art and social work. Harrington traces the playhouse’s long-lasting legacy: it fostered The Neighborhood School of Acting made famous by Sanford Meisner, now the Neighborhood Playhouse School of the Theatre, and it helped spawn the expansive network of community theaters that thrive throughout America today. Well-researched and detailed, this book provides a vital yet often overlooked piece of theater history and a lost key to understanding the growth of theater arts in New York City.