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What has left since we left? articulates the fictional end of Europe with the language of love and separation. Likening the political bonds that tie together European countries to the fluctuations of romance and desire, the book unpacks the complexities of the European relationship by touching on ideas of identity, collapse, migration, conflict and hope. The book features contributions by Ay'e Zarakol, Marwan Moujaes, Federico Lodoli, Marina Lalovic and Erica Petrillo. Together, these texts complement and expand on the script for the film "What has left since we left" - directed by Giulio Squillacciotti and written with Daan Milius and Huib Haye van der Werf - which fictionalises the current European dystopia by re-enacting and problematizing the rituals of kinship and relational struggles. Backstage images and film stills from this production, along with a European timeline from World War II up until Brexit compiled by Enrico De Gasperis, provide a specific overview to the entire project.
"It was 12 years ago when I moved to Mexico, leaving my comfortable, familiar life and community, driving by myself to start a new life in a foreign country. Some sort of bravado or naivete or, as my friends would say later, courage, allowed me to pooh-pooh concerns about all the unknowns- culture, language, customs-and head off nonetheless."And so begins one of the more than two dozen essays in this anthology, written by "regular" women about their "regular" lives and how they decided to change everything and move to Mexico. In simple, engaging words straight from the heart, the contributors to Why We Left share their plans and preparations, hardships and challenges, joys and satisfactions as their journeys to new lives in Mexico unfold.
From the acclaimed author of Lies We Tell Ourselves comes an empowering YA novel of what happens when love may not be enough to conquer all. Toni and Gretchen are the couple everyone envied in high school. When they go off to different colleges—Toni to Harvard and Gretchen to NYU—they’re sure they’ll be fine. Where other long-distance relationships have fallen apart, theirs is bound to stay rock-solid. The reality of being apart, though, is very different than they expected. Toni, who identifies as genderqueer, meets a group of transgender upperclassmen and immediately finds a sense of belonging that has always been missing. Gretchen, meanwhile, struggles to remember who she is outside their relationship. As distance and Toni’s shifting gender identity begin to wear on their relationship, the couple must decide—have they grown apart for good, or is love enough to keep them together?
Joanna Brooks reveals the harsh realities behind seventeenth- and eighteenth-century working-class English emigration--and dismantles the idea that these immigrants were drawn to America as a land of opportunity. Brooks follows American folk ballads back across the Atlantic, uncovering an archaeology of the worldviews of America's earliest immigrants and a haunting historical perspective on the ancestors we thought we knew.
Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid by not just them, but also by those they left behind. Ciaran Devine, who made Belfast headlines seven years ago as the “schoolboy killer,” is about to walk free. At the age of twelve, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time. Ciaran’s release means several things: a long-anticipated reunion with Thomas, who still wields a dangerous influence over his younger brother; the call-to-action of a man bent on revenge for his father’s death; and major trouble for Ciaran’s assigned probation officer. Meanwhile, Serena Flanagan has just returned to the force from her battle with breast cancer, only to endure the pitying looks of her coworkers and a mountain of open case files. She will soon discover that even closed cases can unleash terror on the streets of Belfast.
The emotional true story of a family separated by war. We feel for the men and women who are risking their lives at war, but what of the families they’ve left behind? In gorgeous prose, a military wife describes a year in her family’s life—a year in which her husband leaves for war and returns, and prepares again to leave. Melissa Seligman’s son is a newborn, and her daughter, a toddler, when her husband ships out to Iraq. Starting with that day, and focusing on the months that follow, she movingly describes the balancing act her life has become: being a loving mother to her young children, with the haunting knowledge that her husband, their father, could be killed at any time. Seligman doesn’t hesitate to express her inner pain. She watches her daughter acting out in fury. Then there’s her own anger. Ultimately, though, she comes to accept her life and appreciate the strength and determination of her loving children and husband. It’s a book to read in one sitting, and to think about for years. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Charlie Wheelan and his family do what others dream of: They take a year off to travel the world. This is their story. What would happen if you quit your life for a year? In a pre–COVID-19 world, the Wheelan family decided to find out; leaving behind work, school, and even the family dogs to travel the world on a modest budget. Equal parts "how-to" and "how-not-to"—and with an eye toward a world emerging from a pandemic—We Came, We Saw, We Left is the insightful and often hilarious account of one family’s gap-year experiment. Wheelan paints a picture of adventure and connectivity, juggling themes of local politics, global economics, and family dynamics while exploring answers to questions like: How do you sneak out of a Peruvian town that has been barricaded by the local army? And where can you get treatment for a flesh-eating bacteria your daughter picked up two continents ago? From Colombia to Cambodia, We Came, We Saw, We Left chronicles nine months across six continents with three teenagers. What could go wrong?
I thought I would be grafting and working on it. Pursuing it until I breathed my last breath. My ambition and drive was that concrete. But ambition will... Ambition will kill you. The spark is instant. Miles away from home they find each other. They were going to make it big, together. Fast forward years later, a world reset and changed forever they return to where they left it. One an award-winning writer, the other adopting a child and putting faith in crystals. The spark is still there, electric and dangerous. But how do you heal once you've been burned? Right Where We Left Us is a lyrical and witty three-hander and a heartfelt examination of what happens instead of “happy ever after”. A new Welsh play produced by Welsh theatre makers Chippy Lane Productions, this edition was published to coincide with the world premiere at the Chapter Arts Centre, in September 2022.
Gaelle has a dream job working for a fashion magazine, and a husband who loves her. Life should be perfect, but life does not always go according to plan. Feeling lost and alone, Gaelle flees to a tiny seaside town on the other side of the country. As she revisits the legacy of a strange, sometimes magical childhood in France, Gaelle finds unexpected help from a thirteenyear-old stranger.As if she was experiencing her childhood all over again, she must ask: when you lose everything you love, what is left over after?
In 1938 when Hitler annexed Austria making it part of his Greater German Reich, approximately 185,000 Jews lived in Vienna. Unlike their counterparts in Germany proper, these Jews had only a short time to make plans to emigrate. The development and application of racially discriminatory policies in Germany took nearly five years to come to full fruition. In Austria, the ruthless attempts at exclusion of the Jewish population from both social and economic institutions took barely five months. The editor and his parents were among the few individuals who were fortunate to gain entrance into the United States during this time of crisis. Four days before their departure, the U.S. visa stamped in their passports was the only thing that saved the three from deportation to Poland. The Sechers unavoidably left behind five members of their immediate family who were still waiting to receive visas, but they firmly believed, even as rumors of further restrictive policies against the Jews circulated, that the remaining members of their family would be well out of reach of Nazi policies designed to remove Jews from their homes. There is a lengthy introduction, but the major part of the book is a chronological arrangement of the many letters exchanged between the father and mother and those individuals left behind in Vienna. The letters tell a story of the struggles the remaining five faced in their efforts to stay alive. Of the five persons who contributed to this correspondence, only Fanny Secher (the author's paternal grandmother) died a natural death. The others were deported and never heard from again.