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Time runs backwards in this exhilarating novel from the author of the award-winning The Curative. The Montague family is traced back in time from Petone, Wellington, in the present day, to the amazing case of Anne Green, who in 1650 is executed in Oxford, England, but then miraculously recovers on the dissection table.
After more than forty years of publishing short stories, Theroux has become a master of the form, with a deep capacity to engage, enchant and unsettle . . . [He] asserts his preeminence in short fiction with an unassuming brilliance. Kirkus Reviews, starred review A family watches in horror as their patriarch transforms into the singing, wisecracking lead of an old-timey minstrel show. A renowned art collector relishes destroying his most valuable pieces. Two boys stand by helplessly as their father stages an all-consuming war on the raccoons living in the woods around their house. A young artist devotes himself to a wealthy, malicious gossip, knowing that it s just a matter of time before she turns on him. In this new collection of award-winning short stories, acclaimed author Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires and compulsions, always with his carefully honed eye for detail and the subtle idiosyncrasies that bring his characters to life. Searing, dark, and sure to unsettle, Mr. Bones is a stunning new display of Paul Theroux s fluent, faintly sinister powers of vision and imagination (The New Yorker). "
A collection of essays on the situation of poetry in contemporary American culture, from Shapiro's multiple perspectives as poet (four volumes), teacher of poetry (U. of North Carolina, Greensboro), and reader. A TriQuarterly book. Annotation copyright by Book News, Inc., Portland, OR
Meet Mr. Bones, the canine hero of Paul Auster's remarkable new novel, Timbuktu. Mr. Bones is the sidekick and confidant of Willy G. Christmas, the brilliant, troubled, and altogether original poet-saint from Brooklyn. Like Don Quixote and Sancho Panza before them, they sally forth on a last great adventure, heading for Baltimore, Maryland in search of Willy's high school teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who knew him in his previous incarnation as William Gurevitch, the son of Polish war refugees. But is Mrs. Swanson still alive? And if she isn't, what will prevent Willy from vanishing into that other world known as Timbuktu? Mr. Bones is our witness. Although he walks on four legs and cannot speak, he can think, and out of his thoughts Auster has spun one of the richest, most compelling tales in recent American fiction. By turns comic, poignant, and tragic, Timbuktu is above all a love story. Written with a scintillating verbal energy, it takes us into the heart of a singularly pure and passionate character, an unforgettable dog who has much to teach us about our own humanity.
A stunning first novel that was to become an international bestseller. Veronika, a writer in her early thirties, rents a house in the Swedish countryside to finish her novel. She is also cocooning herself from her past. She befriends Astrid, a reclusive older woman who has lived in the village all her life. Olsson leads us through the flowering of their unusual and tender friendship, as they slowly and carefully reveal their life histories and sometimes heart-rending pasts. The Swedish landscape is always a powerful presence and measures the progress of the women's relationship; as the icy winter and bare trees give way to spring and then summer, the women's friendship deepens. Also available as an eBook
A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astounds John Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A "spooky" collection in the words of Robert Lowell-"a maddening work of genius." As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered "a looser style that mixed high and low dictions with a strange syntax." Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk, irrepressible antihero named Henry or, sometimes, Mr. Bones: "We touch at certain points," Berryman claimed, of Henry, "But I am an actual human being." Henry may not be real, but he comes alive on the page. And while the most famous of the Dream Songs begins, "Life, friends, is boring," these poems never are. Henry lusts: seeing a woman "Filling her compact & delicious body / with chicken páprika" he can barely restrain himself: "only the fact of her husband & four other people / kept me from springing on her." Henry despairs: "All the world like a woolen lover / once did seem on Henry's side. / Then came a departure." Henry, afraid of his own violent urges, consoles himself: "Nobody is ever missing." 77 Dream Songs won the Pulitzer Prize in 1965, but Berryman's formal and emotional innovations-he cracks the language open, creates a new idiom in which to express eternal feelings-remain as alive and immediate today as ever.
In this generous anthology, Joel Conarroe has assembled the work of eight poets who have shaped--and to some extent defined--American verse since 1940: Elizabeth Bishop, James Merrill, Sylvia Plath, Allen Ginsberg, Theodore Roethke, John Berryman, Anne Sexton, and Robert Lowell. The 164 selections in Eight American Poets include widely anthologized works like Roethke's "My Papa's Waltz," several of Berryman's "Dream Songs," and Anne Sexton's "Ringing the Bells," as well as poems that are less familiar but just as haunting. Prefaced with a discerning introduction and individual biographical essays.
Michael Schmidt’s anthology includes the work of more than a hundred poets from every part of the English-speaking world. What links their diverse voices is a common language: each poem, in its own way, adds to the resources of the medium and makes it new. The poems in this book are allowed to slip free of their moorings in the biography and history of the last century to create new spaces and times. They have been chosen because they are exceptional, profound and unique in what they do to language, regardless of their subject matter or the orientation of the poet. It is a powerful reminder that in the twentieth century poems did what they have never done before, and it provides us with a unique insight into the forces that will shape the poetry of the twenty-first century.
Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time.