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★★★★★ - "David Blixt pens a heroine for the ages in "What Girls Are Good For," which follows the extraordinary career of pioneer newspaperwoman Nellie Bly. A pint-sized dynamo who refuses to stay in the kitchen, Nellie fights tooth and nail to make a name for herself as a journalist, battling complacent men, corrupt institutions, and her own demons along the way. This real-life Lois Lane had me cheering aloud as I turned the pages - simply a delight!" — Kate Quinn, NY Times Bestselling author of The Alice Network and The Rose Code "A well-crafted and thoughtful work of historical fiction." — Kirkus Reviews From Bestselling Author David Blixt: Nellie Bly has the story of a lifetime — if she can she survive to tell it! Step into the thrilling world of investigative journalism! This captivating novel takes you back in time to the 19th century, where pioneering undercover reporter Nellie Bly shatters barriers and defies expectations. Enraged by an article entitled ‘What Girls Are Good For’, Elizabeth Cochrane pens an angry letter to the Pittsburgh Dispatch, never imagining a Victorian newspaper would hire a woman reporter. Taking the name Nellie Bly, she struggles against the male-dominated industry, reporting stories no one else will tell — the stories of downtrodden women. Chased out of Mexico for revealing government corruption, her romantic advances rejected by a married colleague, Bly earns the chance to break into New York’s Newspaper Row if she can nab a major scoop — life inside a madhouse. Feigning madness, she dupes the court into committing her to the Insane Asylum on Blackwell’s Island. But matters on the Island are far worse than she ever dreamed. Stripped, drugged, beaten, she must endure a week of terror, reliving the darkest days of her childhood, in order to escape and tell the world her story. Only, at the end of the week, no rescue comes, and she fears she may be trapped forever... Based on the real-life events of Nellie Bly’s life and reporting, What Girls Are Good For is a tale of rage, determination, and triumph — all in the frame of a tiny Pennsylvania spitfire who refused to let the world change her, and changed the world instead. Praise for What Girls Are Good For: ★★★★★ — "With rich imagination and meticulous research, David Blixt has brought the hectic, exciting world of nineteenth-century journalism vividly to life. His Nellie Bly is determined, independent, crafty, irresistible -- a heroine any reader would be delighted to get to know." — Matthew Goodman, New York Times bestselling author of Eighty Days ★★★★★ — "Dramatic, engrossing, and spirited, What Girls Are Good For takes the reader straight to the heart of an unsung American hero--a feminist icon whose voice rings loud and true. This is a must-read for anyone who loves an underdog and celebrates justice; the perfect accompaniment for our present times." — Olivia Hawker, international bestselling author of The Ragged Edge of Night ★★★★★ — "Author David Blixt delivers a great story about Nellie before she exposes the horrors she endured during her stay at the asylum on Blackwell Island. The portrayal of Nellie Bly in What Girls Are Good For is astonishing and doesn’t give you the fake twists and turns and add-ons that a lot of historical fiction does. The characters are likable and I feel that Blixt did a wonderful job of capturing Nellie’s voice and personality in his words. I would love to read more of his work. Without a doubt, the best book I have read this month!" — Readers' Favorite 5-Star Review
Documents the 1889 competition between feminist journalist Nellie Bly and Cosmopolitan reporter Elizabeth Bishop to beat Jules Verne's record and each other in a round-the-globe race, offering insight into their respective daunting challenges as recorded in their reports sent back home. 50,000 first printing.
Throughout World War II, when Saturday nights came around, servicemen and hostesses happily forgot the war for a little while as they danced together in USO clubs, which served as havens of stability in a time of social, moral, and geographic upheaval. Meghan Winchell demonstrates that in addition to boosting soldier morale, the USO acted as an architect of the gender roles and sexual codes that shaped the "greatest generation." Combining archival research with extensive firsthand accounts from among the hundreds of thousands of female USO volunteers, Winchell shows how the organization both reflected and shaped 1940s American society at large. The USO had hoped that respectable feminine companionship would limit venereal disease rates in the military. To that end, Winchell explains, USO recruitment practices characterized white middle-class women as sexually respectable, thus implying that the sexual behavior of working-class women and women of color was suspicious. In response, women of color sought to redefine the USO's definition of beauty and respectability, challenging the USO's vision of a home front that was free of racial, gender, and sexual conflict. Despite clashes over class and racial ideologies of sex and respectability, Winchell finds that most hostesses benefited from the USO's chaste image. In exploring the USO's treatment of female volunteers, Winchell not only brings the hostesses' stories to light but also supplies a crucial missing piece for understanding the complex ways in which the war both destabilized and restored certain versions of social order.
From Katie Cotugno and author of Sex and the City Candace Bushnell comes this fierce and feisty exploration of feminism: standing up, speaking out and rewriting the rules. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friendzone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Marin is a smart, driven, popular girl – she's headed for Brown when she graduates and has a brilliant career as a journalist ahead of her. Especially in the eyes of English teacher Mr Beckett. He spends a lot of time around Marin, and she thinks it's harmless . . . until he kisses her. No one believes Marin when she tells them what happened, so she does the only thing she can: she writes an article called 'Rules for Being a Girl' for the school paper to point out the misogyny and sexism that girls face every day. As things heat up at school and in her personal life, Marin must figure out how to take back the power and rewrite her own rules.
One of Us Is Lying meets Sadie in this twisty, feminist thriller for the Me Too era. The troublemaker. The overachiever. The cheer captain. The dead girl. Like every high school in America, Jefferson-Lorne High contains all of the above. After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian. But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long buried secrets come to light, the clock is ticking to find Emma's killer—before another good girl goes down.
The first edited volume of work by the legendary undercover journalist Born Elizabeth Jane Cochran, Nellie Bly was one of the first and best female journalists in America and quickly became a national phenomenon in the late 1800s, with a board game based on her adventures and merchandise inspired by the clothes she wore. Bly gained fame for being the first “girl stunt reporter,” writing stories that no one at the time thought a woman could or should write, including an exposé of patient treatment at an insane asylum and a travelogue from her record-breaking race around the world without a chaperone. This volume, the only printed and edited collection of Bly’s writings, includes her best known works—Ten Days in a Mad-House, Six Months in Mexico, and Around the World in Seventy-Two Days—as well as many lesser known pieces that capture the breadth of her career from her fierce opinion pieces to her remarkable World War I reporting. As 2014 marks the 150th anniversary of Bly’s birth, this collection celebrates her work, spirit, and vital place in history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Lacey Heller is sure that nothing interesting could possibly happen at Camp Lavender, because it never does. Her parents have been running this Christian camp for girls ever since she can remember. Little does Lacey know that Jo Delgado is coming to camp this summer—and she’s going to change everything. After the incident, Jo’s aunt sends her to Camp Lavender instead of the science camp she desperately wants to attend. Her aunt hopes that Camp Lavender will put Jo on the “right path,” influenced by nice girls like Lacey. The best Jo can hope for is to run a successful experiment so that she doesn’t waste her whole summer. Lacey is a good Christian girl…or at least she thought she was. But Jo changes all that. There’s something different about Jo—and that something could get Lacey into big trouble. Lacey and Jo must help each other untangle who they are from who everyone says they’re supposed to be.
Informed by recent historical research on nineteenth-century nationalism, this book demonstrates how the construction of a German national identity, especially in girls' education, came to be experienced by reading girls. The age of nationalism in nineteenth-century Germany generally conjures up images of the Prussian military, Fürst Otto von Bismarck, and Hohenzollern kings who welded together a nation out of disparate principalities through war and domestic social policy. Good Girls, Good Germans looks at how girls and young women became "national" during this period by participating in the national community in the home, in state-sponsored Töchterschulen, and in their reading of Mädchenliteratur. By learning to subordinate desires for individual agency to the perceived needs of the national community -- what Askey calls "emotional nationalism" -- girls could fulfill their class- andgender-specific roles in society and discover a sense of their importance for the progress of the German nation. Informed by recent historical research on nineteenth-century nationalism, Good Girls, Good Germansdemonstrates how the top-down construction of a national identity, especially in girls' education, came to be experienced by reading girls. Chapters in this book examine literature published for and taught to girls that encouraged readers to view domestic duties -- and even romance -- as potential avenues for national expression. By aligning her heart with the demands of the nation, a girl could successfully display her national involvement within the confines of the private sphere. Jennifer Drake Askey is Coordinator of Academic Program Development at Wilfrid Laurier University.
The eighth of Christopher Milne's brilliant series of irreverent, funny and award-winning collections of short stories, Naughty Stories for Good Boys and Girls. The books are for kids who like to laugh (and cry) aged 6 - 13. The series is a winner of THE YOUNG AUSTRALIANS BEST BOOK AWARD. The four stories in this volume include 'Billy Burton's Belly Button' and 'The Boy Who Ran Away'.
Career women looking to get ahead will find straight answers and nine proven strategies in this guide from one of the most savvy, successful, powerful women in American business. Top magazine executive Kate White shares the systematic plan that took her from being a "good girl" to a "gutsy girl".