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In this lucid and balanced treatise, Alan Jacobs reveals the true parameters of Auden's change after the poet's move to America in 1939. By carefully examining poems that represent transitional moments in Auden's thinking, Jacobs identifies the points at which the tectonic plates of the poet's intellect clashed and the buckles and rifts created in Auden's work. Surveying Auden's growth over time, Jacobs explores the idea of personal and moral change. Chapters outline Auden's rejection of Romanticism and his adoption of Horatianism, and his altered views of political, psychological, and sexual matters. Lastly Jacobs demonstrates the consistent qualities of thought and expression found throughout Auden's poetry and shows how, in great art as in great minds, change and continiuity may powerfully coexist.
Bestselling novelist Alexander McCall Smith's charming account of how the poet W. H. Auden has helped guide his life—and how he might guide yours, too When facing a moral dilemma, Isabel Dalhousie—Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith—often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live. In this book, McCall Smith has written a charming personal account about what Auden has done for him—and what he just might do for you. Part self-portrait, part literary appreciation, the book tells how McCall Smith first came across the poet's work in the 1970s, while teaching law in Belfast, a violently divided city where Auden's "September 1, 1939," a poem about the outbreak of World War II, strongly resonated. McCall Smith goes on to reveal how his life has related to and been inspired by other Auden poems ever since. For example, he describes how he has found an invaluable reflection on life's transience in "As I Walked Out One Evening," while "The More Loving One" has provided an instructive meditation on unrequited love. McCall Smith shows how Auden can speak to us throughout life, suggesting how, despite difficulties and change, we can celebrate understanding, acceptance, and love for others. An enchanting story about how art can help us live, this book will appeal to McCall Smith's fans and anyone curious about Auden.
'In Solitude, for Company' contains two hitherto unpublished lectures. The first of these, introduced by Nicholas Jenkins, is on the theme of vocation. It was delivered during the war years, when Auden, newly arrived in the United States, was redefining his sense of his own vocation. The second lecture, given near the end of his life, discusses the work of Sigmund Freud. Katherine Bucknell sets this lecture in context with a full examination of Auden's intensely ambivalent attitude to Freud. The classicist G.W. Bowersock introduces the text of Auden's unpublished 1966 essay on 'The Fall of Rome' in which Auden draws a powerful series of parallels between the end of Roman civilization and the decline of our own society. Also included is a generous and fully-annotated selection of Auden's correspondence with his close friends James and Tania Stern which reveals much new and important biographical information.
Presented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures. Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years. Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Judith Butler and conservative Christian theology are often perceived to be antithetical on questions of gender. In Reforming a Theology of Gender they are shown to be strange bedfellows. By engaging in dialogue with Butler on her terms—desire, violence, and life—this book absorbs the heart of Butler’s critique, revealing a righteous law and a seductive image in conservative theologies of gender. The law of Adam and Eve manifests in the unjust administration of guilt, grief, and death. By confronting this law, which in fact condemns all in their bodies, further reflection on Butler’s thought leads to thinking about where one finds life in one’s body of death. The seductive image of Adam and Eve is revealed to be a false hope and a site that induces slave morality or body-works-based righteousness. Butler’s voice is strangely prophetic because it calls the church to offer hope and life by reorienting its gaze from the beautiful yet lifeless bodies of Adam and Eve to the bloodied and scarred, risen body of Jesus Christ. Gender, in the end, is shown to be a vocation of becoming what one is not.
An indispensable memoir by one of the most prominent writers of his generation Originally published in 1976, Christopher and His Kind covers the most memorable ten years in the writer's life—from 1928, when Christopher Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels—and who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements.
Auden speaks of the poet and his craft as well as literary figures and their works and observations on life in general.
“Owen writes exquisite stories that lodge somewhere in my chest and keep detonating—loudly, devastatingly—again and again.”—Garth Greenwell, author of What Belongs to You In the ten luminous stories of D. Wystan Owen’s debut collection, the people of Glass, a picturesque village on the rugged English coast, are haunted by longings and deeply held secrets, captive to pasts that remain as alive as the present. Each story takes us into the lives of characters reaching earnestly and often courageously for connection to the people they have loved. Owen observes their heartbreaks, their small triumphs, and their generous capacity for grace. A young nurse, reeling from the disappearance of her mother, forges an unlikely friendship with a local vagrant. A young boy is by turns dazzled and disillusioned by a trip to the circus with a family friend. A widower revisits the cinema where, as a teenager, he and an older woman shared trysts that both thrilled and baffled him. A woman is offered fragile, uneasy forgiveness for a cruel act from years ago. And in the title story, a shopkeeper’s vision of the woman she loved is upended by the startling revelation of a secret life. Surprising and powerful, and in the classic tradition of fiction by James Joyce, William Trevor, and Elizabeth Strout, Owen’s interconnected stories strike a deep and resounding emotional chord.
WORLD FANTASY AWARD WINNER • A true horde of fantasy tales sure to delight fans, scholars, and even the greediest of dragons—from bestselling authors Ann and Jeff VanderMeer Step through a shimmering portal ... a worn wardrobe door ... a schism in sky ... into a bold new age of fantasy. When worlds beyond worlds became a genre unto itself. From the swinging sixties to the strange, strange seventies, the over-the-top eighties to the gnarly nineties—and beyond, into the twenty-first century—the VanderMeers have found the stories and the writers from around the world that reinvented and revitalized the fantasy genre after World War II. The stories in this collection represent twenty-two different countries, including Russia, Argentina, Nigeria, Columbia, Pakistan, Turkey, Finland, Sweden, China, the Philippines, and the Czech Republic. Five have never before been translated into English. From Jorge Luis Borges to Ursula K. Le Guin, Michael Moorcock to Angela Carter, Terry Pratchett to Stephen King, the full range and glory of the fantastic are on display in these ninety-one stories in which dragons soar, giants stomp, and human children should still think twice about venturing alone into the dark forest. Completing Ann and Jeff VanderMeer's definitive The Big Book of Classic Fantasy, this companion volume to takes the genre into the twenty-first century with ninety-one astonishing, mind-bending stories. A VINTAGE ORIGINAL
Clark's story is generously sprinkled with glimpses of Auden's eccentricities. She recollects his fascination with female anatomy and with the process of birth; his unusual mix of moral seriousness and intellectual frivolity; his love for church ritual and his conviction that homosexuality was wrong.