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Opening with a powerful cycle of elegies for her long-distant, half-brother, this major new collection by one of our bestselling poets then goes on to include both serious and funny poems about women and poems about the precarious balance of nature, ending with the beautiful, life-affirming "The Art of Blessing the Day." 160 pp.
Opening with a powerful cycle of elegies for her long-distant, half-brother, this major new collection by one of our bestselling poets then goes on to include both serious and funny poems about women and poems about the precarious balance of nature, ending with the beautiful, life-affirming "The Art of Blessing the Day." 160 pp.
Others extol the salty pleasures of middle age: making love with a familiar and adored partner; the ease with which one comes to accept one's body - a good belly, for example, is "a maternal cushion radiating comfort," handed down from mother to daughter like a prize feather quilt.
Helen is serving a life sentence at Sloatsburg women's prison for the murder of her children. Dr. Louise Forrest, a recently divorced mother of an eight-year-old boy, is the new chief of psychiatry there. Captain Ike Bradshaw is the corrections officer who wants her. And Angie, an ambitious Hollywood starlet contacted by Helen, is intent on nothing but fame. Drawing these four characters together in a story of shocking and disturbing revelations, The Big Girls is an electrifying novel about the anarchy of families, the sometimes destructive power of maternal instinct, and the cult of celebrity.
From the founder of the Fat Girls Hiking community, this inclusive and inspiring guide to the great outdoors will inspire people of all body types, sizes, abilties, and backgrounds.
When plus-sized beauty Isis and her sister, Egypt, start a new chapter of the Big Girls Book Club in Richmond, Virginia, they discover that drama follows them everywhere as they deal with family issues, scandalous new members, and betrayal.
African American Naomi Jefferson struggles to find success in her career and personal life, from her school and college days in the 1960's and 1970's into her professional life in the 1980's.
No one wants to be labeled a whiner, but many of us go through life with a "poor me," victim mentality that sounds a whole lot like whining. God never intended for us to act like "little girls," says Jan Silvious. His goal is for each of us to live as "big girls"-mature Christian women-who are capable of enjoying the richness of life He has planned. In Big Girls Don't Whine, Jan helps women: Move beyond the past and on to healthy relationships, Choose to be proactive rather than let life just "happen," Discover their full potential, And become everything He made them to be. So how can we tell if we're living life as an immature 'little girl" or a confident "big girl?" A little girl... Is insecure Becomes the victim of circumstances Says "I can't" Manipulates A big girl... Is secure Rests in God's sovereignty Says, "I can" Communicates In Big Girls Don't Whine, Jan Silvious calls us to be real women in a real world, free to experience a life of full of potential and vision. This book is the how-to manual for making it happen.
My Mother's Body, Marge Piercy's tenth book of poetry, takes its title from one of her strongest and most moving poems, the climax of a powerful sequence of Poems to her mother. Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification. "The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume. Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father. Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother. In all, My Mother's Body is one of Piercy's most powerful and balanced collections.
Abigail dreads swimming lessons because all the kids yell, "Abigail is a whale", when she jumps into the pool. But when her swimming teacher suggests that she needs to think light in order to swim well, things begin to turn around. And soon Abigail starts thinking about a lot of things.