Download Free Whales Bones Of The British Isles Book in PDF and EPUB Free Download. You can read online Whales Bones Of The British Isles and write the review.

Artforms grew out of a desire to introduce art through an engaging visual experience. It is written and designed to help readers build an informed foundation for individual understanding and enjoyment of art. By introducing art theory, practice, and history in a single volume, this book aims to draw readers nto a new or expanded awareness of the visual arts.
'Wild and wonderful ... I doubt anyone will ever match Strandings for its sheer bravura, its wry insight, and its absolute, engulfing, and brilliantly enlivening whaleheadedness' PHILIP HOARE, ALBERT AND THE WHALE 'Addictive and scandalously fascinating' Caught by the River When Peter Riley was thirteen, a woman with blue hair and a comet tattoo asked him to help load the jaw of a sperm whale into the back of a Volvo 245. The encounter set Riley on a decades-long quest to make sense of what had happened. Enter the secretive world of whale scavengers. When a whale washes up on one of Britain's coasts, a fugitive community descends to claim trophies from the carcass. Some are driven by magical beliefs. Some are motivated by profit: there is a black market for everything from ambergris to whaletooth sex toys. But for others, the need goes much deeper. Join Riley on a tour of a stranded kingdom's weird outer reaches, where nothing is as it seems. Meet witches, pedlars, fetishists, conspiracy theorists and fallen aristocrats. And prepare for a final revelation, as the mystery of the comet woman tangles with the enigmatic symbol of Leviathan itself, beached on Britain's fatal shore.
New perspectives on the central middle ages in western Europe cover a wide range of issues. Six papers reassess how "feudalism" is to be understood after Susan Reynolds's Fiefs and Vassals; in addition to her own response to reviews of her book, these are: consideration of the Germanic comitatus; "feudal" vocabulary in Dudo of Saint-Quentin; the titles of the early rulers of Normandy; the rise of territorial lordships in the principality of Salerno; and a broad comparative study of "military lands" in the early and central middle ages. The other five papers range over early Anglo-Saxon reuse of Roman artefacts; the exploitation of whales in early medieval Britain; Edward the Confessor's clerks; Abbot Faricius of Abingdon; and wage-rates in late twelfth- and early thirteenth-century England. Dr C.P. LEWIS is a lecturer in the School of History at the University of Liverpool. Contributors SUSAN REYNOLDS, STEVEN FANNING, FELICE LIFSHITZ, ROBERT HELMERICHS, VALERIE RAMSEYER, BERNARD S. BACHRACH, CAROL NEUMAN DE VEGVAR, VICKI ELLEN SZABO, MARY FRANCES SMITH, KEVIN SHIRLEY, PAUL LATIMER.
Medieval people viewed whales in complex and contradictory ways, from marvelous to monstrous to mundane, heaven-sent or hell-bent. Despite this, whales are conspicuous in their absence from most historical and archaeological dialogues on the Middle Ages. Drawing upon a wealth of legal, literary and material evidence, this work details the ways in which whales were sought out and scavenged at sea and shore, fought over in legal and physical battles, and prized for meat, bone and fuel. Using Old Norse sagas, laws and material culture, alongside comparative historical and ethnographic evidence, Monstrous Fishes and the Mead-Dark Sea reexamines the value of whales in the medieval North Atlantic world.
In this book, Tim Dee tells the story of four green fields spread around the world: their grasses, their hedges, their birds, their skies, and both their natural and human histories. These four fields—walkable, mappable, man–made, mowable, knowable, but also secretive, mysterious, wild, contested, and changing—play central roles in the sweeping panorama of world history and in the lives of individuals. In Dee's telling, a field is never just a setting for great battles or natural disasters, though it is often this as well. A field is the oldest and simplest and truest measure of what a man needs in life, especially when looked at, contemplated, worked in, lived with, and written about. Dee's four fields, which he has known and studied for more than twenty years, are the fen field at the bottom of his private garden, a field in southern Zambia, a prairie in Little Bighorn, Montana, and a grass meadow in the Exclusion Zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild.
Andrew Hayes makes available in this book a popular and up-to-date account of the archaeology of Britain an Eire, while skilfully avoiding the danger of over-simplification.
Dotyczy obwoźnej wystawy szkieletu walenia z Ostendy, która miała miejsce w Europie w latach 1828-1856.
A yearlong adventure through the world’s oceans with Philip Hoare, the award-winning author of The Whale In colorful prose and lively line drawings, Hoare sets out to rediscover the sea and its islands, birds, and beasts. Starting at his home on the shores of Britain’s Southampton Water and moving in ever widening circles—like the migration patterns of whales—Hoare explores London, the Isle of Wight, the Azores, Sri Lanka, Tasmania, and New Zealand. As Hoare brilliantly weaves together literary and natural history, we encounter memorable people as well as the dolphins, whales, and other creatures above and below the water (even one species formerly believed to be extinct). Echoing the fine tradition of W. G. Sebald, but in a voice all Hoare’s own, The Sea Inside is bursting with an endless series of delights and revelations from the ever-changing sea.
A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choices made by artisans vary by cultural tradition as well as availability. The 20 papers presented here explore a wealth of information pertaining to the use of osseous materials over the long period of human craftsmanship and tool manufacture by exploring several key themes: · Raw material selection and curation within tool types · Social aspects of raw material selection · New methods of materials identification It is demonstrated that the issue of raw material identification has numerous implications for conservation work, reproduction of objects, the physical characteristics of the tool or ornament, availability of raw materials, the materials chosen for procurement and the cultural reasons that lie behind the choice of raw materials from particular species and skeletal elements to produce planned tool and ornament types. Together, these papers emphasize the need for confident and correct materials identification and demonstrate that functionality is by no means the only, nor necessarily the most important, factor in the selection of osseous raw materials for the fabrication of tools and other cultural objects.