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Using contemporary accounts of W.G.'s greatest innings, many for the first time, Robert Low presents a radically new image of the sportsman who was recognised as the pre-eminent athlete of his day.From his emergence as a teenage prodigy to well past his fiftieth year W.G. dominated the game of cricket, taking 2,876 wickets and scoring 54,896 first-class runs in a career lasting an incredible 43 years, from 1865 to 1908. His beard and massive frame made him instantly recognisable wherever he went and his gamesmanship and wit were legendary.
Freddie Flintoff and W.G. Grace: Together at last! W.G. Grace Ate My Pedalo is a spoof 1896 periodical from The Wisden Cricketer archives that looks at cricketing events of 2010 through a Victorian lens. Funny, irreverent and lavishly illustrated, the book draws inspiration from the exuberant sporting papers of the Victorian era to lampoon England cricketers new and old. From Queen Victoria's views on women's cricket to Freddie Flintoff's heroic defiance of the Temperance Movement, no figure - historical or contemporary - is safe. A comedy cricket book of wit, intelligence and cheek that will appeal to cricket fans of all ages, be they members of the MCC or the Barmy Army.
A modern search for the greatest cricketer of all time on the centenary of his death
William Gilbert Grace (1848-1915) looms as large in the history of modern sport as Bach in the history of music or Michelangelo in the history of art. Physically immense, with a luxuriant black mane of a beard, Grace's performances on the cricket field towered above his peers. When 'W.G.' became the first-ever batsman to score 100 first-class centuries, his nearest rival had only scored forty-three. With his rustic accent and village school education, Grace was also the victim of immense snobbery, during his lifetime and ever since. In this definitive biography, marking the centenary of W.G.'s death, Richard Tomlinson mines a trove of previously undiscovered archive material in England, Australia and North America and at last connects Grace's astounding achievements on the field (he took 3000 wickets as well) with the private life he hid from the world. Agnes, W.G.'s beloved wife, steps from the shadows of her ruined family background as the woman who rescued Grace from his own worst nature and shared his torment at the loss of their only daughter Bessie. We meet as well the swarm of chancers who preyed on Grace, from the doomed gold speculator who first brought him to Melbourne to the sex-crazed cricket grandee who captured W.G. for England's sporting aristocracy. And we join W.G. on his rounds as a lowly parish surgeon in the slums of Bristol. His patients - the paupers and tramps along the Stapleton Road - hailed their doctor each summer as he set forth from his surgery to vanquish his cricketing enemies. Through it all, W.G. emerges as one of the last Victorian inventors, transforming the game he loved and showing the modern world how to play all sport - to the death, mercilessly, with beers all round in the funeral parlour. A century after W.G. was buried with his secrets in a forlorn suburban graveyard, Amazing Grace gloriously unveils one of sport's greatest untold stories.
A fascinating insight into cricket at the turn of the century from the greatest cricketer of all time.
W. G. Grace burst onto the cricket scene in the 1860s with spectacular force. He dominated the game until the end of the century, and influences it to this day. He was the world's first sporting superstar, rivalled as a public figure only by Gladstone and Queen Victoria herself. His staggering achievements as both batsman and bowler made him the greatest draw cricket had ever known. Though often depicted as an overgrown schoolboy, W. G. was extremely shrewd and ruthlessly exploited the power his immense popularity gave him. A notorious 'shamateur', he amassed great wealth through cricket, while remaining the standard-bearer for the Gentlemen against the Players for forty years. Researched in archives from Grimsby (where Grace once scored 400) to Australia, Simon Rae's new biography offers a radical analysis of Grace's career, and reviews the more controversial aspects of his conduct, including verbal and physical altercations, both on and off the field, and his kidnapping of an Australian cricketer from Lord's. But W. G. Grace: A Life provides more than a fresh look at the cricketer. It focuses on Grace's formative family background; his intensely competitive relations with his two famous brothers, 'E. M.' and Fred; his career as a doctor, and his ambitions and bereavements as a father. Drawing on little-known diaries and letters, and unique access to Grace's own library, Simon Rae builds up a convincing psychological portrait of the man behind the most famous beard in English history.
On a sunny afternoon in May 1868, nineteen-year-old Gilbert Grace stood in a Wiltshire field, wondering why he was playing cricket against the Great Western Railway Club. A batting genius, 'W. G.' should have been starring at Lord's in the grand opening match of the season. But MCC did not want to elect this humble son of a provincial doctor. W. G's career was faltering before it had barely begun. Grace finally forced his way into MCC and over the next three decades, millions came to watch him - not just at Lord's, but across the British Empire and beyond. Only W. G. could boast a fan base that stretched from an American Civil War general and the Prince of Wales's mistress to the children who fingered his coat-tails as he walked down the street, just to say 'I touched him'. The public never knew the darker story behind W. G.'s triumphal progress. Accused of avarice, W. G. was married to the daughter of a bankrupt. Disparaged as a simpleton, his subversive mind recast how to play sport - thrillingly hard, pushing the rules, beating his opponents his own way. In Amazing Grace, Richard Tomlinson unearths a life lived so far ahead of his times that W. G. is still misunderstood today. For the first time, Tomlinson delves into long-buried archives in England and Australia to reveal the real W. G: a self-made, self-destructive genius, at odds with the world and himself.