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Among the most productive ecosystems on earth, wetlands are also some of the most vulnerable. Australian Wetland Cultures argues for the cultural value of wetlands. Through a focus on swamps and their conservation, the volume makes a unique contribution to the growing interdisciplinary field of the environmental humanities. The authors investigate the crucial role of swamps in Australian society through the idea of wetland cultures. The broad historical and cultural range of the book spans pre-settlement indigenous Australian cultures, nineteenth-century European colonization, and contemporary Australian engagements with wetland habitats. The contributors situate the Australian emphasis in international cultural and ecological contexts. Case studies from Perth, Western Australia, provide practical examples of the conservation of wetlands as sites of interlinked natural and cultural heritage. The volume will appeal to readers with interests in anthropology, Australian studies, cultural studies, ecological science, environmental studies, and heritage protection.
In Wetlands and Western Cultures: Denigration to Conservation, Rod Giblett examines the portrayal of wetlands in Western culture and argues for their conservation. Giblett’s analysis of the wetland motif in literature and the arts, including in Beowulf and the writings of Tolkien and Thoreau, demonstrates two approaches to wetlands—their denigration as dead waters or their commendation as living waters with a potent cultural history.
Combining memoir and studies in the Environmental Humanities, Black Swan Song weaves together an autobiographically-based account of the unique life and work of Rod Giblett. For over 25 years he was a leading local wetland conservationist, environmental activist, and pioneer transdisciplinary researcher and writer of fiction and non-fiction. He has researched, written, and published more than 25 books in the environmental humanities, especially wetland cultural studies, and psychoanalytic ecology. Black Swan Song traces Rod’s early and later life and work from being born in Borneo as the child of Christian missionaries, through his childhood in Bible College, being a High School dropout and studying at three universities to becoming an academic, activist and author, and now a writer. Following in the footsteps of New Lives of the Saints: Twelve Environmental Apostles, Black Swan Song also comprises conversations in conservation counter-theology between the twelve minor biblical prophets and twelve environmental apostles, such as Henry David Thoreau, Aldo Leopold, John Muir, and Rachel Carson. It also introduces the lives and works of twelve more environmental apostles, such as John Clare, Rebecca Solnit, John Charles Ryan, and others who have made a valuable contribution to green thinking and living. Black Swan Song mixes modes and genres, such as memoir, essay, story, criticism, etc., making up the writer’s black swan song. It provides ways of living and being with the earth in dark and troubled times by providing resources of a journey of hope for learning to live bio- and psycho-symbiotic livelihoods in bioregional home habitats of the living earth and in the Symbiocene, the hoped-for age superseding the Anthropocene.
“One book leads to another; one book grows out of another; one book flows out of others. Flowing is a fitting figure for a book about a river, creeks, wetlands and water. The present volume grew out of a brief discussion of two paintings of wetlands in mid-western Victoria by the nineteenth-century colonial landscape painter Eugene von Guérard. This discussion was part of a chapter on wetlands in Australian painting and photography (Giblett 2020a). It was included in John Ryan’s and Li Chen’s edited collection Australian Wetland Cultures (Ryan and Chen, eds 2020). I also contributed a chapter to this volume on Aboriginal wetland cultures, their sacral water beings and their refraction in Rainbow Serpent anthropology and Rainbow Spirit theology (Giblett 2020e). I take up and develop this discussion in the present volume in relation to particular Aboriginal peoples and places in mid-western Victoria, their practices of wetland cultures and their stories about and images of them, including the Rainbow Serpent." Contents Introduction to the Hopkins River, Its Basin, People and Places 13 Chapter 1. The Cast of Characters and A Companion of A Captain of Conservation. 35 Chapter 2. Where The River Rises: The Upper Hopkins, Its Creeks and Lake Bolac. 57 Chapter 3. Wetlands of ‘Australia Felix’: Between ‘The Grampians’ and The Upper Hopkins 77 Chapter 4. A Ramble Along The River: Through Colonial Places On The Middle Hopkins 103 Chapter 5. People and Place of Hissing Swan: Wetlands On The Middle Hopkins 125 Chapter 6. Framlingham and Hopkins Falls: Aboriginal Places and People On The Lower Hopkins 147 Chapter 7. Where The River Meets The Sea: The Hopkins Estuary 167
How to Make A Wetland tells the story of two Turkish coastal areas, both shaped by ecological change and political uncertainty. On the Black Sea coast and the shores of the Aegean, farmers, scientists, fishermen, and families grapple with livelihoods in transition, as their environment is bound up in national and international conservation projects. Bridges and drainage canals, apartment buildings and highways—as well as the birds, water buffalo, and various animals of the regions—all inform a moral ecology in the making. Drawing on six years of fieldwork in wetlands and deltas, Caterina Scaramelli offers an anthropological understanding of sweeping environmental and infrastructural change, and the moral claims made on livability and materiality in Turkey, and beyond. Beginning from a moral ecological position, she takes into account the notion that politics is not simply projected onto animals, plants, soil, water, sediments, rocks, and other non-human beings and materials. Rather, people make politics through them. With this book, she highlights the aspirations, moral relations, and care practices in constant play in contestations and alliances over environmental change.
Swamps and marshes have traditionally been regarded as places of horror and ill health in western culture - places to be feared, drained and filled. In this wide-ranging study, Rod Giblett examines the swamp from a cross-disciplinary standpoint. Using material from fiction, films and popular culture and drawing on literature, cultural studies, philosophy, social theory, critical geography and medical history, he criticises the urge to drain swamps ('the project of modernity') as masculinist and imperialist.
In the name of agriculture, urban growth, and disease control, humans have drained, filled, or otherwise destroyed nearly 87 percent of the world’s wetlands over the past three centuries. Unintended consequences include biodiversity loss, poor water quality, and the erosion of cultural sites, and only in the past few decades have wetlands been widely recognized as worth preserving. Emily O’Gorman asks, What has counted as a wetland, for whom, and with what consequences? Using the Murray-Darling Basin—a massive river system in eastern Australia that includes over 30,000 wetland areas—as a case study and drawing on archival research and original interviews, O’Gorman examines how people and animals have shaped wetlands from the late nineteenth century to today. She illuminates deeper dynamics by relating how Aboriginal peoples acted then and now as custodians of the landscape, despite the policies of the Australian government; how the movements of water birds affected farmers; and how mosquitoes have defied efforts to fully understand, let alone control, them. Situating the region’s history within global environmental humanities conversations, O’Gorman argues that we need to understand wetlands as socioecological landscapes in order to create new kinds of relationships with and futures for these places.
This book argues that to understand wetlands is to understand human development. Using case studies drawn from three English wetlands, the book moves between empirical research and scholarship to interrogate how these particular ecosystems have played an essential part in the development of our contemporary society; yet inhabit a strange place in our national psyche. Chapters address a range of cultural and environmental wetland concerns. Consideration is given to: the ways in which we have revered, engineered and renaturalised these landscapes throughout history; English wetlands as spaces of beauty, creativity, reflection, rejuvenation and multi-species interactions; accelerating climate change in an age of neoliberalism. The final chapter then is a reflection on our collective lives together alongside other species, exploring what sustainability transitions might mean for human-wetland relationships.