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Dilworth writes of the friction between the Finns and the Native Americans, who are seen by the Finns as lazy and no good. She plumbs the bonds between families, the isolation one can feel anywhere, and the inexplicable attractions between men and women.
Colter illuminates familiar things and people -- 63rd street and Martin Luther King Highway, wives and common-law mates, a teenager hooked on drugs and retired old men subsisting on pensions ...
A successful professional painter and art instructor for years, Benedict was dissatisfied that she could paint petal-perfect flowers and expensive portraits of wealthy clients, but could not capture the light on the garden at dusk or the tender hands and faces of her own children. Seven years ago she walked into a poetry workshop and found "the window I needed for my imagination." She never painted another painting, and has never stopped writing. She got her BA in English and her MFA in writing at Goddard College, taught workshops, won scholarships, and recieved grants and awards for her fiction. her stories have appeared in INTRO and fiction international, and the title story in this award-winning collection was published as an Atlantic Monthly First.
"This is a writer whose language explores the range of life."--Bette Peretsky "Large in scope and meaning and unforgettable."--William Harrison