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WESTWARD THE WOMEN is a book about women of every kind and sort, from nuns to prostitutes, who participated in the greatest American adventure—pioneering across the continent. Not only does the material represent half-forgotten history—which the author garnered from attics, libraries, state historical museums, and the reminiscences of Far Western Old-timers—but it is unique in presenting the woman’s side of the story in this major American experience. With dramatic clarity the author of FARTHEST REACH has written the intimate and human stories of certain outstanding personalities among these pioneer women; the Maine blue-stocking pursuing her studies of botany and taxidermy in frontier solitude; the gentle nuns from Belgium teaching needlework and litanies to “children of the forest”; the little ex-milliner who performed the first autopsy by a woman; the suffragette who established a newspaper for Western women and rode plushy river boats and the dusty roads preaching her gospel of Equal Rights; hurdy-gurdy girls from Idaho boomtowns; and many another martyr, heroine, diarist, gun moll, missionary, feminist, and mother in this turbulent era of pioneering.
An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.
From the bestselling author of Prayers for Sale, Sandra Dallas' Westering Women is an inspiring celebration of sisterhood on the perilous Overland Trail AG Journal's RURAL THEMES BOOKS FOR WINTER READING | Hasty Book Lists' BEST BOOKS COMING OUT IN JANUARY “Exciting novel ... difficult to put down.” —Booklist "If you are an adventuresome young woman of high moral character and fine health, are you willing to travel to California in search of a good husband?" It's February, 1852, and all around Chicago, Maggie sees postings soliciting "eligible women" to travel to the gold mines of Goosetown. A young seamstress with a small daughter, she has nothing to lose. She joins forty-three other women and two pious reverends on the dangerous 2,000-mile journey west. None are prepared for the hardships they face on the trek or for the strengths they didn't know they possessed. Maggie discovers she’s not the only one looking to leave dark secrets behind. And when her past catches up with her, it becomes clear a band of sisters will do whatever it takes to protect one of their own.
Looks at the lives of the homebound wives of Western pioneers
Expansion was the fever of the early nineteenth century, and women burned with it as surely as men, although in a different way. Subscribing to the “cult of true womanhood,” which valued domesticity, piety, and similar “feminine” virtues, women championed expansion for the cause of civilization, even while largely avoiding the masculine world of politics. Adrienne Caughfield mines the diaries and letters of some ninety Texas women to uncover the ideas and enthusiasms they brought to the Western frontier. Although there were a few notable exceptions, most of them drew on their domestic skills and values to establish not only “civilization,” but their own security. Caughfield sheds light on women’s activism (the flip side of domesticity), attitudes toward race and “civilization,” the tie between a vision of a unified continent and a cultivated wilderness, and republican values. She offers a new understanding of not only gender roles in the West but also the impulse for expansionism itself. In Texas, Caughfield demonstrates, “women never stopped arriving with more fuel for the flames [of expansionism] as their families tried to find a place to settle down, some place with a little more room, where national destiny and personal dreams merged into a glorious whole.” In doing so, Texas women expanded not only American borders, but their own as well.
Stories by Willa Cather, Mary Austin, Mari Sandoz, and Leslie Silko, among other women writers, who have illuminated the Western experience.
This essential primer describes the lives of some brave women who became known during the western expansion in nineteenth century America.
For nearly a hundred years, the state of Utah has played host to scores of Hollywood films, from potboilers on lean budgets to some of the most memorable films ever made, including The Searchers, Butch Cassidy and the Sundance Kid, Footloose, and Thelma &telling how these films were made, what happened on and off set, and more. As one Utah rancher memorably said, Hollywood moviemakers "don't take anything but pictures and don't leave anything but money." James V. D'Arc, Ph.D., is Curator of the BYU Motion Picture Archive, the BYU Film Music Archive and the Arts and Communications Archive of the L. Tom Perry Special Collections at Brigham Young University. He directs the BYU Motion Picture Archive Film Series, produces a CD series of original motion picture soundtrack, and appears on DVD documentaries dealing with classic films. For over 30 years, Dr. D'Arc has lectured internationally on motion picture history and has taught film courses at BYU. He lives in Orem, Utah.
In Westerns, women transmit complicated cultural coding about the nature of westward expansionism, heroism, family life, manliness and American femininity. As the genre changes and matures, depictions of women have transitioned from traditional to more modern roles. Frontier Feminine charts these significant shifts in the Western's transmission of gender values and expectations and aims to expand the critical arena in which Western film is situated by acknowledging the importance of women in this genre.
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a "New Woman." Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.