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Mainly period 960-1010. New approach at variance with earlier theories.
"Farley Mowat challenges the conventional notion that the Vikings were the first Europeans to reach North America. Mowat offers instead an unforgettable portrait of the Albans, a people originating from the island now known as Britain. Battered by repeated invasions from their aggressive neighbors--Celt, Roman, and Norse--the Albans boarded seaworthy, skin-covered boats and fled west. Their search for safety, and for the massive walrus herds on which their survival depended, took them first to Iceland, then to Greenland, and finally to the land now known as Newfoundland and Labrador."--P. [4] of cover.
(Book). Compiled from industry leader EQ magazine, Console Confessions gathers first-person stories from the top names in music production. All aspects of recording are covered, from creative concepts to choosing equipment and on to project mastering. Celebrities from both in front of and behind the board talk candidly about their art and some offer step-by-step instructions on attaining their legendary sounds. Sections covering personal style, technical aspects, and history offer a rare glimpse into the specifics of how each individual producer or artist achieves his vision. Les Paul, Jimmy Bowen, Herbie Hancock, Aerosmith's Steven Tyler and Joe Perry, Ric Ocasek, Lou Reed, Jeff Lynne, Jimmy Jam, and Rush's Alex Lifeson are among the hit-makers featured.
The Northern peripheries of Europe, which are covered by this book, are associated with remoteness, the frontier, isolated communities, colonialism and resource extraction. Recently, huge projects in petroleum and hydropower have been located there, and the region has become better known as an attractive tourist destination. Although these spaces are perceived as being marginal, they are inhabited and linked into globalization and international agendas. This book examines how people live in such remote spaces in an emerging global world of connectivity, interdependency, mobility and non-linear dynamics. The various case studies examine a wide range of experiences, ranging from tourists and local settlers to those who migrate for labour in old or new industries, or to pursue the hybrid urban/rural life of the periphery. In this book, mobility and place come together. The analyses demonstrate how mobility and place mutually constitute each other and how specific relationships between the two aspects are crucial in the making of societies. The authors study attempts to reinvent places, together with connections and the opening of 'new scapes' in order to sustain businesses, municipalities and people's livelihood.
This volume is a collection of current work in medieval archaeology, mainly as it is practiced in North America, with a comprehensive view rather than a local or regional perspective, allowing scholars from different regions access to research from across the medieval world. It includes chapters from well-established professors and up-and-coming scholars. The majority of the papers came from the first annual conference in medieval archaeology held at the State University of New York at Cortland in 2013. This conference gave those located in North America who were interested in medieval archaeology, both of Europe and the Mediterranean world, a chance to see what the latest developments were in the discipline. This volume includes both methodological and theoretical approaches, such as integrating remote sensing with laser scanning or exploring the definition of ethnicity; chapters include Viking Vinland, castles in Ireland and England, several Byzantine and Islamic-era sites in the eastern Mediterranean, and various other topics, ranging from a church in Hungary to the social construction of the medieval diet.
The seventeenth century has been characterized as "Latin America's forgotten century." This landmark work, originally published in 1973, attempted to fill the vacuum in knowledge by providing an account of the first great colonial cycle in Spanish Central America. The colonial Spanish society of the sixteenth century was very different from that described in the eighteenth century. What happened in the Latin American colonies between the first conquests, the seizure of long-accumulated Indian wealth, the first silver booms, and the period of modern raw material supply? How did Latin America move from one stage to the other? What were these intermediate economic stages, and what effect did they have on the peoples living in Latin America? These questions continue to resonate in Latin American studies today, making this updated edition of Murdo J. MacLeod's original work more relevant than ever. Colonial Central America was a large, populous, and always strategically significant stretch of land. With the Yucatán, it was home of the Maya, one of the great pre-Columbian cultures. MacLeod examines the long-term process it underwent of relative prosperity, depression, and then recovery, citing comparative sources on Europe to describe Central America's great economic, demographic, and social cycles. With an updated historiographical and bibliographical introduction, this fascinating study should appeal to historians, anthropologists, and all who are interested in the colonial experience of Latin America.
A dazzling new biography of Vita Sackville-West, the 20th century aristocrat, literary celebrity, devoted wife, famous lover of Virginia Woolf, recluse, and iconoclast who defied categorization. In this stunning new biography of Vita Sackville-West, Matthew Dennison's Behind the Mask traces the triumph and contradictions of Vita's extraordinary life. His narrative charts a fascinating course from Vita's lonely childhood at Knole, through her affectionate but ‘open' marriage to Harold Nicolson (during which both husband and wife energetically pursued homosexual affairs, Vita most famously with Virginia Woolf), and through Vita's literary successes and disappointments, to the famous gardens the couple created at Sissinghurst. The book tells how, from her privileged world of the aristocracy, Sackville-West brought her penchant for costume, play-acting and rebellion to the artistic vanguard of modern Britain. Dennison is the acclaimed author of many books including a biography of Queen Victoria. Here, in the first biography to be written of Vita for thirty years, he reveals the whole story and gets behind ‘the beautiful mask' of Vita's public achievements to reveal an often troubled persona which heroically resisted compromise on every level. Drawing on wideranging sources and the extensive letters that sustained her marriage, this is a compelling story of love, loss and jealousy, of high-life and low points, of binding affection and illicit passion – a portrait of an extraordinary, 20th-century life.
This book examines the legends of who ‘really’ discovered America. It argues that histories of America's origins were always based less on empirical evidence and more on social, political, and cultural wish fulfillment. Influenced by a complex interplay of Nativist hatred of immigrants and Aboriginal people, as well as distrust of academic scholarship, these legends ebbed and flowed with changing conditions in wider American society. The book focuses on the actions of a collection of quirky, obsessed amateur investigators who spent their lives trying to prove their various theories by promoting Welsh princes, Vikings, Chinese admirals, Neo-lithic Europeans, African explorers, and others who they say arrived centuries before Columbus. These myths acted as mitigating agencies for those who embraced them. Along with recent scholarship, this book makes extensive use of archival materials—some of which have never been employed before. It covers the period from the sixteenth century to the present. It brings together separate historiographic ideas to create a unified history rather than focusing on one particular legend as most books on the subject do. It shows how questions of who discovered America helped create the field of historical scholarship in this country. This book does not attempt to prove who discovered America, rather it tells the story of those who think they did.