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Phyllis Shand Allfrey is the first biography of one of the Caribbean's most intriguing writers and politicians. Allfrey (1908-1986) is best known as the author of The Orchid House, a fictionalized account of her early life that was turned into a highly acclaimed film for British television. Born to a prominent family of formerly wealthy sugar planters in Dominica, Allfrey followed an unexpected path: a rising novelist (who is often paired with Jean Rhys in critical discussion) and Fabian socialist in England and the United States, she returned to Dominica to organize the peasantry and estate workers into the island's first political party. Ostracized by the white elite into which she was born, she led the Dominica Labour party to power and became the West Indian Federation's only woman (and only white) minister, only to find herself expelled from the party when the rise of black nationalism made it expedient. The biography recreates Allfrey's life as it unfolds against the background of twentieth-century Caribbean political and literary history, from the decline of the planter class through the rise of party politics and the efforts to join the anglophone West Indies into a federation, to the troubled sixties and seventies, decades marked by racial violence and the emergence of the former British territories from colonial control. This volume includes five autobiographical stories that have long been out of print.
Coclanis here charts the economic and social rise and fall of a small, but intriguing part of the American South: Charleston and the surrounding South Carolina low country. Spanning 250 years, his study analyzes the interaction of both external and internal forces on the city and countryside, examining the effect of various factors on the region's economy from its colonial beginnings to its collapse in the 19th and early 20th centuries.
First Published in 1999. For This Land, edited and with an introduction by James Treat, brings together over thirty years of the work of Vine Deloria, Jr., regarded as one of the most important living Native American figures. For three decades, Deloria has offered substantive and persistent contributions to understanding the complexity of religion in America. In uis writings he recognizes the spiritual desperation and religious breakdown in the contemporary situation, and provides the groundwork to get people to examine what they actually believe and how they must put those beliefs into practice. The essays in this collection express Deloria's concern for the religious dimensions and implications of human existence. His writings are engaged within a theoretical system of physical, not ideological, space, and ultimately give voice to this intellectual passion by calling into question our controversial religious institutions, commitments, worldviews, freedoms and experiences. For This Land offers a distinctive approach to comprehending human existence from one of the leading critics of mainstream American thought.
JAMAICA: Teal blue waters, sandy beaches, scintillating cuisine, globally renown rum and Blue Mountain coffee. One hundred fifty years under Spanish rule and then three hundred years under English dominion. Early spectacular hotels, then spectacular all-inclusives resorts. Hippies came to Negril and made it the “Capital of Casual.” Bob Marley spread reggae music worldwide and became a major tourism promoter for the island adding to the glitz from the English celebrities of the 1950s who came to the North Coast. Errol Flynn, Ian Fleming, and Noel Coward attracted jet setters to the island as did fictional super spy James Bond, Agent 007. Tourism growth and development, measured and conservative, free-flowing and exuberant – all existing in a dynamic, remarkable and one-of-a-kind setting. Jamaica, a cacophony of sights and delights. Ya mon, come to Jamaica, an island paradise that has it all.
Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs’s Tarzan novels to the ‘black Zion’ of Garvey’s Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of ‘Africa’ as it exists in the American mindset.