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Millions upon millions of salmon and steelhead once filled California streams, providing a plentiful and sustainable food resource for the original peoples of the region. But over the years, dams and irrigation diversions have reduced natural spawning habitat from an estimated 6,000 miles to fewer than 300. River pollution has also hit hard at fish populations, which within recent decades have diminished by 80 percent. One species, the San Joaquin River spring chinook, became extinct soon after World War II. Other species are nearly extinct. This volume documents the reasons for the decline; it also offers practical suggestions about how the decline might be reversed. The California salmon story is presented here in human perspective: its broad historical, economic, cultural, and political facets, as well as the biological, are all treated. No comparable work has ever been published, although some of the material has been available for half a century. In the richly varied contributions in this volume, the reader meets Indians whose history is tied to the history of the salmon and steelhead upon which they depend; commercial trollers who see their livelihood and unique lifestyle vanishing; biologists and fishery managers alarmed at the loss of river water habitable by fish and at the effects of hatcheries on native gene pools. Women who fish, conservation-minded citizens, foresters, economists, outdoor writers, engineers, politicians, city youth restoring streambeds—all are represented. Their lives—and the lives of all Californians—are affected in myriad ways by the fate of California's salmon and steelhead. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
The thousands of ritual bronze vessels discovered by China's archaeologists serve as the major documentary source for the Western Zhou dynasty (1045-771 B.C.). These vessels contain long inscriptions full of detail on subjects as diverse as the military history of the period, the bureaucratic structure of the royal court, and lawsuits among the gentry. Moreover, being cast in bronze, the inscriptions preserve exactly the contemporary script and language. Shaughnessy has written a meticulous and detailed work on the historiography and interpretation of these objects. By demonstrating how the inscriptions are read and interpreted, Shaughnessy makes accessible in English some of the most important evidence about life in ancient China.
This is the first book in a series wherein Late Shang to Zhou dynasty ritual bronze vessels with inscriptions that have been found in the Philippines will be documented including: details, background, photographs, inscriptions, relevant and historical information. Part 1 focuses on bronze ritual wine vessels with inscriptions that have been unearthed in the Philippines.
This set is the second installation in a three-volume catalog of the Sackler collection of ancient Chinese bronzes at Harvard University, undertaken by some of the premier scholars in the field. Robert W. Bagley's Shang Ritual Bronzes in the Arthur M. Sackler Collections (Arthur M. Sackler Foundation, 1987) and Jenny F. So's forthcoming Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections complete the set. Rawson's contribution starts with Volume IIA, a survey of Western Zhou (c.1050-771 B.C.) bronze types, with more emphasis on dating of shapes and designs than on the use or meaning of the vessels. A wealth of appendixes include information on archaeological sites, inscriptions, and detailed laboratory analyses of bronze samples. Volume lib is the catalog itself, with a full-page color photograph of each vessel followed by a detailed description and comparisons with relevant pieces from other collections. Although probably not of much interest to the general public, this work gathers a tremendous amount of information for specialists and researchers.
Recent discoveries of bronze ritual vessels from ancient China provide the ground for this collection of essays, which focus in particular on the nature and patterns of family lineages as seen from these artifacts found in tombs throughout north China. Based on careful readings of the inscriptions on the bronze vessels, the editor and his eight contributors reconstruct the genealogies, kinship structures, political identities, and relationship networks of leading families and individuals from BronzeAge China. The rich scholarship also contributes to our understanding of the archaeology, chronology, warfare, and legal structures of ancient China. "The bronze inscriptions from ancient China are far too important to be left to the specialized archaeologists alone. Professor Shaughnessy and his group of leading practitioners of the arcane art of teasing out the meaning implicit and explicit in these extraordinarily difficult--often only recently discovered--inscriptions allow us to look over their shoulders as they struggle valiantly with some of the richest sources from the earliest stages of Chinese intellectual ethnography and literary culture. This volume provides the kind of handson and welldocumented exploratory philology that opens up a wide field of general discussion concerning an early formative stage of Chinese civilization." --Christoph Harbsmeier, Professor Emeritus of Chinese, University of Oslo
The bronze ritual vessel, the defining artifact of early Chinese civilization, is the subject of this monumental study of Shang ritual bronzes in the Arthur M. SAckler Collections. A Comprehensive introduction, the most thorough treatment of Shang bronzes in any language, lays the foundation for 104 catalogue entries, many of which explore in greater detail specific problems in casting technology, epigraphy, vessel typology, and provincial bronze styles. COlor plates of all the Sackler bronzes are supplemented by rubbings, details, and more than 500 comparative illustrations.THroughout the book the author has made systematic use of the astonishing archaeological discoveries of the last 15 years, discoveries which include major finds of pre-Anyang bronzes and the unprecedented excavation in 1976 of an intact Shang royal tomb. NO less revealing, however, are technical studies of Chinese bronzes carried out in the West, including studies of the bronzes catalogued here, for Dr. BAgley shows technical factors to have played a crucial role in the development of the Shang artistic tradition. BY giving special attention to the formative stages of the Shang bronze industry, he is able to trace in precise detail the complex interaction of technique and design which led from modest beginnings at Erlitou to the spectacular bronzes of the Anyang period (c.1300-1030 BC). IN the spirit of Jean Bony's remark that "each moment has its right to be considered ultimate," pre-Anyang bronzes are treated not as stepping stones to the more familiar bronzes of Anyang times but as objects deserving attention in their own right. NEvertheless Anyang bronzes become at once less familiar and more intelligible when viewed in a developmental perspective, and the strict historical approach taken here calls into question current interpretations of their decoration. TEn years in the making, this book will be of interest not only to students of Chinese archaeology but also to historians of technology, to art historians interested in the process of artistic invention, and to archaeologists concerned with the comparative study of ancient civilizations.